The Church of Overschie

E[rnest] May, by 1890

Adolphe Stein et. al, Jongkind: catalogue critique de l’oeuvre, vol. 1 (Paris: Brame & Lorenceau, 2003), p. 183 (ill.), no. 400.

Columbus, Ohio, Columbus Gallery of Fine Arts, A Tour of Famous Cities, October 3–November 18, 1952, no. 25.

bequeathed to the Art Institute, 1933.

Minneapolis Institute of Arts, An Exhibition of Modern French Paintings, November 1921, no cat.

Richard Shiff, “The End of Impressionism,” in Charles S. Moffett, The New Painting: Impressionism 1874–1886, exh. cat. (Washington D.C: National Gallery of Art, 1986), pp. 76–77, fig. 10.

Richard Shiff, Cézanne and the End of Impressionism: A Study of the Theory, Technique, and Critical Evaluation of Modern Art (Chicago: University of Chicago Press, 1984), pp. 34, 96, 98, figs. 8, 15.

Victorine Hefting, Jongkind: sa vie, son oeuvre, son époque (Paris: Arts et métiers graphiques, 1975), p. 174 (ill.), no. 375.

Faber Birren, History of Color in Painting: With New Principles of Color Expression (New York: Reinhold, 1965), p. 266, fig. 10-25.

Art Institute of Chicago, Paintings in the Art Institute of Chicago: A Catalogue of the Picture Collection (Chicago: Art Institute of Chicago, 1961), p. 249.

his sale, Galerie Georges Petit, Paris, June 4, 1890, lot 36, for 2,700 francs [price according to an annotated copy of the sale catalogue in the Philadelphia Museum of Art Library]. Probably Durand-Ruel, New York, by 1890 [according to an invoice from Durand-Ruel to Ryerson, Ryerson Papers, Art Institute Archives]