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paper (fiber product)48 × 34 Cm
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About the artwork
Artist supplied description.
Amidst the chaos of battle, a shield and lance rest quietly in the foreground. These icons of military prowess are surrounded by bucking horses, falling soldiers, and spears. It is ironic that Giovanni Jacopo Caraglio chose to depict the Romans as skilled cavalrymen, since the cavalry was the weakest part of the Roman army until the late Imperial Period (A.D. 3rd/4th century). The inscription at the bottom of the engraving attributes the design for this print to Raphael; it may preserve a rejected idea for his Battle for the Milvian Bridge in the Sala di Costantino in the Vatican, Rome.
Artwork metadata
Structured fields synced from connected systems.
| Medium | paper (fiber product) |
| Dimensions | 48 × 34 Cm |
| Certificate | Certificate not provided |
Timeline
Chain of custody, exhibitions, and verification milestones synced from the provenance service.
Fri
18
Feb
exhibition
Champaign, Illinois, “Raphael and the Ruins of Rome: The Poetic Dimensions, ” Krannert Art Museum, University of Illinois at Urbana- Champaign, November 12, 1983-January 22, 1984, p. 40.
Champaign, Illinois, “Raphael and the Ruins of Rome: The Poetic Dimensions,” Krannert Art Museum, University of Illinois at Urbana- Champaign, November 12, 1983-January 22, 1984, p. 40.
© Artist-Unknown. All rights reserved.
