Jacob and Esau (recto); Head of a Young Woman Asleep (verso)

by descent to his daughters, Mrs. Chauncey McCormick (née Marion Deering

The Art Institute of Chicago, "Rubens, Rembrandt, and Drawing in the Golden Age", September 28, 2019 - January 5, 2020, pp. 73, 75 (ill.), 303, cat. 23, cat. by Victoria Sancho Lobis, et. al.

1885–1957), Chicago

Worcester Art Museum, Rembrandt and his Circle, A Loan Exhibition of Paintings, Drawings, and Etchings, Feb. 4–Mar. 1, 1936, p. 46, no. 52 (as Samuel van Hoogstraten).

Art Institute of Chicago, [Loan Exhibition of] Paintings, Drawings, and Etchings by Rembrandt and His Circle, Dec. 19, 1935–Jan. 19, 1936, p. 40, cat. 52 (as Samuel van Hoogstraten).

Art Institute of Chicago, A Century of Progress, Exhibition of Paintings and Sculpture, Lent from American Collections, June 1 to November 1, 1933, p. 87, cat. 809 (as Samuel van Hoogstraten).

Daniel Catton Rich, “Two Drawings of the Rembrandt School,” Bulletin of the Art Institute of Chicago XXIII:5 (1929), p. 53–55, (as Samuel van Hoogstraten).

W. McC. McK. “Drawings from the Charles Deering Collection,” Bulletin of the Art Institute of Chicago XXII (May, 1928), p. 65 (as Samuel van Hoogstraten).

15th Earl of Shrewsbury (1753–1827), Alton Towers, Staffordshire, England [Deering collection records].  Charles Deering (1852–1927), Chicago [stamp (Lugt 516) verso, lower right, in blue]

given to the Art Institute of Chicago, 1927.

Werner Sumowski, Drawings of the Rembrandt School, ed. And trans. Walter L. Strauss (New York: Abaris Books, 1981), vol. 8, no. 2008x , p. 4480–81 (ill. p. 4481) (as Nicolaes Maes).