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Artwork metadata
Structured fields synced from connected systems.
| Medium | oil paint (paint) |
| Dimensions | 64 × 77 Cm |
| Tags | portraits: female subjectwhite (color)black (color)bowslaceheaddressesportraitsportraitwoman |
| Certificate | Certificate not provided |
Timeline
Chain of custody, exhibitions, and verification milestones synced from the provenance service.
Thu
12
Feb
exhibition
Ipswich Fine Art Club, Ipswich, Suffolk, Works by Gainsborough, Constable, and Old Suffolk Artists, 1887, no. 129, as “Mrs. Phillip Dupont, Wife of the Artist’s Nephew [sic]”.
Ipswich Fine Art Club, Ipswich, Suffolk, Works by Gainsborough, Constable, and Old Suffolk Artists, 1887, no. 129, as “Mrs. Phillip Dupont, Wife of the Artist’s Nephew [sic]”.
Thu
12
Feb
note
Presumably painted for Philip Dupont, husband of the sitter and the artist’s brother-in-law (died 1788), Sudbury
Presumably painted for Philip Dupont, husband of the sitter and the artist’s brother-in-law (died 1788), Sudbury
Thu
12
Feb
note
George Williams Fulcher, Life of Thomas Gainsborough, R.A.
George Williams Fulcher, Life of Thomas Gainsborough, R.A. (London, 1856), p. 206.
Thu
12
Feb
note
by descent to his grandson Richard Gainsborough Dupont (died 1874), also of Sudbury, by 1856 [Fulcher 1856]
by descent to his grandson Richard Gainsborough Dupont (died 1874), also of Sudbury, by 1856 [Fulcher 1856]
Thu
12
Feb
note
Walter Armstrong, Gainsborough and his Place in English Art
Walter Armstrong, Gainsborough and his Place in English Art (London, 1898), p. 194.
Thu
12
Feb
exhibition
London, National Portrait Gallery, “Gainsborough’s Family Album, November 15, 2018-February. 3, 2019, p. 156-157; Princeton University Art Museum, February 23- June 5, 2019.
London, National Portrait Gallery, “Gainsborough’s Family Album, November 15, 2018-February. 3, 2019, p. 156-157; Princeton University Art Museum, February 23- June 5, 2019.
Thu
12
Feb
note
Solkin, David H., Ann Bermingham, and Susan Sloman, Gainsborough’s Family Album, Exh. cat.
Solkin, David H., Ann Bermingham, and Susan Sloman, Gainsborough’s Family Album, Exh. cat. (The National Portrait Gallery, 2018) pp. 156-157
Thu
12
Feb
note
William Vaughan, Gainsborough
William Vaughan, Gainsborough (London, 2002), p. 16, fig. 8.
Thu
12
Feb
note
The Letters of Thomas Gainsborough, ed. John Hayes
The Letters of Thomas Gainsborough, ed. John Hayes (New Haven and London, 2001), p. 156, ill.
Thu
12
Feb
note
Algernon Graves, Art Sales from early in the Eighteenth Century to Early in the Twentieth Century, vol. 1
Algernon Graves, Art Sales from early in the Eighteenth Century to Early in the Twentieth Century, vol. 1 (London, 1918), p. 328.
Thu
12
Feb
note
M. H. Spielmann, “ A Note on Thomas Gainsborough and Gainsborough Dupont,” The Volume of the Walpole Society 5
M. H. Spielmann, “ A Note on Thomas Gainsborough and Gainsborough Dupont,” The Volume of the Walpole Society 5 (1915-17), p. 100.
Wed
12
Feb
note
Sotheby’s, New York, 12 November 1997, British Paintings 1500-1850, p. 76, under no. 71.
Sotheby’s, New York, 12 November 1997, British Paintings 1500-1850, p. 76, under no. 71.
Mon
12
Feb
note
Malcolm Warner in Susan Wise and Malcolm Warner. French and British Paintings from 1600 to 1800 in The Art Institute of Chicago. A Catalogue of the Collection
Malcolm Warner in Susan Wise and Malcolm Warner. French and British Paintings from 1600 to 1800 in The Art Institute of Chicago. A Catalogue of the Collection (Chicago, 1996), pp. 232-235, ill.
Mon
12
Feb
note
the supposed pendant, no....
the supposed pendant, no. 126 in the sale and described as “Philip Dupont, the artist’s nephew [sic]” was also acquired by Chance and is now in the Fitzwilliam Museum, but see Warner 1996]
Fri
12
Feb
note
J....
J. H. Chance, to at least 1887 [Ipswich 1887]. Probably William Carr (died 1925), Ditchingham Hall, Norfolk [in a letter of August 22, 1993 in curatorial file, his granddaughter, Countess Ferrers, suggested that he acquired it when he enlarged Ditchingham Hall about 1911]. His son, Brigadier William Greenwood Carr, D.S.O., Ditchingham Hall (died 1982), certainly by 1955 [annotated photograph in the Ellis Waterhouse archive, Paul Mellon Center, London]
Fri
12
Feb
note
Hugh Belsey, Gainsborough’s Family, exh. cat. Gainsborough’s House, Sudbury, 1988, pp. 19 ill, 20, 24 n. 14, 38, 62.
Hugh Belsey, Gainsborough’s Family, exh. cat. Gainsborough’s House, Sudbury, 1988, pp. 19 ill, 20, 24 n. 14, 38, 62.
Thu
12
Feb
note
sold to the Art Institute, 1987.
sold to the Art Institute, 1987.
Wed
12
Feb
note
by descent to his daughter, Annabel Mary, Countess Ferrers....
by descent to his daughter, Annabel Mary, Countess Ferrers. Richard L. Feigen and Co., New York, by 1986
Sat
12
Feb
note
J.W. Goodison, Fitzwilliam Museum, Cambridge: Catalogue of Paintings, vol. 3, British School
J.W. Goodison, Fitzwilliam Museum, Cambridge: Catalogue of Paintings, vol. 3, British School (Cambridge, 1977), p. 82, under no. 915.
Sun
12
Feb
exhibition
Gainsborough’s House, Sudbury, Suffolk, Gainsborough’s House (opening exhibition), 1961, no. 13.
Gainsborough’s House, Sudbury, Suffolk, Gainsborough’s House (opening exhibition), 1961, no. 13.
Thu
12
Feb
note
sold with his collection, Wheeler and Westoby, Sudbury, May 29, 1874, no....
sold with his collection, Wheeler and Westoby, Sudbury, May 29, 1874, no. 127, as “Mrs. Philip Dupont, wife of the above [no. 126]”, to J.H. Chance for 36 gns. [label on the picture’s stretcher, the price given in an annotated copy of the catalogue at Gainsborough’s House, Sudbury, the buyer in Graves 1918, p. 328
© Artist-Unknown. All rights reserved.
