ArtworkStatus unknown

View of Tivoli with the Bridge Over the Anio Waterfall

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paper (fiber product)32 × 43 Cm

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About the artwork
Artist supplied description.

During his stay in Rome, Cornelis van Poelenburch joined an artistic fraternity known as the Bentvueghels (birds of a feather). Among other things, these artists enjoyed day trips outside of the city. The ancient retreat of Tivoli was one of their favorite destinations. Here Poelenburch dramatized the rushing water of the waterfall below the central section of the city by alternating the blank paper (reserve) with dense applications of ink wash.

Artwork metadata
Structured fields synced from connected systems.
Mediumpaper (fiber product)
Dimensions32 × 43 Cm
CertificateCertificate not provided
Timeline
Chain of custody, exhibitions, and verification milestones synced from the provenance service.
Sat
24
Jan
note

by descent to his son, Dr....

by descent to his son, Dr. Einar Perman
Sat
24
Jan
exhibition

The Art Institute of Chicago, "Rubens, Rembrandt, and Drawing in the Golden Age", September 28, 2019 - January 5, 2020, pp. 240-41, 243 (ill.), 307, cat. 89, cat. by Victoria Sancho Lobis, et. al.

The Art Institute of Chicago, "Rubens, Rembrandt, and Drawing in the Golden Age", September 28, 2019 - January 5, 2020, pp. 240-41, 243 (ill.), 307, cat. 89, cat. by Victoria Sancho Lobis, et. al.
Sat
24
Jan
note

Nicolette Sluijter-Seiffert, Cornelis van Poelenburch, 1694/5–1667: The Paintings, Oculi: Studies in the Arts of the Low Countries, Vol. 15, trans. Jennifer M. Milian and Katy Kist

Nicolette Sluijter-Seiffert, Cornelis van Poelenburch, 1694/5–1667: The Paintings, Oculi: Studies in the Arts of the Low Countries, Vol. 15, trans. Jennifer M. Milian and Katy Kist (Amsterdam: John Benjamins Publishing Company, 2016), p. 365, under no. 226 (listed as Formerly Stockholm, E. Perman coll).
Sat
24
Jan
note

sold to the Art Institute of Chicago, 2005.

sold to the Art Institute of Chicago, 2005.
Sat
24
Jan
note

Alan Chong, “The Drawings of Cornelis van Poelenburch,” Master Drawings 25:1

Alan Chong, “The Drawings of Cornelis van Poelenburch,” Master Drawings 25:1 (Spring 1987), p. 25, no. 6 (ill.).
Sat
24
Jan
note

Charles Gasc (1822–after 1869), Spain and Paris [stamp (Lugt 543), recto, lower right, in red]....

Charles Gasc (1822–after 1869), Spain and Paris [stamp (Lugt 543), recto, lower right, in red].  Prof. Einar Perman (1893–1976), Stockholm, by 1962 [Laren 1962]
Fri
24
Jan
note

Marcel Roethlisberger, Bartholomäus Breenbergh Handzeichnungen

Marcel Roethlisberger, Bartholomäus Breenbergh Handzeichnungen (Berlin: Walter de Gruyter, 1969), p. 20, no. 1, as Poelenburch? (ill.).
Wed
24
Jan
exhibition

Laren, Singer Museum, Oude Tekeningen uit de Nederlanden: Verzameling Prof. E. Perman, Stockholm, June 9–Sept. 16, 1962, p. 10, cat. 22, pl. 32 (as Breenbergh).

Laren, Singer Museum, Oude Tekeningen uit de Nederlanden: Verzameling Prof. E. Perman, Stockholm, June 9–Sept. 16, 1962, p. 10, cat. 22, pl. 32 (as Breenbergh).
© Artist-Unknown. All rights reserved.