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Punchinello Collapses on the Road

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ink47 × 36 Cm

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About the artwork
Artist supplied description.

Between 1797 and his death in 1804, Domenico Tiepolo created 104 inventive wash drawings for what he called Divertimenti per li ragazzi (diversions for children). This series described the life, from birth to death, of the tragicomic commedia dell’arte figure Punchinello (identified by his conical hat and beaked mask), in a loosely structured tale of an everyman.

In Punchinello Collapses on the Road, we see the protagonist, surrounded by eleven of his companions and three lamenting women, in the final days before his death. While Punchinello is indeed a kind of everyman, Tiepolo also made references throughout the series to the life of Christ. This drawing calls to mind one of Christ’s falls as he carried the cross.

Artwork metadata
Structured fields synced from connected systems.
Mediumink
Dimensions47 × 36 Cm
CertificateCertificate not provided
Timeline
Chain of custody, exhibitions, and verification milestones synced from the provenance service.
Sat
22
Nov
note

Estate of the artist

Estate of the artist
Sat
22
Nov
exhibition

The Art Institute of Chicago, "Pure Drawing: Seven Centuries of Art from the Gray Collection", January 25 - May 10, 2020, pp. 42-43, cat. 16, p. 139, GC 80, traveled to New York, The Morgan Library, February 19 - June 6, 2021...

The Art Institute of Chicago, "Pure Drawing: Seven Centuries of Art from the Gray Collection", January 25 - May 10, 2020, pp. 42-43, cat. 16, p. 139, GC 80, traveled to New York, The Morgan Library, February 19 - June 6, 2021, and Berkeley CA, UC Berkeley Art Museum and Pacific Film Archive, August 4 - November 28, 2021.
Sat
22
Nov
note

given to the Art Institute of Chicago, 2019.

given to the Art Institute of Chicago, 2019.
Sat
22
Nov
note

sold, Sotheby’s, New York, Jan....

sold, Sotheby’s, New York, Jan. 29, 2014, lot 38, through François Borne to the Gray Collection Trust, Chicago
Sat
22
Nov
exhibition

Paris, Galerie Cailleux, Tiepolo et Guardi, 1952, cat. 56, pl. 36.

Paris, Galerie Cailleux, Tiepolo et Guardi, 1952, cat. 56, pl. 36.
Sat
22
Nov
exhibition

Paris, Musée Carnavalet, Chefs-d’oeuvre des Collections Parisiennes, 1950, p. 57, cat. 151.

Paris, Musée Carnavalet, Chefs-d’oeuvre des Collections Parisiennes, 1950, p. 57, cat. 151.
Sat
22
Nov
note

sold to Richard Owen, Paris, to at least 1950 [Paris 1950 exh....

sold to Richard Owen, Paris, to at least 1950 [Paris 1950 exh. cat.]. Léon Suzor, Paris, by 1952–at least Nov. 1971 [Paris 1952 and Paris 1971 exh. cats.]. Sold by Hazlitt, Gooden and Fox, London, to a private collection, 1995
Sat
22
Nov
exhibition

Paris, Musée des Arts Décoratifs, 1921. [no known title].

Paris, Musée des Arts Décoratifs, 1921. [no known title].
Sat
22
Nov
note

sold Hôtel des Ventes, Paris, Nov....

sold Hôtel des Ventes, Paris, Nov. 10–12, 1845. Sold, Sotheby’s, London, July 6–7, 1920, lot 41, to Colnaghi, London
Sat
22
Nov
note

Adelheid Gealt, Domenico Tiepolo: The Punchinello Drawings

Adelheid Gealt, Domenico Tiepolo: The Punchinello Drawings (G. Braziller, 1986), p. 191, no. 100 (ill.).
Tue
22
Nov
note

George Knox, “Domenico Tiepolo’s Punchinello Drawings, Satire, or Labor of Love?” in Satire in the Eighteenth Century, ed. John Dudley Browning

George Knox, “Domenico Tiepolo’s Punchinello Drawings, Satire, or Labor of Love?” in Satire in the Eighteenth Century, ed. John Dudley Browning (Garland, 1983), p. 127.
Thu
22
Nov
note

Marcia E. Vetrocq, Domenico Tiepolo’s Punchinello Drawings, with an introductory essay by Adelheid Gealt, exh. cat.

Marcia E. Vetrocq, Domenico Tiepolo’s Punchinello Drawings, with an introductory essay by Adelheid Gealt, exh. cat. (Indiana University Art Museum, 1979), pp. 122 (ill.); 145, S20.
Mon
22
Nov
exhibition

Paris, Musée de l’Orangerie des Tuileries, Venise au dix-huitième siècle, 1971, cat. 311.

Paris, Musée de l’Orangerie des Tuileries, Venise au dix-huitième siècle, 1971, cat. 311.
Thu
22
Nov
note

James Byam Shaw, The Drawings of Domenico Tiepolo

James Byam Shaw, The Drawings of Domenico Tiepolo (Faber, 1962), p. 56 n. 3.
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