Sandvika, Norway

Galeries Durand-Ruel, Paris, Exposition de tableaux de Claude Monet, exh. cat. (E. Moreau, 1895), cat. 29 or cat. 30.

the Paris and New York Durand-Ruel stock books give different dates for the sale]

the other only includes a notation of 6.000

Paris, Galeries Durand-Ruel, Exposition de tableaux de Claude Monet, May 10–31, 1895, cat. 29, as Village de Sandviken (Temps de neige) or cat. 30, as Village de Sandviken.

see photocopies of both versions of the sales catalogue in the curatorial object file]

Gloria Groom, et. al. Monet and Chicago, exh. Cat. (Chicago: Art Institute, 2020), 28, 32, 104 cat. 61, 138.

Art Institute of Chicago, Monet and Chicago, September 5, 2020-June 14, 2021, cat. 61.

Richard Thomson, Monet and Architecture, exh. cat. (National Gallery Company London/ Yale University Press, 2018), pp. 82, plate 72 (ill.), 248.

“Cat. 34: Sandvika, Norway, 1895” in Monet Paintings and Drawings at the Art Institute of Chicago, ed. Gloria Groom and Jill Shaw (Art Institute of Chicago, 2014), https://publications.artic.edu/monet/reader/paintingsanddrawings/section/135470.

sold to Durand-Ruel, Paris, for 6,300 francs [per Durand-Ruel,Paris, stock book for 1891–1901 (no. 5186, as Sandviken près Christiania), as confirmed by Paul-Louis Durand-Ruel and Flavie Durand-Ruel, Durand-Ruel Archives, to the Art Institute of Chicago, Feb. 5, 2013, curatorial object file. According to Wildenstein 1996, the picture was sold on May 1, 1899, to Durand-Ruel and Bernheim-Jeune. There are two copies of this sales catalogue, annotated differently with prices and names, at the Rijksbureau voor Kunsthistorische Documentatie. One includes a notation of 6000 and Bernheim, along with a note: “tout à fait exquise”

Fort Worth, Tex., Kimbell Art Museum The Impressionists: Master Paintings from the Art Institute of Chicago, June 29–Nov. 2, 2008, cat. 84 (ill.).

Gloria Groom and Douglas Druick, with the assistance of Dorota Chudzicka and Jill Shaw, The Impressionists: Master Paintings from the Art Institute of Chicago, exh. cat. (Art Institute of Chicago/Kimbell Art Museum, 2008), pp. 164 (detail); 165, cat. 84 (ill.). Simultaneously published as Gloria Groom and Douglas Druick, with the assistance of Dorota Chudzicka and Jill Shaw, The Age of Impressionism at the Art Institute of Chicago (Art Institute of Chicago/Yale University Press, 2008), pp. 164 (detail); 165, cat. 84 (ill.).

James A. Ganz and Richard Kendall, The Unknown Monet: Pastels and Drawings (Sterling and Francine Clark Art Institute/Yale University Press, 2007), p. 167, fig. 146.

Stockholm, Nationalmuseum, Impressionism and the North: Late 19th Century French Avant-Garde Art and Art in the Nordic Countries, 1870–1920, Sept. 25, 2002–Jan. 19, 2003, cat. 149 (ill.); Copenhagen, Statens Museum for Kunst, Feb. 21–May 25, 2003.

Art Institute of Chicago, Impressionism and Post-Impressionism in the Art Institute of Chicago, selected by James N. Wood (Art Institute of Chicago/Hudson Hills, 2000), p. 152 (ill.).

Oscar Reuterswärd, Monet: En konstnärshistorik (Bonniers, 1948), p. 207, fig. 97.

by descent from her son, Bruce Borland, Chicago, 1933

Copenhagen, Ordrupgaard, Monet in Norway, January 26–April 8, 1996, no cat. no. (ill.).

Ordrupgaard, Monet in Norway, trans. James Manley and Joan Fuglesang, exh. cat. (Ordrupgaard, 1996), p. 38 (ill.).

Daniel Wildenstein, Monet, or The Triumph of Impressionism, cat. rais., vol. 1 (Taschen/Wildenstein Institute, 1996), pp. 300 (ill.), 306.

Paul Hayes Tucker, “A Frenchman in the Fjords: Monet’s Norwegian Campaign in 1895,” in Ordrupgaard, Monet in Norway, trans. James Manley and Joan Fuglesang, exh. cat. (Ordrupgaard, 1996), p. 29, n2.

Daniel Wildenstein, Monet: Catalogue raisonné/Werkverzeichnis, vol. 3, Nos. 969–1595 (Taschen/Wildenstein Institute, 1996), pp. 578–80, cat. 1397 (ill.).

Andrew Forge, Monet, Artists in Focus (Art Institute of Chicago, 1995), pp. 49–50; 92, pl. 21.

Art Institute of Chicago, Claude Monet, 1840–1926, July 22–Nov. 26, 1995, cat. 107 (ill.).

Sylvie Patin, “‘Some Absolutely Amazing Snow Effects, but Exceptionally Difficult to Capture,’” in Monet i Norge/Monet en Norvege/Monet in Norway, ed. Karin Hellandsjø, exh. cat. (Rogaland Kunstmuseum/Musée Rodin, 1995), pp. 76, 179 (ill.).

Russell Ash, ed., Impressionists’ Seasons (Pavillion, 1995), p. 79 (ill.).

Nagaoka, Niigata Prefectural Museum of Modern Art, Shikago bijutsukan ten: Kindai kaiga no 100-nen [Masterworks of modern art from the Art Institute of Chicago], Apr. 20–May 29, 1994, cat. 17 (ill.); Nagoya, Aichi Prefectural Museum of Art, June 10–July 24, 1994; Yokohama Museum of Art, Aug. 6–Sept. 25, 1994.

Edward Hirsch, “Illuminations: Four Writers Visit the Art Institute and Transform Paintings into Poetry and Prose,” Chicago Tribune Magazine, Sept. 25, 1994, p. 26 (ill.).

Marianne Alphant, Claude Monet in Norway, trans. Maev de la Guardia (Hazan, 1994), pp. 39 (ill.), 42.

Art Institute of Chicago and Niigata Prefectural Museum of Modern Art, Shikago bijutsukan ten: Kindai kaiga no 100-nen [Masterworks of modern art from the Art Institute of Chicago],exh. cat. (Asahi Shinbunsha, 1994), pp. 76–77, cat. 17 (ill.).

Art Institute of Chicago, Treasures of 19th- and 20th-Century Painting: The Art Institute of Chicago, with an introduction by James N. Wood (Art Institute of Chicago/Abbeville, 1993), p. 124 (ill.).

Daniel Wildenstein, Claude Monet: Catalogue raisonné, vol. 5, Supplément aux peintures: Dessins; Pastels; Index (Wildenstein Institute, 1991), pp. 50, 117.

Daniel Wildenstein, Claude Monet: Biographie et catalogue raisonné, vol. 3, Peintures, 1887–1989 (Bibliothèque des Arts, 1979), pp. 184; 185, cat. 1397 (ill.); 282, letter 1276; 300, pièce justificative 131.

Michael Howard, Monet (Brompton, 1989), pp. 119, 161 (ill.).

Charles F. Stuckey, ed., Monet: A Retrospective (Hugh Lauter Levin, 1985), p. 214, pl. 86.

Tokyo, Seibu Museum of Art, Shikago bijutsukan insho-ha ten [The Impressionist tradition: Masterpieces from the Art Institute of Chicago],Oct. 18–Dec. 17, 1985, cat. 60 (ill.); Fukuoka Art Museum, Jan. 5–Feb. 2, 1986; Kyoto Municipal Museum of Art, Mar. 4–Apr. 13, 1986.

Art Institute of Chicago, Seibu Museum of Art, Kyoto Municipal Museum of Art, and Fukuoka Art Museum, eds., Shikago bijutsukan insho-ha ten [The Impressionist tradition: Masterpieces from the Art Institute of Chicago], trans. Akihiko Inoue, Hideo Namba, Heisaku Harada, and Yoko Maeda, exh. cat. (Nihon Nippon Television Network, 1985), pp. 120, cat. 60 (ill.); 121, cat. 60 (detail); 159, cat. 60 (ill.).

Jacqueline Guillaud and Maurice Guillaud, Claude Monet au temps de Giverny, exh. cat. (Centre Culturel du Marais, [1983]), pp. 110–12, fig. 60/cat. 30. Translated as Claude Monet at the Time of Giverny, exh. cat. (Centre Culturel du Marais, [1983]), pp. 110–12, fig. 60/cat. 30.

Paris, Centre Culturel du Marais, Claude Monet au temps de Giverny, Apr. 6–July 17, 1983, cat. 30 (ill.).

J. Patrice Marandel, The Art Institute of Chicago: Favorite Impressionists Paintings (Crown, 1979), pp. 62–63 (ill.).

Joel Isaacson, Claude Monet: Observation and Reflection (Phaidon/Dutton, 1978), pp. 9; 42; 159, pl. 114; 224–25, no. 114.

Grace Seiberling, “The Evolution of an Impressionist,” in Paintings by Monet, ed. Susan Wise, exh. cat. (Art Institute of Chicago, 1975), p. 35.

Susan Wise, ed., Paintings by Monet, exh. cat. (Art Institute of Chicago, 1975), p. 151, cat. 94.

Art Institute of Chicago, Paintings by Monet, Mar. 15–May 11, 1975, cat. 94 (ill.).

Karin Hellandsjø, ed., Monet i Norge/Monet in Norway; 1. Februar–1. April 1895, trans. C. Wood (Sonja Henies og Niels Onstads Stiftelse, 1974), p. 17 (ill.).

Henie-Onstad Kunstsenter, Impresjonismen 100 år, with a foreword by Ole Henrik Moe, exh. cat. (Henie-Onstad Kunstsenter, 1974), front cover (ill.), p. 4, cat. 10.

Høvikodden, Norway, Henie-Onstad Kunstsenter, Impresjonismen 100 år, Nov. 1974–Jan. 1975, cat. 10 (ill.).

given to the Art Institute, beginning in 1961 [The painting was given to the Art Institute of Chicago in undivided fractional interests beginning in 1961. The Art Institute received the final fractional interest for one hundred percent ownership in 1963].

Art Institute of Chicago, Treasures of Chicago Collectors, Apr. 15–May 7, 1961, no cat. no.