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oil paint (paint)100 × 81 Cm
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About the artwork
Artist supplied description.
Here Claude Monet’s future wife, Camille Doncieux, sits on an island in the Seine River, looking toward the hamlet of Gloton, next to the town of Bennecourt, from which she and Monet have presumably rowed. This is the only painting to survive from the brief period that the couple spent in Gloton, which the novelist Émile Zola recommended to Monet as a cheap rural retreat that was easily accessible from Paris. Pentimenti (visible traces of earlier painting beneath a layer or layers of paint) suggest that in an early stage of the painting, Camille held a bonneted child, presumably the couple’s baby, Jean.
Artwork metadata
Structured fields synced from connected systems.
| Medium | oil paint (paint) |
| Dimensions | 100 × 81 Cm |
| Tags | landscapestreesreflectionshousehillsFranceflowersfiguresbuildingboatsweather/seasonsleisurewomenfamilieswaterCentury of Progressworld's fairsChicago World's Fairs |
| Certificate | Certificate not provided |
Timeline
Chain of custody, exhibitions, and verification milestones synced from the provenance service.
Tue
27
Jan
note
Galerie Georges Petit, Claude Monet—A. Rodin, exh. cat.
Galerie Georges Petit, Claude Monet—A. Rodin, exh. cat. (Imp. de l’Art, 1889), p. 28, cat. 7.
Tue
27
Jan
note
249, letter 986.
249, letter 986.
Tue
27
Jan
exhibition
Paris, Galerie Georges Petit, Claude Monet—A. Rodin, June 21–Sept. 21, 1889, cat. 7, as Au bord de l’eau; Bennecourt. 1868. Appartient à M. Clapisson.
Paris, Galerie Georges Petit, Claude Monet—A. Rodin, June 21–Sept. 21, 1889, cat. 7, as Au bord de l’eau; Bennecourt. 1868. Appartient à M. Clapisson.
Tue
27
Jan
note
by descent to the Potter Family, Chicago
by descent to the Potter Family, Chicago
Tue
27
Jan
note
Gloria Groom, et. al. Monet and Chicago, exh. Cat.
Gloria Groom, et. al. Monet and Chicago, exh. Cat. (Chicago: Art Institute, 2020), 26, 28-29, 48 (detail ill.), 49 cat. 15, 130.
Tue
27
Jan
exhibition
Art Institute of Chicago, Monet and Chicago, September 5, 2020-June 14, 2021, cat. 15.
Art Institute of Chicago, Monet and Chicago, September 5, 2020-June 14, 2021, cat. 15.
Tue
27
Jan
note
Rebecca Malinsky, "Pastoral Report: In Fashion and Design, the French Countryside is Abloom this Spring," Wall Street Journal, April 8-9, 2017, D1
Rebecca Malinsky, "Pastoral Report: In Fashion and Design, the French Countryside is Abloom this Spring," Wall Street Journal, April 8-9, 2017, D1 (ill.)
Tue
27
Jan
note
Marco Goldin, ed., Storie dell'Impressionismo: I grandi protagonist da Monet a Renoir da Van Gogh a Gauguin
Marco Goldin, ed., Storie dell'Impressionismo: I grandi protagonist da Monet a Renoir da Van Gogh a Gauguin (Linea d’ombre, 2016), 183 (ill.)
Tue
27
Jan
exhibition
Fort Worth, Texas, Kimbell Art Museum, Monet: The Early Years, Oct. 16, 2016-Jan. 29, 2017, then to San Francisco, California, Legion of Honor, Feb.25-May 29, 2017, cat. 30.
Fort Worth, Texas, Kimbell Art Museum, Monet: The Early Years, Oct. 16, 2016-Jan. 29, 2017, then to San Francisco, California, Legion of Honor, Feb.25-May 29, 2017, cat. 30.
Tue
27
Jan
note
Richard Shiff, "Paraph Painter," in Monet Early Years, by George T. M. Shackelford, Kimbell Art Museum, exh. cat.
Richard Shiff, "Paraph Painter," in Monet Early Years, by George T. M. Shackelford, Kimbell Art Museum, exh. cat. (Yale University Press, 2016), pp. p.59-67 (ill.), fig. 68, 142-145, 204. cat. 30.
Tue
27
Jan
exhibition
Albright-Knox Art Gallery, Buffalo, New York, Monet and the Impressionist Revolution, 1860-1910, Nov. 14, 2015-Mar 20, 2016.
Albright-Knox Art Gallery, Buffalo, New York, Monet and the Impressionist Revolution, 1860-1910, Nov. 14, 2015-Mar 20, 2016.
Tue
27
Jan
note
“Cat. 14: On the Bank of the Seine, Bennecourt, 1868,” in Monet Paintings and Drawings at the Art Institute of Chicago, ed. Gloria Groom and Jill Shaw
“Cat. 14: On the Bank of the Seine, Bennecourt, 1868,” in Monet Paintings and Drawings at the Art Institute of Chicago, ed. Gloria Groom and Jill Shaw (Art Institute of Chicago, 2014), https://publications.artic.edu/monet/reader/paintingsanddrawings/section/135470.
Tue
27
Jan
note
Helga Kessler Aurisch, "The Early Days on the Seine: Le Havre, Paris, Argenteuil," in Helga Kessler Aurisch and Tanya Paul, Monet and the Seine: Impressions of a River, exh. cat.
Helga Kessler Aurisch, "The Early Days on the Seine: Le Havre, Paris, Argenteuil," in Helga Kessler Aurisch and Tanya Paul, Monet and the Seine: Impressions of a River, exh. cat. (Houston: The Museum of Fine Arts Houston, 2014) 20-21 (ill.)
Tue
27
Jan
note
Christopher Lloyd, “Coastal Adventures, Riparian Pleasures: The Impressionists and Boating,” in Christopher Lloyd, Daniel Charles, and Phillip Dennis Cate, Impressionists on the Water, with a contribution by Giles Chardeau, exh. cat.
Christopher Lloyd, “Coastal Adventures, Riparian Pleasures: The Impressionists and Boating,” in Christopher Lloyd, Daniel Charles, and Phillip Dennis Cate, Impressionists on the Water, with a contribution by Giles Chardeau, exh. cat. (Fine Arts Museum of San Francisco/Skira Rizzoli, 2013), pp. 15; ill. 8.
Tue
27
Jan
note
Lynne D. Ambrosini, “Mirrored Waters: Reflections on Monet and His Predecessors,” in Monet in Giverny: Landscapes of Reflection, ed. Benedict Leca, exh. cat.
Lynne D. Ambrosini, “Mirrored Waters: Reflections on Monet and His Predecessors,” in Monet in Giverny: Landscapes of Reflection, ed. Benedict Leca, exh. cat. (Cincinnati Art Museum, 2012), pp. 53, fig. 8; 54.
Tue
27
Jan
note
Mary Mathews Gedo, Monet and His Muse: Camille Monet in the Artist’s Life
Mary Mathews Gedo, Monet and His Muse: Camille Monet in the Artist’s Life (University of Chicago Press, 2010), pp. 48; 76; 77, fig. 5.1; 78–79; 80, fig. 5.2, fig. 5.3; 81, fig. 5.4, fig. 5.5, fig. 5.6, fig. 5.7; 82, fig. 5.8, fig. 5.9; 83–85; 95–96; 98; 102; 104; 182; 219–20; 251, n.17; 259, n. 9.
Tue
27
Jan
note
Charles F. Stuckey, “Jean-Baptiste Camille Corot, Ville-d’Avray: the Birch,” in From Corot to Monet: The Ecology of Impressionism, ed. Stephen F. Eisenman, exh. cat.
Charles F. Stuckey, “Jean-Baptiste Camille Corot, Ville-d’Avray: the Birch,” in From Corot to Monet: The Ecology of Impressionism, ed. Stephen F. Eisenman, exh. cat. (Skira/Rizzoli, 2010), p. 146.
Tue
27
Jan
note
Michael H. Duffy, The Influence of Charles-François Daubigny
Michael H. Duffy, The Influence of Charles-François Daubigny (1817–1878) on French Plein-Air Landscape Painting: Rustic Portrayals of Everyday Life in the Work of a Forerunner to Impressionism, with a preface by Fronia E. Wissman (Edwin Mellen, 2010), p. 111.
Tue
27
Jan
note
Ségolène Le Men, Monet
Ségolène Le Men, Monet (Citadelles & Mazenod, 2010), pp. 122; 124–25, ill. 100.
Tue
27
Jan
note
Stephen F. Eisenman, “Frédéric Bazille, View of a Village,” in From Corot to Monet: The Ecology of Impressionism, ed. Stephen F. Eisenman, exh. cat.
Stephen F. Eisenman, “Frédéric Bazille, View of a Village,” in From Corot to Monet: The Ecology of Impressionism, ed. Stephen F. Eisenman, exh. cat. (Skira/Rizzoli, 2010), p. 210.
Tue
27
Jan
note
Jane Mayo Roos, Auguste Rodin
Jane Mayo Roos, Auguste Rodin (Phaidon, 2010), p. 6, fig. 2.
Tue
27
Jan
note
David Clarke, Water and Art: A Cross-Cultural Study of Water as Subject and Medium in Modern and Contemporary Artistic Practice
David Clarke, Water and Art: A Cross-Cultural Study of Water as Subject and Medium in Modern and Contemporary Artistic Practice (Reaktion, 2010), pp. 87; 88, ill.. 32; 89.
Tue
27
Jan
note
Renée Grimaud, 50 ans d’expositions au Grand Palais, Galeries nationales
Renée Grimaud, 50 ans d’expositions au Grand Palais, Galeries nationales (Réunion des Musées Nationaux, 2009), p. 104 (detail).
Tue
27
Jan
exhibition
Art Institute of Chicago, Becoming Edvard Munch: Influence, Anxiety, and Myth, Feb. 14–Apr. 26, 2009, cat. 126 (ill.).
Art Institute of Chicago, Becoming Edvard Munch: Influence, Anxiety, and Myth, Feb. 14–Apr. 26, 2009, cat. 126 (ill.).
Tue
27
Jan
note
Susie Hodge, Monet: His Life and Works in 500 Images
Susie Hodge, Monet: His Life and Works in 500 Images (Lorenz, 2009), p. 110 (ill.).
Tue
27
Jan
note
Jay A. Clarke, Becoming Edvard Munch: Influence, Anxiety, and Myth, exh. cat.
Jay A. Clarke, Becoming Edvard Munch: Influence, Anxiety, and Myth, exh. cat. (Art Institute of Chicago/Yale University Press, 2009), pp. 14; 15, fig. 4; 203 (ill.); 226, cat. 126.
Tue
27
Jan
note
Charles Stuckey, “Monet et la vision immediate
Charles Stuckey, “Monet et la vision immediate (Monet and the Act of Vision),” in Musée Marmottan Monet, Monet, l’oeil impressionniste (Monet, the Impressionist’s eye),” exh. cat. (Musée Marmottan Monet, 2008), pp. 37; 38, fig. 2; 39–40.
Tue
27
Jan
note
Jeanne-Marie David, “Une étude de la signature de Claude Monet,” Zeitschrift für Kunsttechnologie und Konservierung 22, 2
Jeanne-Marie David, “Une étude de la signature de Claude Monet,” Zeitschrift für Kunsttechnologie und Konservierung 22, 2 (2008), front cover (ill.); pp. 303; 304, fig. 8.
Tue
27
Jan
note
Denis Rouart, “Appearances and Reflections,” in Denis Rouart and Jean-Dominique Rey, Monet, Water Lilies: The Complete Series, with a cat. rais. by Julie Rouart, trans. David Radzinowicz
Denis Rouart, “Appearances and Reflections,” in Denis Rouart and Jean-Dominique Rey, Monet, Water Lilies: The Complete Series, with a cat. rais. by Julie Rouart, trans. David Radzinowicz (Flammarion/Rizzoli, 2008), pp. 22, 38, 48. Simultaneously revised and published in French as Denis Rouart and Jean-Dominique Rey, with a cat. rais. by Julie Rouart, Monet, les nymphéas (Flammarion, 2008).
Tue
27
Jan
exhibition
Fort Worth, Tex., Kimbell Art Museum, The Impressionists: Master Paintings from the Art Institute of Chicago, June 29–Nov. 2, 2008, cat. 13 (ill.).
Fort Worth, Tex., Kimbell Art Museum, The Impressionists: Master Paintings from the Art Institute of Chicago, June 29–Nov. 2, 2008, cat. 13 (ill.).
Tue
27
Jan
note
Gloria Groom and Douglas Druick, with the assistance of Dorota Chudzicka and Jill Shaw, The Impressionists: Master Paintings from the Art Institute of Chicago, exh. cat.
Gloria Groom and Douglas Druick, with the assistance of Dorota Chudzicka and Jill Shaw, The Impressionists: Master Paintings from the Art Institute of Chicago, exh. cat. (Art Institute of Chicago/Kimbell Art Museum, 2008), pp. 13 (ill.); 48–49, cat. 13 (ill.); 111. Simultaneously published as Gloria Groom and Douglas Druick, with the assistance of Dorota Chudzicka and Jill Shaw, The Age of Impressionism at the Art Institute of Chicago (Art Institute of Chicago/Yale University Press, 2008), pp. 13 (ill.); 48–49, cat. 13 (ill.); 111.
Tue
27
Jan
note
James H. Rubin, Impressionism and the Modern Landscape: Productivity, Technology, and Urbanization from Manet to Van Gogh
James H. Rubin, Impressionism and the Modern Landscape: Productivity, Technology, and Urbanization from Manet to Van Gogh (University of California Press, 2008), p. 136.
Tue
27
Jan
note
Ruth Butler, Hidden in the Shadow of the Master: The Model-Wives of Cézanne, Monet, and Rodin
Ruth Butler, Hidden in the Shadow of the Master: The Model-Wives of Cézanne, Monet, and Rodin (Yale University Press, 2008), pp. 138, 139 (ill.).
Tue
27
Jan
note
Stéphane Lambert, L’adieu au paysage: Les Nymphéas de Claude Monet
Stéphane Lambert, L’adieu au paysage: Les Nymphéas de Claude Monet (Éd. de la Différence, 2008), pp. 21, fig. 5; 63; 119.
Tue
27
Jan
note
Christopher Riopelle, “Rowers at Argenteuil, about 1873–4,” in Renoir Landscapes 1865–1883, ed. Colin B. Bailey and Christopher Riopelle, exh. cat
Christopher Riopelle, “Rowers at Argenteuil, about 1873–4,” in Renoir Landscapes 1865–1883, ed. Colin B. Bailey and Christopher Riopelle, exh. cat (National Gallery, London, 2007), p. 142.
Tue
27
Jan
note
Dorothee Hansen and Wulf Herzogenrath, eds., Monet und Camille: Frauenportraits im Impressionismus, exh. cat.
Dorothee Hansen and Wulf Herzogenrath, eds., Monet und Camille: Frauenportraits im Impressionismus, exh. cat. (Kunsthalle Bremen/Hirmer, 2005), pp. 78–79, cat. 10 (ill.); 90; 128; 187, cat. 10 (ill.). Translated by John Southard, Holly Richardson, and Elizabeth Volk as Monet and Camille: Portraits of Women in Impressionism (Kunsthalle Bremen, 2005), pp. 25–26, cat. 10 (ill.); 32; 50.
Tue
27
Jan
exhibition
Kunsthalle Bremen, Monet und Camille: Frauenportraits im Impressionismus, October 15, 2005–February 26, 2006, cat. 10 (ill.).
Kunsthalle Bremen, Monet und Camille: Frauenportraits im Impressionismus, October 15, 2005–February 26, 2006, cat. 10 (ill.).
Tue
27
Jan
note
Birgit Zeidler, Claude Monet: Life and Work, trans. Paul Aston in association with Goodfellow & Egan
Birgit Zeidler, Claude Monet: Life and Work, trans. Paul Aston in association with Goodfellow & Egan (Könemann, 2005), p. 30 (ill.).
Tue
27
Jan
note
Dorothee Hansen, “Monet und Camille: Biographie einer Beziehung,” in Monet und Camille: Frauenportraits im Impressionismus, ed. Dorothee Hansen and Wulf Herzogenrath, exh. cat.
Dorothee Hansen, “Monet und Camille: Biographie einer Beziehung,” in Monet und Camille: Frauenportraits im Impressionismus, ed. Dorothee Hansen and Wulf Herzogenrath, exh. cat. (Kunsthalle Bremen/Hirmer, 2005), pp. 25 (ill.), 28.
Tue
27
Jan
note
Marco Goldin, ed., Monet, la Senna, le ninfee: Il grande fiume e il nuovo secolo, exh. cat.
Marco Goldin, ed., Monet, la Senna, le ninfee: Il grande fiume e il nuovo secolo, exh. cat. (Linea d’Ombra, 2004), p. 310.
Tue
27
Jan
note
Debra N. Mancoff, Monet: Nature into Art
Debra N. Mancoff, Monet: Nature into Art (Publications International, 2003), pp. 22 (ill.).
Tue
27
Jan
note
Richard R. Brettell, From Monet to Van Gogh: A History of Impressionism, vol. 1
Richard R. Brettell, From Monet to Van Gogh: A History of Impressionism, vol. 1 (Teaching Co., 2002), pp. 63, 74, 173.
Tue
27
Jan
note
Sylvie Patin, L’impressionisme
Sylvie Patin, L’impressionisme (Bibliothèque des Arts, 2002), pp. 32; 33, no. 20 (ill.); 294.
Tue
27
Jan
note
Charles Stuckey, “Monet e la Senna,” in Monet: I luoghi della pittura, ed. Marco Goldin, exh. cat.
Charles Stuckey, “Monet e la Senna,” in Monet: I luoghi della pittura, ed. Marco Goldin, exh. cat. (Linea d’Ombra, 2001), p. 52 (ill.).
Tue
27
Jan
note
Asano Haruo and Nakamori Yoshimune, Sezannu to sono jidai [Cezanne and his time], Library of World Art and Artistic Theory 7
Asano Haruo and Nakamori Yoshimune, Sezannu to sono jidai [Cezanne and his time], Library of World Art and Artistic Theory 7 (Toshindo, 2000), pp. 40; 41, fig. 32.
Tue
27
Jan
note
Belinda Thomson, Impressionism: Origins, Practice, Reception
Belinda Thomson, Impressionism: Origins, Practice, Reception (Thames & Hudson, 2000), pp. 97, ill. 90; 98; 266.
Tue
27
Jan
note
Richard R. Brettell, Impression: Painting Quickly in France, 1860–1890, exh. cat.
Richard R. Brettell, Impression: Painting Quickly in France, 1860–1890, exh. cat. (Sterling and Francine Clark Art Institute/Yale University Press, 2000), pp. 112, fig. 66; 113.
Tue
27
Jan
note
Art Institute of Chicago, Impressionism and Post-Impressionism in the Art Institute of Chicago, selected by James N. Wood
Art Institute of Chicago, Impressionism and Post-Impressionism in the Art Institute of Chicago, selected by James N. Wood (Art Institute of Chicago/Hudson Hills, 2000), p. 33 (ill.).
Tue
27
Jan
note
Ivan Olson, The Arts and Critical Thinking in American Education
Ivan Olson, The Arts and Critical Thinking in American Education (Bergin & Garvey, 2000), pp. 16; ill. 2.1.
Wed
27
Jan
note
Henri Mitterand, Zola: Vol. 1
Henri Mitterand, Zola: Vol. 1 (1840–1871) (Fayard, 1999), p. 522.
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