Seated Bather

"Exhibition Marks the Centenary of Renoir's Death With a Full View of His Nudes," ArtfixDaily (June 2019), ill.

Williamstown MA, Clark Art Institute, Renoir: the Body the Senses, June 8 - Sept. 22, 2019, cat. 63; Fort Worth TX, Kimbell Art Museum, Oct. 27, 2019 - Jan 26, 2020.

Esther Bell and George T.M. Shackelford, Renoir the Body the Senses, exh. cat. (Clark Art Institute and Kimbell Art Museum/Yale University Press, 2019) cat. 63.

Martha Lucy and John House, Renoir in the Barnes Foundation (Barnes Foundation/Yale University Press, 2012), p. 181, fig. 1.

Los Angeles County Museum of Art and Philadelphia Museum of Art, Renoir in the 20th Century, with essays by Roger Benjamin, Guy Cogeval, Claudia Einecke, Isabelle Gaëtan, et al., exh. cat. (Los Angeles County Museum of Art/Philadelphia Museum of Art/Hatje Cantz, 2010), pp. 296–97; 301, cat. 62 (ill.).

Sylvie Patry, “‘One Must Do the Painting of One’s Time,’” in Los Angeles County Museum of Art and Philadelphia Museum of Art, Renoir in the 20th Century, with essays by Roger Benjamin, Guy Cogeval, Claudia Einecke, Isabelle Gaëtan, et al., exh. cat. (Los Angeles County Museum of Art/Philadelphia Museum of Art/Hatje Cantz, 2010), p. 360.

Paris, Galeries Nationales, Grand Palais, Renoir au XXe siècle, Sept. 23, 2009–Jan. 4, 2010, cat. 62 (ill.); Los Angeles, Los Angeles County Museum of Art, as Renoir in the 20th Century, Feb. 14–May 9, 2010; Philadelphia Museum of Art, as Late Renoir, June 17–Sept. 6, 2010.

Sylvie Patry, “Renoir and Decorative Art: ‘A Pleasure without Compare,’” in Los Angeles County Museum of Art and Philadelphia Museum of Art, Renoir in the 20th Century, with essays by Roger Benjamin, Guy Cogeval, Claudia Einecke, Isabelle Gaëtan, et al., exh. cat. (Los Angeles County Museum of Art/Philadelphia Museum of Art/Hatje Cantz, 2010), p. 56.

Galeries Nationales, Grand Palais, Los Angeles County Museum of Art, and Philadelphia Museum of Art, Renoir au XXe siècle, exh. cat. (Réunion des Musées Nationaux/Musée d’Orsay, 2009), pp. 296–97; 301, cat. 62 (ill.).

Thomas Schlesser, “Renoir et sa dernière manière, les figures,” in “Renoir au XXe siècle: Exposition aux Galeries Nationales du Grand Palais,” ed. Jeanne Faton-Boyancé, special issue, L’estampille l’object d’art 46 (2009), p. 48 (ill.).

Anne Distel, Renoir (Citadelles & Mazenod, 2009), p. 366, ill. 324.

Sylvie Patry, “‘On doit faire la peinture de son temps,’” in Galeries Nationales, Grand Palais, Los Angeles County Museum of Art, and Philadelphia Museum of Art, Renoir au XXe siècle, exh. cat. (Réunion des Musées Nationaux/Musée d’Orsay, 2009), p. 360.

Adrien Goetz, Comment Regarder . . . Renoir (Hazan, 2009), pp. 168–69 (ill).

Sylvie Patry, “Renoir et la décoration, ‘un plaisir sans pareil,’” in Galeries Nationales, Grand Palais, Los Angeles County Museum of Art, and Philadelphia Museum of Art, Renoir au XXe siècle, exh. cat. (Réunion des Musées Nationaux/Musée d’Orsay, 2009), pp. 55.

Jon Kear, The Treasures of the Impressionists (Andre Deutch/Carlton Books, 2008), p. 56 (ill.).

Markus Schöb, “Femme s’essuyant,” in Kunstmuseum Winterthur: Katalog der Gemälde und Skulpturen, vol. 2, ed. Dieter Schwarz (Kunstmuseum Wintherthur/Richter, 2008), pp. 60, 61 (ill.).

Ann Dumas, ed., Inspiring Impressionism: The Impressionists and the Art of the Past, exh. cat. (Denver Art Museum/Yale University Press, 2007), p. 261.

Atlanta, High Museum of Art, Inspiring Impressionism: The Impressionists and the Art of the Past, October 16, 2007–January 13, 2008, cat. 90 (ill.); Denver Art Museum, February 23–May 25, 2008; Seattle Art Museum, June 19–September 21, 2008.

Ann Dumas, “Old Art into New: The Impressionists and the Reinvention of Tradition,” in Inspiring Impressionism: The Impressionists and the Art of the Past, ed. Ann Dumas, exh. cat. (Denver Art Museum/Yale University Press, 2007), pp. 71; 74–75, cat. 90 (ill.).

see Guy-Patrice Dauberville to the Art Institute of Chicago, Apr. 27, 2001, curatorial object file]

Kenneth Clark, The Nude: A Study of Ideal Art (John Murray, 1957), pp. 159; 160, ill. 123.

Dorothy Bridaham, Renoir in the Art Institute of Chicago (Conzett & Huber, 1954), pl. 9.

Marcelle Berr de Turique, Renoir (Phaidon, [1953]), pl. 98.

Paris, Musée National d’Art Moderne, L’oeuvre du XXe siecle, May–June 1952, cat. 93 (ill.); London, Tate Gallery, as Twentieth Century Masterpieces: An Exhibition of Paintings and Sculpture, July 15–Aug. 17, 1952 (Paris only).

Musée National d’Art Moderne, L’oeuvre du XXe siècle, exh. cat. (Musée National d’Art Moderne, 1952), cat. 93/pl. 8.

“Youths Caught Stealing Famous Paintings in Paris,” New York Times, June 28, 1952, p. 11.

Cincinnati Art Museum, Paintings: 1900–1925, Feb. 2–Mar. 4, 1951, cat. 4 (ill.).

Pittsburgh, Carnegie Institute, French Painting, 1110–1900, Oct. 18–Dec. 2, 1951, cat. 118 (ill.).

John Rewald, The History of Impressionism (Museum of Modern Art/Simon & Schuster, 1946), p. 429 (ill.).

Art Institute of Chicago, “Do You Know,” Bulletin of the Art Institute of Chicago 40, 3 (Mar. 1946), p. 32.

Art Institute of Chicago, “Exhibitions,” Bulletin of the Art Institute of Chicago 40, 1 (Jan. 1946), p. 2.

“Vernissage,” Art News 44, 18 (Jan. 1–14, 1946), p. 11.

Art Institute of Chicago, Masterpiece of the Month, Feb. 1946, no cat.

Art Institute of Chicago, “Exhibitions,” Bulletin of the Art Institute of Chicago 40, 2, pt. 2 (Feb. 1946), p. 18.

“Art News of the Year,” in “Art News Annual 1946–47,” special issue, Art News 45, 10, section 2 (Dec. 1946), p. 161 (ill.).

Art Institute of Chicago, An Illustrated Guide to the Collections of the Art Institute of Chicago (Art Institute of Chicago, 1945), p. 36 (ill.).

sold to the Art Institute of Chicago, Feb. 23, 1945 [per Board of Trustees, Feb. 23, 1945, pp. 77–78, on file in Institutional Archives, Art Institute of Chicago].

Renaud Temperini, “Estetiche della modernità,” in La pittura Francese, vol. 3, ed. Pierre Rosenberg, trans. Cosima Campagnolo, Valentina Palombi, and Stefano Salpietro (Electra, 1999), p. 821.

Douglas W. Druick, Renoir, Artists in Focus (Art Institute of Chicago/Abrams, 1997), pp. 13; 74; 77–79; 107, pl. 26; 111.

Romy Golan, Modernity and Nostalgia: Art and Politics in France between the Wars (Yale University Press, 1995), pp. 19, 20–21 (ill.).

Martha Kapos, ed., The Impressionists: A Retrospective (Hugh Lauter Levin/Macmillan, 1991), p. 232, pl. 72.

Rachel Barnes, ed., Renoir by Renoir, Artists by Themselves (Webb & Bower, 1990), pp. 72–73 (ill.). Translated into Japanese by Reiko Kokatsu as Runowaru (Renoir), Nikkei Pocket Gallery (Nihon Keizai Shimbun, 1991), pp. 78–79 (ill.), 88.

London, Hayward Gallery, Renoir, Jan. 30–Apr. 21, 1985, cat. 121 (ill.); Paris, Galeries Nationales du Grand Palais, May 14–Sept. 2, 1985, cat. 119 (ill.); Boston, Museum of Fine Arts, Oct. 9, 1985–Jan. 5, 1986.

Hayward Gallery, Galeries Nationales du Grand Palais, Paris, and Museum of Fine Arts, Boston, Renoir, exh. cat. (Arts Council of Great Britain, 1985), pp. 173, cat. 121 (ill.); 285; 286, cat. 121 (ill.); 288; 289.

Hayward Gallery, Galeries Nationales du Grand Palais, Paris, and Museum of Fine Arts, Boston, Renoir, exh. cat. (Réunion des Musées Nationaux, 1985), pp. 348; 350–53, cat. 119 (ill. and detail); 360.

A. James Speyer and Courtney Graham Donnell, Twentieth-Century European Paintings (University of Chicago Press, 1980), pp. 12, 66, cat. 3E11; microfiche 3, no. E10 (ill.).

Art Institute of Chicago, Paintings by Renoir, Feb. 3–Apr. 1, 1973, cat. 84 (ill.).

Art Institute of Chicago, Paintings by Renoir, exh. cat. (Art Institute of Chicago, 1973), pp. 27; 194–95, cat. 84 (ill.); 202; 211; 214.

Charles C. Cunningham and Satoshi Takahashi, Shikago bijutsukan [Art Institute of Chicago], Museums of the World, 32 (Kodansha, 1970), pp. 128, pl. 116; 177.