ArtworkStatus unknown

Saint Luke Drawing the Virgin and Christ Child

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oil paint (paint)34 × 47 Cm

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About the artwork
Artist supplied description.

Girolamo da Carpi was one of the most gifted artists at the court of the Este family of Ferrara, an important artistic center during the Italian Renaissance. This intimate work was painted for the Estes and adorned the oratory chapel of their palace. In the painting, Saint Luke draws the Virgin and Child while Saint Joseph watches unobtrusively from a doorway. As in many Renaissance works, Christ appears agitated—seemingly possessing foreknowledge of his death. He may be reacting to the spearlike yarnwinder, an attribute of the Three Fates and, consequently, a traditional symbol of death.

After leaving the Estes, the painting came into the possession, successively, of two Roman cardinals, two Roman princes, the English Duke of Westminster, Baron Alfred de Rothschild, and the Earl of Carnavon, who famously paid for the excavation of the tomb of King Tutankhamen.

Artwork metadata
Structured fields synced from connected systems.
Mediumoil paint (paint)
Dimensions34 × 47 Cm
Tags
saintsTilenaturetreesmanmenwomanwoman with childrenchildrendeathdoorsdrawingbedartistinteriorholy familyVirgin and child/Madonna and childJesus
CertificateCertificate not provided
Timeline
Chain of custody, exhibitions, and verification milestones synced from the provenance service.
Sun
25
Jan
note

Gustav Waagen, Treasures of Art in Great Britain, vol. 2

Gustav Waagen, Treasures of Art in Great Britain, vol. 2 (London, 1854), p. 169.
Sun
25
Jan
note

sold to the Art Institute of Chicago with Michael Tollemache Fine Art, London, as agent.

sold to the Art Institute of Chicago with Michael Tollemache Fine Art, London, as agent.
Sun
25
Jan
note

probably by descent to her son Prince Giovanni Battista Pamphili (died 1709), Rome

probably by descent to her son Prince Giovanni Battista Pamphili (died 1709), Rome
Sun
25
Jan
note

John Young, A Catalogue of the Pictures at Grosvenor House, London

John Young, A Catalogue of the Pictures at Grosvenor House, London (London, 1820), p. 17, no. 56, ill.
Sun
25
Jan
note

copy in curatorial file]

copy in curatorial file]
Sun
25
Jan
note

Catalogue of the Collection of Pictures at Grosvenor House belonging to his Grace the Duke of Westminster, K.G.,

Catalogue of the Collection of Pictures at Grosvenor House belonging to his Grace the Duke of Westminster, K.G., (London, 1876), p. 24, no. 69.
Sun
25
Jan
note

probably by descent to his son Prince Girolamo Pamphili (died 1760), Rome....

probably by descent to his son Prince Girolamo Pamphili (died 1760), Rome. Acquired in Rome by Richard Dalton about 1763 for Sir Richard Grosvenor, 1st Earl Grosvenor, London, as by Raphael [according to Young 1820, no. 56 and Grosvenor House Catalogue 1876, p. 24, no. 69]
Sun
25
Jan
note

G. F. Waagen, Works of Art and Artists in England, vol. 2

G. F. Waagen, Works of Art and Artists in England, vol. 2 (London, 1838), p. 312.
Sun
25
Jan
note

by descent to her grand-daughter, London

by descent to her grand-daughter, London
Sun
25
Jan
note

Lucrezia had probably inherited it from her father Duke Ercole II d’Este (died 1559) or her uncle Cardinal Ippolito II d’Este (died 1572)]

Lucrezia had probably inherited it from her father Duke Ercole II d’Este (died 1559) or her uncle Cardinal Ippolito II d’Este (died 1572)]
Sun
25
Jan
exhibition

London, Royal Academy of Arts, Exhibition of the Works of the Old Masters, associated with a Collection from the Works of Charles Robert Leslie, R.A., and Clarkson Stanfield, R.A., 1870, no. 33.

London, Royal Academy of Arts, Exhibition of the Works of the Old Masters, associated with a Collection from the Works of Charles Robert Leslie, R.A., and Clarkson Stanfield, R.A., 1870, no. 33.
Sun
25
Jan
note

by descent to his daughter, Almina, Countess of Carnarvon

by descent to his daughter, Almina, Countess of Carnarvon
Sun
25
Jan
note

Larry J. Feinberg, "Notable Acquisitions at the Art Institute of Chicago," Art Institute of Chicago Museum Studies 34, 1

Larry J. Feinberg, "Notable Acquisitions at the Art Institute of Chicago," Art Institute of Chicago Museum Studies 34, 1 (2008), pp. 58, 59, ill.
Sun
25
Jan
note

Giorgia Mancini in Sylvie Béguin and Francesca Piccinini, Nicolò dell’Abate. Storie dipinte nella pittura del Cinquecento tra Modena e Fontainebleau, exh. cat. Foro Boario, Modena, 2005, pp. 322, 324, under no. 98.

Giorgia Mancini in Sylvie Béguin and Francesca Piccinini, Nicolò dell’Abate. Storie dipinte nella pittura del Cinquecento tra Modena e Fontainebleau, exh. cat. Foro Boario, Modena, 2005, pp. 322, 324, under no. 98.
Sun
25
Jan
note

Bert W. Meijer, “Ferrara e il Nord” in Un Rinascimento singolare. La corte degli Este a Ferrara, exh. cat., Palais des Beaux-Arts, Brussels, 2003), p. 225, ill, p. 227; reprinted in Gli Este a Ferrara: una corte nel Rinascimento, exh. cat.,...

Bert W. Meijer, “Ferrara e il Nord” in Un Rinascimento singolare. La corte degli Este a Ferrara, exh. cat., Palais des Beaux-Arts, Brussels, 2003), p. 225, ill, p. 227; reprinted in Gli Este a Ferrara: una corte nel Rinascimento, exh. cat., Castello di Ferrara, 2004, pp. 150, 156, ill. p. 153.
Sun
25
Jan
note

J[adranka] B[entini] in Un Rinascimento singolare. La corte degli Este a Ferrara, exh. cat., Palais des Beaux-Arts, Brussels, 2003), p. 268, under no. 192; reprinted in Gli Este a Ferrara: una corte nel Rinascimento, exh. cat., Castello di ...

J[adranka] B[entini] in Un Rinascimento singolare. La corte degli Este a Ferrara, exh. cat., Palais des Beaux-Arts, Brussels, 2003), p. 268, under no. 192; reprinted in Gli Este a Ferrara: una corte nel Rinascimento, exh. cat., Castello di Ferrara, 2004, p. 430, under no 167.
Sun
25
Jan
note

Lucrezia d’Este (died 1598), Duchess of Urbino, Ferrara, by 1592, when it was recorded in the oratory of the Palazzo d’Este, Ferrara, as “…San Luca che ritrae la Madonna con Nro Sigre in brazzo di mano di Girolamo da Carpi” [see Della Pergo...

Lucrezia d’Este (died 1598), Duchess of Urbino, Ferrara, by 1592, when it was recorded in the oratory of the Palazzo d’Este, Ferrara, as “…San Luca che ritrae la Madonna con Nro Sigre in brazzo di mano di Girolamo da Carpi” [see Della Pergola 1959, p. 343 and Della Pergola 1960, p. 440, no. 42, and Della Pergola 1963, p. 85, no. 312
Sun
25
Jan
note

Paola Della Pergola, “L’Inventario del 1592 di Lucrezia d’Este,” Arte antica e moderna, no. 7

Paola Della Pergola, “L’Inventario del 1592 di Lucrezia d’Este,” Arte antica e moderna, no. 7 (1959), p. 343, under no. 10.
Sun
25
Jan
note

by descent to his son, Hans-Dietrich Gronau (died 1951), London and Florence

by descent to his son, Hans-Dietrich Gronau (died 1951), London and Florence
Sun
25
Jan
note

Roberto Longhi, Officina ferrarese 1934 reprinted with later additions in Opere complete di Roberto Longhi, vol. 5

Roberto Longhi, Officina ferrarese 1934 reprinted with later additions in Opere complete di Roberto Longhi, vol. 5 (Florence, 1956), pp. 79, 166-7, fig. 254.
Sun
25
Jan
note

her sale, Christie’s, London, May 22, 1925, lot no....

her sale, Christie’s, London, May 22, 1925, lot no. 89, to Douglas [according to annotated copy of sale catalogue in Ryerson Library
Sun
25
Jan
note

R....

R. Langton Douglas, London and Fiesole, 1925 [this and the following provided by Michael Tollemache acting as agent for the Gronau family]. Georg Gronau (died 1938), Fiesole, by 1930
Sun
25
Jan
note

Algernon Graves, A Century of Loan Exhibitions, 1813-1912, vol. 3

Algernon Graves, A Century of Loan Exhibitions, 1813-1912, vol. 3 (London, 1914), p. 1111.
Sun
25
Jan
note

Bernhard Berenson, The Venetian Painters of the Renaissance with an Index of their Works, 3rd ed.

Bernhard Berenson, The Venetian Painters of the Renaissance with an Index of their Works, 3rd ed. (New York and London, 1903), pp. 145-46.
Sun
25
Jan
note

by descent to Hugh Richard Arthur Grosvenor, 2nd Duke of Westminster, until at least 1903 [Berenson 1903]....

by descent to Hugh Richard Arthur Grosvenor, 2nd Duke of Westminster, until at least 1903 [Berenson 1903]. Baron Alfred de Rothschild (died 1918), London [according to the 1925 sale catalogue of his daughter’s collection]
Mon
25
Jan
note

his widow, Carmen Gronau (died 1999), London and Florence

his widow, Carmen Gronau (died 1999), London and Florence
Mon
25
Jan
note

Alessandra Pattanaro, “La vocazione raffaellesca di Girolamo da Carpi e il confronto con Giulio Romano” Nuovi studi: Rivista di arte antica e moderna 7

Alessandra Pattanaro, “La vocazione raffaellesca di Girolamo da Carpi e il confronto con Giulio Romano” Nuovi studi: Rivista di arte antica e moderna 7 (1999), pp. 85-86, 100, fig. 109.
Thu
25
Jan
note

Nello Forti Grazzini, “Arazzi di Bruxelles in Italia, 1480-1535: Tracce per un catalogo” in Gli Arazzi del cardinal: Bernardo Cles e il Ciclo della Passione di Pieter van Aelst, ed. Enrico Castelnuovo

Nello Forti Grazzini, “Arazzi di Bruxelles in Italia, 1480-1535: Tracce per un catalogo” in Gli Arazzi del cardinal: Bernardo Cles e il Ciclo della Passione di Pieter van Aelst, ed. Enrico Castelnuovo (Trent, 1990), pp. 41, 65.
Sat
25
Jan
note

Anna Maria Fioravanti Baraldi, “Girolamo Sellari detto da Carpi” in Vera Fortunati Pietrantonio, Pittura bolognese del ‘500, vol. 1

Anna Maria Fioravanti Baraldi, “Girolamo Sellari detto da Carpi” in Vera Fortunati Pietrantonio, Pittura bolognese del ‘500, vol. 1 (Bologna, 1986), p. 211, ill. p. 222.
Wed
25
Jan
note

Matthiesen Fine Art, From Borso to Cesare d’Este. The School of Ferrara 1450-1628: An Exhibition in aid of The Courtauld Institute of Art Trust Appeal, exh. cat. Mathiesen Fine Art Ltd, London, 1984, pp. 91-92, under no. 43.

Matthiesen Fine Art, From Borso to Cesare d’Este. The School of Ferrara 1450-1628: An Exhibition in aid of The Courtauld Institute of Art Trust Appeal, exh. cat. Mathiesen Fine Art Ltd, London, 1984, pp. 91-92, under no. 43.
Tue
25
Jan
note

Vittorio Sgarbi, “Girolamo da Carpi’s ‘Madonna of the Fish’,” Burlington Magazine 125

Vittorio Sgarbi, “Girolamo da Carpi’s ‘Madonna of the Fish’,” Burlington Magazine 125 (1983), p. 680.
Tue
25
Jan
note

Amalia Mezzetti, Girolamo da Ferrara detto da Carpi. L’Opera pittorica

Amalia Mezzetti, Girolamo da Ferrara detto da Carpi. L’Opera pittorica (Milan, 1977), pp. 24-25, 88, 91 (under no. 101), no. 90, fig. 31, pl. 12.
Thu
25
Jan
note

Bernard Berenson, Italian Pictures of the Renaissance, vol. 1

Bernard Berenson, Italian Pictures of the Renaissance, vol. 1 (London, 1968), pp. 188-89, pl. 1814.
Mon
25
Jan
exhibition

Manchester, Manchester City Art Gallery, Between Renaissance and Baroque: European Art 1520-1600, 1965, no. 117.

Manchester, Manchester City Art Gallery, Between Renaissance and Baroque: European Art 1520-1600, 1965, no. 117.
Sat
25
Jan
note

Cesare D’Onofrio, “Inventario dei dipinti del cardinal Pietro Aldobrandini, compilato da G. B. Agucchi nel 1603

Cesare D’Onofrio, “Inventario dei dipinti del cardinal Pietro Aldobrandini, compilato da G. B. Agucchi nel 1603 (II),” Palatino 8 (July-August 1964), p. 159.
Sat
25
Jan
note

bequeathed by her to Cardinal Pietro Aldobrandini (died 1621), Rome and Frascati, listed in 1603 Aldobrandini inventory as by Raphael, “San Luca, che sta ritrando la Madonna, di Raffaelle da Urbino” [see D’Onofrio 1964, Part I, p....

bequeathed by her to Cardinal Pietro Aldobrandini (died 1621), Rome and Frascati, listed in 1603 Aldobrandini inventory as by Raphael, “San Luca, che sta ritrando la Madonna, di Raffaelle da Urbino” [see D’Onofrio 1964, Part I, p. 20, no. 61 and Part II, p. 159, listed under no. 89, as no. 61]
Sat
25
Jan
note

Cesare D’Onofrio, “Inventario dei dipinti del cardinal Pietro Aldobrandini, compilato da G. B. Agucchi nel 1603

Cesare D’Onofrio, “Inventario dei dipinti del cardinal Pietro Aldobrandini, compilato da G. B. Agucchi nel 1603 (I),” Palatino 8 (January-March 1964), p. 20.
Fri
25
Jan
note

Paola Della Pergola, “Gli Inventari Aldobrandini: L’Inventario del 1682

Paola Della Pergola, “Gli Inventari Aldobrandini: L’Inventario del 1682 (II),” Arte antica e moderna, no. 21 (1963), pp. 74, 85, no. 312.
Fri
25
Jan
note

by descent to his niece Olimpia Aldobrandini (died 1682), Rome and Frascati, in 1682 inventory as no....

by descent to his niece Olimpia Aldobrandini (died 1682), Rome and Frascati, in 1682 inventory as no. 312, “Un quadro in tavola con San Luca che sta ritrahendo la Madonna, alto pmi uno e tre quarti, con cornice nera di mano di Raffaele d’Urbino…”[Della Pergola 1963, p. 74]
Mon
25
Jan
note

Paola Della Pergola, “Gli Inventari Aldobrandini,” Arte antica e moderna, no. 21

Paola Della Pergola, “Gli Inventari Aldobrandini,” Arte antica e moderna, no. 21 (1960) pp. 429, 440, no. 42.
Mon
25
Jan
note

by descent to his nephew Cardinal Ippolito Aldobrandini (died 1638), Rome and Frascati, no....

by descent to his nephew Cardinal Ippolito Aldobrandini (died 1638), Rome and Frascati, no. 42 in 1626 Aldobrandini inventory, “Un quadro con S luca che sta ritrahendo la Mad.a di mano di Raffael d’Urbino del n. 61” [Della Pergola 1960, p. 429]
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