ArtworkStatus unknown

Standing Bather, Seen from the Back

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oil paint (paint)21 × 31 Cm

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About the artwork
Artist supplied description.

In the course of making an artwork, Paul Cezanne often significantly altered his original design. Someone, perhaps the artist, cut this canvas from a larger painting, retaining remnants of the other composition. In the lower-left corner, a series of blue lines can be read as the legs of a seated figure from knees to ankles; the body may have continued on an adjacent part of the canvas. These lines sit on top of the background foliage, indicating that Cezanne added this second figure after completing the first, presumably before changing his mind about the direction of the painting or moving on to another work.

Artwork metadata
Structured fields synced from connected systems.
Mediumoil paint (paint)
Dimensions21 × 31 Cm
Tags
nudesrocksbatherstreesfoliagelandscapemanMale
CertificateCertificate not provided
Timeline
Chain of custody, exhibitions, and verification milestones synced from the provenance service.
Mon
26
Jan
note

Achim Borchardt-Hume, Gloria Groom, Caitlin Haskell and Natalia Sidlina, eds., Cezanne, exh. cat.

Achim Borchardt-Hume, Gloria Groom, Caitlin Haskell and Natalia Sidlina, eds., Cezanne, exh. cat. (Chicago: Art Institute of Chicago, 2022), 168 cat. 100.
Mon
26
Jan
exhibition

Art Institute of Chicago, Cezanne, May 15-Sep. 5, 2022, cat. 100; London, Tate, Oct. 5, 2022–Mar. 12, 2023 [Chicago only].

Art Institute of Chicago, Cezanne, May 15-Sep. 5, 2022, cat. 100; London, Tate, Oct. 5, 2022–Mar. 12, 2023 [Chicago only].
Mon
26
Jan
exhibition

New York, Museum of Modern Art, Cezanne: The Drawings, June 6–Sept. 26, 2021, pl. 85.

New York, Museum of Modern Art, Cezanne: The Drawings, June 6–Sept. 26, 2021, pl. 85.
Mon
26
Jan
note

Jodi Hauptman and Samantha Friedman, eds., Cezanne Drawing, exh. cat.

Jodi Hauptman and Samantha Friedman, eds., Cezanne Drawing, exh. cat. (New York: Museum of Modern Art, 2021), 85 pl. 85.
Mon
26
Jan
exhibition

Art Institute of Chicago, Becoming Edvard Munch: Influence, Anxiety, and Myth, Feb. 14–Apr. 26, 2009, cat. 94.

Art Institute of Chicago, Becoming Edvard Munch: Influence, Anxiety, and Myth, Feb. 14–Apr. 26, 2009, cat. 94.
Mon
26
Jan
note

bequeathed to the Art Institute of Chicago, 2007.

bequeathed to the Art Institute of Chicago, 2007.
Mon
26
Jan
note

Ambroise Vollard (died 1939), Paris, by 1931 [Dormoy 1931]....

Ambroise Vollard (died 1939), Paris, by 1931 [Dormoy 1931]. Paul Guillaume (1891–1934), Paris [Rewald 1996]
Mon
26
Jan
note

sold to Mr....

sold to Mr. and Mrs. Chauncey McCormick, Chicago, Jan. 1936
Mon
26
Jan
note

by descent to their son, Brooks McCormick (1917–2006), Chicago

by descent to their son, Brooks McCormick (1917–2006), Chicago
Wed
26
Jan
note

by descent to his widow, Domenica Guillaume (née Juliette Léonie Lacaze, later Mme Jean Walter, 1898–1977), Paris, until 1936 [this and the following according to Art Institute of Chicago incoming receipt R5951]

by descent to his widow, Domenica Guillaume (née Juliette Léonie Lacaze, later Mme Jean Walter, 1898–1977), Paris, until 1936 [this and the following according to Art Institute of Chicago incoming receipt R5951]
© Artist-Unknown. All rights reserved.