0 likesNot savedShare from mobile app
Artwork metadata
Structured fields synced from connected systems.
| Medium | tempera |
| Dimensions | 104 Cm |
| Tags | Christian subjectsanimalsarchitechturearchitecturearchitecturebiblicalboatscattleChristianitydogdogsdonkeysfigureshillshorseskingkingsmenreligionreligiousruinsshipsVirgin and child/Madonna and childwealthwomenCentury of Progressworld's fairsChicago World's Fairs |
| Certificate | Certificate not provided |
Timeline
Chain of custody, exhibitions, and verification milestones synced from the provenance service.
Tue
24
Feb
note
Theodore Child, “A Pre-Raphaelite Mansion” in Art and Criticism. Monographs and Studies, New York, 1892, p. 317, ill.
Theodore Child, “A Pre-Raphaelite Mansion” in Art and Criticism. Monographs and Studies, New York, 1892, p. 317, ill.
Tue
24
Feb
note
Robyn Asleson, “Collecting ‘Primitive’ and Modern Pre-Raphaelites in Britain and America,” in Fine Arts Museum of San Francisco, Legion of Honor, Truth and Beauty: The Pre-Raphaelites and the Old Masters, exh. cat.,
Robyn Asleson, “Collecting ‘Primitive’ and Modern Pre-Raphaelites in Britain and America,” in Fine Arts Museum of San Francisco, Legion of Honor, Truth and Beauty: The Pre-Raphaelites and the Old Masters, exh. cat., (Fine Arts Museums of San Francisco/Legion of Honor; DelMonico Books/Prestel, 2018) pp. 222-3, fig. 77
Tue
24
Feb
note
Byron Ellsworth Hamann, "Chronological Pollution: Potsherds, Mosques, and Broken Gods before and after the Conquest of Mexico," Current Anthropology 49, 5
Byron Ellsworth Hamann, "Chronological Pollution: Potsherds, Mosques, and Broken Gods before and after the Conquest of Mexico," Current Anthropology 49, 5 (2008), pp. 815, 817, fig. 7.
Tue
24
Feb
exhibition
Art Institute of Chicago, The Silk Road and Beyond: Travel Trade and Transformation, September 30, 2006-April 22, 2007, no cat.
Art Institute of Chicago, The Silk Road and Beyond: Travel Trade and Transformation, September 30, 2006-April 22, 2007, no cat.
Tue
24
Feb
note
Roberta J. M. Olson, The Florentine Tondo, Oxford, 2000, p. 239, fig. A13.
Roberta J. M. Olson, The Florentine Tondo, Oxford, 2000, p. 239, fig. A13.
Tue
24
Feb
exhibition
Chicago, Federal Savings and Loan Association, Christmas Exhibition, 1954–55, no cat.
Chicago, Federal Savings and Loan Association, Christmas Exhibition, 1954–55, no cat.
Tue
24
Feb
note
Art Institute of Chicago, Masterpieces in The Art Institute of Chicago, 1952, no p.
Art Institute of Chicago, Masterpieces in The Art Institute of Chicago, 1952, no p.
Tue
24
Feb
note
Martin Davies, National Gallery Catalogues: The Earlier Italian Schools, London, 1951, p. 78, under no. 1033.
Martin Davies, National Gallery Catalogues: The Earlier Italian Schools, London, 1951, p. 78, under no. 1033.
Tue
24
Feb
note
Art Institute of Chicago, An Illustrated Guide to the Collections of The Art Institute of Chicago, 1948, p. 26.
Art Institute of Chicago, An Illustrated Guide to the Collections of The Art Institute of Chicago, 1948, p. 26.
Tue
24
Feb
exhibition
Burlington, Vermont, Robert Hull Fleming Museum, 1947, no cat.
Burlington, Vermont, Robert Hull Fleming Museum, 1947, no cat.
Tue
24
Feb
note
The Art Institute of Chicago, A Picture Book: Masterpieces of Painting, XV and XVI Centuries in the Collections of The Art Institute of Chicago, 1946, pp. 12–13, ill.
The Art Institute of Chicago, A Picture Book: Masterpieces of Painting, XV and XVI Centuries in the Collections of The Art Institute of Chicago, 1946, pp. 12–13, ill.
Tue
24
Feb
exhibition
Art Institute of Chicago, Masterpiece of the Month, November 1940, as Francesco Botticini, no cat.
Art Institute of Chicago, Masterpiece of the Month, November 1940, as Francesco Botticini, no cat.
Tue
24
Feb
note
“Exhibition of the Ryerson Gift,” Bulletin of The Art Institute of Chicago 32
“Exhibition of the Ryerson Gift,” Bulletin of The Art Institute of Chicago 32 (1938), p. 3; reprinted as J. L. Allen, “Entire Ryerson Collection Goes to The Chicago Art Institute,” Art News 36, 21, p. 10, ill.
Tue
24
Feb
note
Bulletin of the Art Institute of Chicago 32
Bulletin of the Art Institute of Chicago 32 (1938), cover ill.
Tue
24
Feb
exhibition
Art Institute of Chicago, The Christmas Story in Art, 1938–1939, as Francesco Botticini, no cat.
Art Institute of Chicago, The Christmas Story in Art, 1938–1939, as Francesco Botticini, no cat.
Tue
24
Feb
note
K. L. Brewster, “The Ryerson Gift to The Art Institute of Chicago,” Magazine of Art 31
K. L. Brewster, “The Ryerson Gift to The Art Institute of Chicago,” Magazine of Art 31 (1938), p. 97, ill.
Tue
24
Feb
note
bequeathed to the Art Institute of Chicago, 1937.
bequeathed to the Art Institute of Chicago, 1937.
Tue
24
Feb
note
Bernard Berenson, Pitture italiane del Rinascimento, Milan, 1936, p. 96.
Bernard Berenson, Pitture italiane del Rinascimento, Milan, 1936, p. 96.
Tue
24
Feb
exhibition
Art Institute of Chicago, Century of Progress, 1934, cat. 46A, as Francesco Botticini.
Art Institute of Chicago, Century of Progress,1934, cat. 46A, as Francesco Botticini.
Tue
24
Feb
exhibition
Art Institute of Chicago, Century of Progress, 1933, cat. 112, as Francesco Botticini.
Art Institute of Chicago, Century of Progress, 1933, cat. 112, as Francesco Botticini.
Tue
24
Feb
note
William R. Valentiner, Paintings in the Collection of Martin A. Ryerson, unpub. MS [1932], Archives, The Art Institute of Chicago, no p.
William R. Valentiner, Paintings in the Collection of Martin A. Ryerson, unpub. MS [1932], Archives, The Art Institute of Chicago, no p.
Tue
24
Feb
exhibition
Chicago, The University of Chicago, The Renaissance Society, Commemorative Exhibition from the Martin A. Ryerson Collection, 1932, no. 4, as Francesco Botticini.
Chicago, The University of Chicago, The Renaissance Society, Commemorative Exhibition from the Martin A. Ryerson Collection, 1932, no. 4, as Francesco Botticini.
Tue
24
Feb
note
sold to Martin A....
sold to Martin A. Ryerson (died 1932), Chicago, 1894
Tue
24
Feb
note
Bernard Berenson, Italian Pictures of the Renaissance, Oxford, 1932, p. 107.
Bernard Berenson, Italian Pictures of the Renaissance, Oxford, 1932, p. 107.
Tue
24
Feb
note
by descent to his wife Carrie Hutchinson Ryerson (1859–1937), Chicago, 1932 [Last Will and Testament of Martin A....
by descent to his wife Carrie Hutchinson Ryerson (1859–1937), Chicago, 1932 [Last Will and Testament of Martin A. Ryerson, Died August 11, 1932, copy in Institutional Archives, Art Institute of Chicago]
Tue
24
Feb
note
Raimond van Marle, The Development of the Italian Schools of Painting, vol. 13, 1931, p. 398
Raimond van Marle, The Development of the Italian Schools of Painting, vol. 13, 1931, p. 398 (ill.).
Tue
24
Feb
note
J. A. Crowe and G. B. Cavalcaselle, A History of Painting in Italy, 2d ed, vol. 4, ed. R. Langton Douglas, New York, 1911, p. 297 n. 1.
J. A. Crowe and G. B. Cavalcaselle, A History of Painting in Italy, 2d ed, vol. 4, ed. R. Langton Douglas, New York, 1911, p. 297 n. 1.
Tue
24
Feb
note
Bernard Berenson, The Florentine Painters of the Renaissance, 3d ed., New York and London, 1909, p. 119.
Bernard Berenson, The Florentine Painters of the Renaissance, 3d ed., New York and London, 1909, p. 119.
Tue
24
Feb
note
Herbert Percy Horne, Alessandro Filipepi, Commonly Called Sandro Botticelli, Painter of Florence [first published 1908], ed. by C. Caneva, Florence, 1987, vol. 3, p. 224.
Herbert Percy Horne, Alessandro Filipepi, Commonly Called Sandro Botticelli, Painter of Florence [first published 1908], ed. by C. Caneva, Florence, 1987, vol. 3, p. 224.
Tue
24
Feb
note
Ernst Kühnel, Francesco Botticini, Strasbourg, 1906, pp. 16–17, 37, pl. XI
Ernst Kühnel, Francesco Botticini, Strasbourg, 1906, pp. 16–17, 37, pl. XI (3).
Wed
24
Feb
note
Christopher Lloyd, Italian Paintings before 1600 in The Art Institute of Chicago; A Catalogue of the Collection, Chicago, 1993, pp. 49–53, ill.
Christopher Lloyd, Italian Paintings before 1600 in The Art Institute of Chicago; A Catalogue of the Collection, Chicago, 1993, pp. 49–53, ill.
Wed
24
Feb
note
Glad Tidings of Great Joy. Christmas of The Art Institute of Chicago, Chicago, 1993, pp. 28–29, ill., 39.
Glad Tidings of Great Joy. Christmas of The Art Institute of Chicago, Chicago, 1993, pp. 28–29, ill., 39.
Mon
24
Feb
exhibition
Art Institute of Chicago, Art Inside Out, 1992–1996, no cat.
Art Institute of Chicago, Art Inside Out, 1992–1996, no cat.
Thu
24
Feb
note
Ellis Waterhouse, “Earlier Paintings in the Earlier Years of the Art Institute: The Role of the Private Collectors,” The Art Institute of Chicago Museum Studies 10
Ellis Waterhouse, “Earlier Paintings in the Earlier Years of the Art Institute: The Role of the Private Collectors,” The Art Institute of Chicago Museum Studies 10 (1983), pp. 86, 91, no. 10, fig. 6.
Sat
24
Feb
note
Jean Devisse and Michel Mollat, “The African Transposed,” in David Bindman and Henry Louis Gates, Jr., eds., The Image of the Black in Western Art, vol. 2, pt. 2
Jean Devisse and Michel Mollat, “The African Transposed,” in David Bindman and Henry Louis Gates, Jr., eds., The Image of the Black in Western Art, vol. 2, pt. 2 (Cambridge, Massachusetts, 1979), pp. 188–90, fig. 165.
Sat
24
Feb
note
J. Devisse and M. Mollat, The Image of the Black in Western Art, Lausanne, 1979, vol. 2, pp. 164–66, ill.
J. Devisse and M. Mollat, The Image of the Black in Western Art, Lausanne, 1979, vol. 2, pp. 164–66, ill.
Fri
24
Feb
note
Ronald Lightbown, Sandro Botticelli, London, 1978, vol. 2, pp. 25–26, no. B11.
Ronald Lightbown, Sandro Botticelli, London, 1978, vol. 2, pp. 25–26, no. B11.
Thu
24
Feb
note
Burton B. Fredericksen and Federico Zeri, Census of Pre-Nineteenth-Century Italian Paintings in North American Public Collections, Cambridge, Mass., 1972, pp. 35, 272, 571.
Burton B. Fredericksen and Federico Zeri, Census of Pre-Nineteenth-Century Italian Paintings in North American Public Collections, Cambridge, Mass., 1972, pp. 35, 272, 571.
Sat
24
Feb
note
Art Institute of Chicago, Grands Musées 2, Paris [1968], pp. 25
Art Institute of Chicago, Grands Musées 2, Paris [1968], pp. 25 (ill.), 68.
Thu
24
Feb
note
André Chastel, The Studios and Styles of Renaissance Italy, 1460–1500, London, 1966, p. 18, ill.
André Chastel, The Studios and Styles of Renaissance Italy, 1460–1500, London, 1966, p. 18, ill.
Fri
24
Feb
note
Bernard Berenson, I disegni dei pittori fiorentini, Milan, 1961, vol. 1, p. 11.
Bernard Berenson, I disegni dei pittori fiorentini, Milan, 1961, vol. 1, p. 11.
Fri
24
Feb
note
Hans Huth, “Italienische Kunstwerke im Art Institute von Chicago, USA,” in Miscellanea Bibliothecae Hertzianae, Munich, 1961, p. 516.
Hans Huth, “Italienische Kunstwerke im Art Institute von Chicago, USA,” in Miscellanea Bibliothecae Hertzianae, Munich, 1961, p. 516.
Fri
24
Feb
note
Art Institute of Chicago, Paintings in The Art Institute of Chicago: A Catalogue of the Picture Collection, 1961, p. 226.
Art Institute of Chicago, Paintings in The Art Institute of Chicago: A Catalogue of the Picture Collection, 1961, p. 226.
Fri
24
Feb
note
Martin Davies, National Gallery Catalogues: The Earlier Italian Schools, 2d ed., London, 1961, p. 102, under no. 1033.
Martin Davies, National Gallery Catalogues: The Earlier Italian Schools, 2d ed., London, 1961, p. 102, under no. 1033.
Wed
24
Feb
note
sold, Christie’s, London, May 28, 1892, lot 97, to Jeffrey [buyer listed in annotated catalogue at the Getty Research Center]....
sold, Christie’s, London, May 28, 1892, lot 97, to Jeffrey [buyer listed in annotated catalogue at the Getty Research Center]. Emile Gavet, Paris, by 1894 [date of sale given in registrar’s record]
Mon
24
Feb
note
Possibly Alexander Barker (died 1874), London [according to catalogue of the Leyland sale, though it is not the one described in Gustave Waagen, Galleries and Cabinets of Art in Great Britain, London, 1857, p....
Possibly Alexander Barker (died 1874), London [according to catalogue of the Leyland sale, though it is not the one described in Gustave Waagen, Galleries and Cabinets of Art in Great Britain, London, 1857, p. 71 as Dello Fiorentino (?), nor the tondo attributed to Filippo Lippi in the Barker sale, June 19, 1879, no. 489]. Frederick Richards Leyland, London, by 1892, as Filippino Lippi [Child 1892 illustrates the painting in his salon]
© Artist-Unknown. All rights reserved.