ArtworkStatus unknown

Jesus Mocked by the Soldiers

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oil paint (paint)148 × 190 Cm

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About the artwork
Artist supplied description.

For this monumental painting, Édouard Manet depicted Jesus Christ at the end of his life, beaten and awaiting crucifixion. The Roman soldiers force him to don a crown of thorns and proffer a reed “scepter” and purple cloak, all intended to ridicule him as “King of the Jews,” a title bestowed ironically by his tormenters. Manet, who painted very few religious subjects, transformed this sacred narrative into a gritty drama that marries realism with theatricality. Shown without a halo, Jesus glows against the dark background. Is he a holy being emanating divine light or a real man posing under a studio spotlight? The painting caused a scandal in its own time for precisely this ambiguity.

Artwork metadata
Structured fields synced from connected systems.
Mediumoil paint (paint)
Dimensions148 × 190 Cm
Tags
Christian subjectsweaponssoldiersreligious figuresJesusChristianityemotionsreligious scenesmenreligionCentury of Progressworld's fairsChicago World's FairsbloodcrownsNarrative
CertificateCertificate not provided
Timeline
Chain of custody, exhibitions, and verification milestones synced from the provenance service.
Sat
14
Feb
note

James Jackson Jarves, Experiences and Observations of an American Amateur in Europe

James Jackson Jarves, Experiences and Observations of an American Amateur in Europe (Boston, 1879), p. 269.
Sat
14
Feb
exhibition

Paris, Pavillon de l’Alma, Manet Exposition Particuliére, 1867, cat. 6.

Paris, Pavillon de l’Alma, Manet Exposition Particuliére, 1867, cat. 6.
Sat
14
Feb
note

by descent to Léon Leenhoff, Paris, 1883

by descent to Léon Leenhoff, Paris, 1883
Sat
14
Feb
note

F. Jahyer, Salon de 1865

F. Jahyer, Salon de 1865 (Paris, 1865), p. 23.
Sat
14
Feb
note

E. Bazire, Manet

E. Bazire, Manet (Paris, 1884), p. 44.
Sat
14
Feb
exhibition

New York, Durand-Ruel Galleries, Exposition of Paintings by Edouard Manet, March 1895, cat. 9.

New York, Durand-Ruel Galleries, Exposition of Paintings by Edouard Manet, March 1895, cat. 9.
Sat
14
Feb
note

copy of archival reference in curatorial object file]

copy of archival reference in curatorial object file]
Sat
14
Feb
note

G. Privat, Place aux Jeunes, causeries critiques sur le Salon de 1865

G. Privat, Place aux Jeunes, causeries critiques sur le Salon de 1865 (Paris, 1865), p. 42.
Sat
14
Feb
exhibition

Paris, Salon, 1865, cat. 1427

Paris, Salon, 1865, cat. 1427
Sat
14
Feb
note

Estate of the artist, Paris, 1883 [the inventory lists the painting as no....

Estate of the artist, Paris, 1883 [the inventory lists the painting as no. 17 as Le Christ insulté par les soldats]
Sat
14
Feb
note

Emile Zola, Preface in Manet Exposition Particulière, exh. cat.

Emile Zola, Preface in Manet Exposition Particulière, exh. cat. (Paris, 1867), p. 34.
Sat
14
Feb
note

copy of archival reference in curatorial object file]

copy of archival reference in curatorial object file]
Sat
14
Feb
note

“Manet, Cat. 5, Jesus Mocked by the Soldiers,” in Manet Paintings and Works on Paper at the Art Institute of Chicago

“Manet, Cat. 5, Jesus Mocked by the Soldiers,” in Manet Paintings and Works on Paper at the Art Institute of Chicago (Art Institute of Chicago, 2017), https://publications.artic.edu/manet/reader/manetart/section/140020.
Sat
14
Feb
note

Gabriella Belli, Guy Cogeval and Stéphane Guégan, Manet: Ritorno a Venezia

Gabriella Belli, Guy Cogeval and Stéphane Guégan, Manet: Ritorno a Venezia (Venice: SKIRA, 2013), 118, 120–21 cat. 30.
Sat
14
Feb
exhibition

Venice, Palazzo Ducale, Manet (1832–1883) and Venice, April 24 – August 18, 2013, cat. 30

Venice, Palazzo Ducale, Manet (1832–1883) and Venice, April 24 – August 18, 2013, cat. 30
Sat
14
Feb
note

Mary Mathews Gedo, “The Perils of Young Love: Monet’s Magnificent Failure,” Monet and His Muse: Camille Monet in the Artists Life, Chicago: The University of Chicago Press, 2010. p. 27.

Mary Mathews Gedo, “The Perils of Young Love: Monet’s Magnificent Failure,” Monet and His Muse: Camille Monet in the Artists Life, Chicago: The University of Chicago Press, 2010. p. 27.
Sat
14
Feb
note

Alex Worth, “The Lost Photographs of Edouard Manet,” Art in America

Alex Worth, “The Lost Photographs of Edouard Manet,” Art in America (January 2007), p. 59 (ill.).
Sat
14
Feb
exhibition

Madrid, Museo National del Prado, Manet en el Prado, October 14, 2003-January 11, 2004, cat. 66 (ill.).

Madrid, Museo National del Prado, Manet en el Prado, October 14, 2003-January 11, 2004, cat. 66 (ill.).
Sat
14
Feb
note

A. de Leiris, “Manet’s Christ Scourged by Soldiers,” The Art Bulletin 41, 2

A. de Leiris, “Manet’s Christ Scourged by Soldiers,” The Art Bulletin 41, 2 (June 1959), pp. 198–201 (ill.).
Sat
14
Feb
note

F. J. W. Hemming and R. J. Niess, E. Zola, Salons

F. J. W. Hemming and R. J. Niess, E. Zola, Salons (Geneva and Paris, 1959), p. 97.
Sat
14
Feb
note

John Richardson, Édouard Manet: Paintings and Drawings

John Richardson, Édouard Manet: Paintings and Drawings (London, 1958), pp. 24, 121.
Sat
14
Feb
note

The Art Institute of Chicago, A Brief Guide to the Collections

The Art Institute of Chicago, A Brief Guide to the Collections (Chicago, 1956), p. 34.
Sat
14
Feb
note

N. G. Sandblad, Manet, Three Studies in Artistic Conception

N. G. Sandblad, Manet, Three Studies in Artistic Conception (Lund, 1954), pp. 150, 157.
Sat
14
Feb
note

George Heard Hamilton, Manet and His Critics

George Heard Hamilton, Manet and His Critics (New Haven, 1954), pp. 34, 65–66, 70, 78, 80–90, 96, 265, pl. 13.
Tue
14
Feb
note

Henri Loyrette and Gary Tinterow, Impressionnisme: Les origins 1895-1869, exh. cat.

Henri Loyrette and Gary Tinterow, Impressionnisme: Les origins 1895-1869, exh. cat. (Paris, Galeries nationales du Grand Palais and New York, Metropolitan Museum of Art, 1995), pp. 51, fig. 74, 112, 312, 401.
Wed
14
Feb
note

Richard Mühleberger, The Bible in Art: The New Testament

Richard Mühleberger, The Bible in Art: The New Testament (New York, 1990), pp. 123, 125 (ill.), 173 (ill.), 176.
Tue
14
Feb
note

Mikael Wivel, Juliet Wilson-Bareau and Hanne Finsen, Manet, exh. cat.

Mikael Wivel, Juliet Wilson-Bareau and Hanne Finsen, Manet, exh. cat. (Copenhagen, Ordrupgaard, 1989), p. 84, fig. a.
Sun
14
Feb
note

The Art Institute of Chicago, Master Paintings in The Art Institute of Chicago

The Art Institute of Chicago, Master Paintings in The Art Institute of Chicago (Chicago, 1988), p. 52 (ill.).
Fri
14
Feb
exhibition

Tokyo, Isetan Museum of Art, Edouard Manet, June 26-July 29, 1986, cat. 7 (ill.); traveled to Fukuoka Art Museum, August 2-31, 1986 and Osaka Municipal Museum of Art, September 9-October 12, 1986.

Tokyo, Isetan Museum of Art, Edouard Manet, June 26-July 29, 1986, cat. 7 (ill.); traveled to Fukuoka Art Museum, August 2-31, 1986 and Osaka Municipal Museum of Art, September 9-October 12, 1986.
Fri
14
Feb
note

Kathleen Adler, Manet

Kathleen Adler, Manet (Oxford, 1986), pp. 62-68, fig. 49.
Tue
14
Feb
note

Gisela Hopp, “Édouard Manet: Christus von den Soldaten Verhöhnt

Gisela Hopp, “Édouard Manet: Christus von den Soldaten Verhöhnt (1865),” in Zusammenhang: Festschrift für Marielene Putscher, ed. by Otto Baur and Otto Glandien (Köln, 1984), pp. 713–733, pl. 1.
Mon
14
Feb
exhibition

Paris, Galeries nationales du Grand Palais, Manet: 1832–1883, April 22–August 1, 1983, cat. 87 (ill.); traveled to New York, Metropolitan Museum of Art, September 10–November 27, 1983.

Paris, Galeries nationales du Grand Palais, Manet: 1832–1883, April 22–August 1, 1983, cat. 87 (ill.); traveled to New York, Metropolitan Museum of Art, September 10–November 27, 1983.
Tue
14
Feb
note

The Art Institute of Chicago, 100 Masterpieces

The Art Institute of Chicago, 100 Masterpieces (Chicago, 1978), p. 86 (ill), 97.
Mon
14
Feb
note

Theodore Reff, Manet: Olympia

Theodore Reff, Manet: Olympia (New York, 1977), pp. 20, 45–47, ill.
Mon
14
Feb
note

Anne Coffin Hanson, Manet and the Modern Tradition

Anne Coffin Hanson, Manet and the Modern Tradition (New Haven and London, 1977), pp. 46, 47, 108, 109, 110, pl. 76.
Fri
14
Feb
note

Denis Rouart and Daniel Wildenstein, Édouard Manet: Catalogue raisonné

Denis Rouart and Daniel Wildenstein, Édouard Manet: Catalogue raisonné (Paris, 1975), v. 1, pp. 102–103, no. 102, ill., p. 104.
Fri
14
Feb
note

George Mauner, Manet: Peintre-Philosophe: A Study of the Painter’s Themes

George Mauner, Manet: Peintre-Philosophe: A Study of the Painter’s Themes (University Park, 1975), p. 140.
Mon
14
Feb
note

George Bazin, Édouard Manet

George Bazin, Édouard Manet (Milan, 1972), pp. 8, 29, 88 (ill.).
Sat
14
Feb
note

John Maxon, The Art Institute of Chicago

John Maxon, The Art Institute of Chicago (London, 1970), pp. 75, 76 (ill.), 283.
Sat
14
Feb
note

Denis Rouart and S. Orienti, Tout l’oeuvre peint de Manet

Denis Rouart and S. Orienti, Tout l’oeuvre peint de Manet (Paris, 1970), p. 88a.
Fri
14
Feb
note

Michael Fried, “’Manet’s Sources’: A critical Evaluation,” Artforum 8, 1

Michael Fried, “’Manet’s Sources’: A critical Evaluation,” Artforum 8, 1 (September 1969), p. 44–45 (ill.), 48 n. 23.
Wed
14
Feb
note

Meret Bodelsen, “Early Impressionist Sales,” Burlington Magazine

Meret Bodelsen, “Early Impressionist Sales,” Burlington Magazine (June 1968), p. 341, no. 17.
Tue
14
Feb
note

The Art Institute of Chicago, Calendar 61

The Art Institute of Chicago, Calendar 61 (January 1967), p. 2.
Tue
14
Feb
note

Phoebe Pool and Sandra Orienti, The Complete Paitnings of Manet

Phoebe Pool and Sandra Orienti, The Complete Paitnings of Manet (New York, 1967), pp. 83, 94-95, fig. 89A.
Mon
14
Feb
exhibition

Philadelphia Museum of Art, Manet, November 3-December 11, 1966, cat. 71 (ill.), traveled to The Art Institute of Chicago, January 13-Februry 19, 1967.

Philadelphia Museum of Art, Manet, November 3-December 11, 1966, cat. 71 (ill.), traveled to The Art Institute of Chicago, January 13-Februry 19, 1967.
Mon
14
Feb
note

George Head Hamiliton, “Is Manet Still Modern,” Art News Annual 31

George Head Hamiliton, “Is Manet Still Modern,” Art News Annual 31 (1966), p. 119 (ill.), 159.
Sun
14
Feb
note

John FitzMaurice Mills, “Art Forum,” The Irish Times

John FitzMaurice Mills, “Art Forum,” The Irish Times (December 22, 1965), p. 6 (ill.).
Fri
14
Feb
note

Theodore Reff, “The Meaning of Manet’s Olympia,” Gazette des Beaux-Arts ser. 6, 63

Theodore Reff, “The Meaning of Manet’s Olympia,” Gazette des Beaux-Arts ser. 6, 63 (February 1964), pp. 115–116.
Tue
14
Feb
note

John Rewald, A History of Impressionism

John Rewald, A History of Impressionism (New York, 1961), pp. 121, 123, 137, n. 39.
Tue
14
Feb
note

The Art Institute of Chicago, Paintings in The Art Institute of Chicago: A Catalogue of the Picture Collection

The Art Institute of Chicago, Paintings in The Art Institute of Chicago: A Catalogue of the Picture Collection (Chicago, 1961), p. 270.
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