The Little Abbot Reading the Ramayana

Paris, Galeries Durand-Ruel, "Exposition Odilon Redon," March-April 1894, cat. 27.

Margret Stuffmann and Max Hollein, et. al., As in a Dream: Odilon Redon, exh. cat. (Frankfurt, 2007), p. 96 (ill.).

Asher Miller, "A Picture Includes Absence and Presence: Homage and Invention in Redon's Noirs," The Burlington Magazine (2003).

Rotterdam, Museum Boymans, "French Drawings from American Collections: Clouet to Matisse," 1958 - 1959, cat. 179; traveled to Paris, Musée de l'Orangerie; and New York, The Metropolitan Museum of Art.

Orangerie des Tuileries, Odilon Redon (Paris, 1956), no. 132.

Palm Beach, Fla., Society of the Four Arts, "Odilon Redon," 1955, cat. 42.

Sven Sandström, Le Monde imaginarie d'Olidon Redon (Lund, 1955), pp. 122-123, and 124, fig. 95.

Paul Sachs, Modern Prints and Drawings (New York, 1954), no. 50, pl. L.

New York, The Museum of Modern Art, "Redon, Drawing, and Lithographs," 1952, cat. 13.

William Lieberman, "Redon, Drawings, and Lithographs," The Museum of Modern Art Bulletin XIX:2 (Winter, 1952), p. 11 (ill.).

sold to the Art Institute, 1950.

The Art Institute of Chicago, "Ehibition of 19 charcoals owned by Jean Goriany [or Henri Petiet] made for Flaubert's The Temptation of Saint Anthony," August 1941.

Ambroise Vollard (1867-1939), Paris [according to Wildenstein 1992]. Henri Petiet (1894-1980), Paris, by March 1940 [according to Wildenstein 1992]

Douglas Druick, et.al., Odilon Redon: Prince of Dreams, 1840-1916 (Chicago, 1994), p. 230, fig. 43, and p. 355, fig. 4.

Suzanne Levy, Journal Inedit de Ricardo Vignes, Odilon Redon et le milieu occultists (1897-1915) (Paris, 1987), pp. 36-37.

Alec Wildenstein, Odilon Redon: Catalogue Raisonné de l'Oeuvre Peint et Dessiné I (Paris, 1992), pp. 158-159, no. 392 (ill.).

Harold Joachim and Sandra Haller Olsen, French Drawings and Sketchbooks of the Nineteenth Century (Chicago, 1979), p. 79, 4D12.