Virgin and Child

Christina M. Nielsen, ed. Devotion and Splendor: Medieval Art at the Art Institute of Chicago, Museum Studies 30, 2 (2004), p. 39, cat. 19.

Victor Lasareff, “Un nuovo capolavoro della pittura fiorentina duecentesca,” Rivista d’arte 30 (1955), pp. 49 n. 104, 52, 53, n. 118.

Carlo Ludovico Ragghianti, Pittura del dugento a Firenze, Sele arte monografie, vol. 1 (Florence, 1955), p. 99, fig. 141.

Frederick A. Sweet, “La pittura italiana all’Art Institute di Chicago,” Le vie del mondo: Rivista mensile del Touring Club Italiano 15 (1953), pp. 689, 691, 708, ill.

The Art Institute of Chicago, Masterpiece of the Month, December 1951, no cat.

Edward B. Garrison, Italian Romanesque Panel Painting: An Illustrated Index (Florence, 1949), pp. 23, 89, no. 213, ill.

Art Institute of Chicago, An Illustrated Guide to the Collections of the Art Institute of Chicago (Chicago, 1948), p. 25.

Roberto Longhi, “Guidizio sul duecento,” Proporzioni 2 (1948), p. 43, under M.64; reprinted in Opere complete di Roberto Longhi, vol. 7 (Florence, 1974), p. 40, under M. 64.

Edward B. Garrison, Jr., “Post-War Discoveries: Early Italian Paintings—I,” Burlington Magazine 89 (1947), p. 152.

Luigi Coletti, I primitivi, vol. 1 (Novara, 1941), p. XXXIII.

Giulia Sinibaldi and Giulia Brunetti, Pittura italiana del duecento e trecento: Catalogo della Mostra Giottesca di Firenze del 1937 (Florence, 1943), p. 61, under no. 18, p. 175, under no. 54, p. 213, under no. 64, pp. 217-218, under no. 65.

Art Institute of Chicago, A Brief Illustrated Guide to the Collection (Chicago, 1935), p. 20, ill.

C. J. Bulliet, Art Masterpieces in a Century of Progress: Fine Arts Exhibition at The Art Institute of Chicago, vol. 1 (Chicago, 1933), no. 27.

Daniel Catton Rich, “The Paintings of Martin A. Ryerson,” Bulletin of the Art Institute of Chicago 27 (1933), p. 3.

Alfred M. Frankfurter, “A Century of Progress,” Fine Arts 20, 2 (1933), p. 9, 59-60, ill.

bequeathed to the museum in 1933.

The Art Institute of Chicago, A Century of Progress, 1933, no. 99.

R. Offner, “The Mostra del Tesoro di Firenze Sacra-I,” Burlington Magazine 63 (1933), p. 80.

Raimond van Marle, Le scuole della pittura italiana, rev. ed. of English text, vol. 1 (The Hague and Milan, 1932), p. 213.

The Art Institute of Chicago, A Guide to the Paintings in the Permanent Collection (Chicago, 1931), p. 183.

Lionello Venturi, Pitture italiane in America (Milan, 1931), pl. 111.

Evelyn Sandberg-Vavalà, La croce dipinta italiana e l’iconografia della passione (Verona, 1929), p. 708, no. 39.

Curt H. Weigelt, “Über die ‘Mütterliche’ Madonna in der italienischen Malerei des 13. Jahrhunderts,” Art Studies 6 (1928), p. 215.

R. M. F[ischkin], “Two Thirteenth-Century Italian Paintings,” Bulletin of the Art Institute of Chicago 20 (1926), pp. 77-80, ill.

Rose Mary Fischkin, “Martin A. Ryerson Collection of Paintings and Sculpture, XIII to XVIII Century, Loaned to The Art Institute of Chicago,” (unpub. MS, Ryerson Library, The Art Institute of Chicago, 1926), pp. 5–6.

The Art Institute of Chicago, A Guide to the Paintings in the Permanent Collection (Chicago, 1925), p. 160, no. 2049.

Bromhead, London [according to Garrison 1949]. Sold by Achille de Clemente, possibly through the agency of Paolo Monari Rocca, Florence, to Martin A. Ryerson (d. 1932), Chicago, 1924 [according to note dated April 12, 1924 signed by Paolo Monari Rocca in Ryerson Papers, AIC Archives]

on loan to AIC from 1924 [according to Registrar’s file]

Miklós Boskovits, The Origins of Florentine Painting, 1100-1270. A Critical and Historical Corpus of Florentine Painting, section 1, volume 1 (Florence, 1993), pp. 616, 629-30, pl. 55.

Christopher Lloyd, Italian Paintings before 1600 in the Art Institute of Chicago: A Catalogue of the Collection (Chicago, 1993), pp. 89–93, ill.

Angelo Tartuferi, La pittura a Firenze nel duecento (Florence, 1990), pp. 38, 52 n. 9, 85, 86, under Panzano, Pieve di San Leolino, fig. 109.

Marco Ciatti, in La pieve di San Leolino a Panzano: Restauro e restituzione dei dipinti recuperati, Il Chianti, storia, arte, cultura, territorio, vol. 8 (Radda in Chianti, 1988), pp. 47–50.

Alessandro Bencistà, Arte nel contado: Itinerari nel Chianti fiorentino all scoperta dei maestri minori (Radda in Chianti, 1987), p. 90.

Luiz C. Marques, La Peinture du duecento en Italie centrale (Paris, 1987), pp. 74, 85, 242 n. 130, 291.

Angelo Tartuferi, “Pittura fiorentina del duecento,” in La pittura in Italia: Il duecento e il trecento, vol. 1 (Milan, 1986), p. 275.

Burton B. Fredericksen and Federico Zeri, Census of Pre-Nineteenth-Century Italian Paintings in North American Public Collections (Cambridge, Massachusetts, 1972), pp. 140, 310, 571.

John Maxon, The Art Institute of Chicago (New York, 1970), p. 22, ill.

Art Institute of Chicago, Grands Musées 2 (Paris, 1968), pp. 19, 67.

The Art Institute of Chicago, Paintings in The Art Institute of Chicago: A Catalogue of the Picture Collection (Chicago, 1961), p. 34, ill.