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oil paint (paint)138 × 57 Cm
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About the artwork
Artist supplied description.
Dutch painter Jan van Scorel was one of the first Northern European artists to make an extended trip to Italy to study antiquities and the new Renaissance style. This landscape must have been made during his stay in southern Europe as a young artist; the panel is made from poplar, a wood commonly used in Italy. The two aristocratic pastimes depicted, jousting and hunting, were frequent themes of Northern European landscapes, particularly in prints, and Italian patrons were drawn to these extravagant visions of courtly pursuits.
Artwork metadata
Structured fields synced from connected systems.
| Medium | oil paint (paint) |
| Dimensions | 138 × 57 Cm |
| Tags | landscapesanimalscastlescloudsfigureshunterknightsmenmountainsoldierstreeswomen |
| Certificate | Certificate not provided |
Timeline
Chain of custody, exhibitions, and verification milestones synced from the provenance service.
Wed
28
Jan
note
102.
102.
Wed
28
Jan
note
Beverly Louise Brown, in Renaissance Venice and the North, p. 462, under no. 125.
Beverly Louise Brown, in Renaissance Venice and the North, p. 462, under no. 125.
Wed
28
Jan
note
bequeathed to the George F....
bequeathed to the George F. Harding Museum, Chicago
Wed
28
Jan
note
Martha Wolff in Martha Wolff et al., Northern European and Spanish Paintings before 1600 in the Art Institute of Chicago, Chicago, 2008, pp. 297-301, ill.
Martha Wolff in Martha Wolff et al., Northern European and Spanish Paintings before 1600 in the Art Institute of Chicago, Chicago, 2008, pp. 297-301, ill.
Wed
28
Jan
note
Molly Faries, “Another New Early Jan van Scorel,” in Polyptiek: Een veelluik van Groninger bijdragen aan de kunstgeschiedenis, ed. Henk Th. van Veen et al., Zwolle, 2002, pp. 42–44, 47, 221–22.
Molly Faries, “Another New Early Jan van Scorel,” in Polyptiek: Een veelluik van Groninger bijdragen aan de kunstgeschiedenis, ed. Henk Th. van Veen et al., Zwolle, 2002, pp. 42–44, 47, 221–22.
Wed
28
Jan
note
Friedrich Winkler, “Jan Scorel oder “Zuan Fiamengo,” Oud Holland 48
Friedrich Winkler, “Jan Scorel oder “Zuan Fiamengo,” Oud Holland 48 (1931), p. 176, fig. 2.
Wed
28
Jan
note
sold, American Art Association, Anderson Galleries, New York, Mar....
sold, American Art Association, Anderson Galleries, New York, Mar. 27–28, 1930, no. 128. George F. Harding, Jr. (d. 1939), Chicago
Wed
28
Jan
note
R....
R. Sabelsky, Saint Petersburg [according to the catalogue of the Roerich sale in 1930 cited below]. Roerich Museum, New York, by 1927 [according to the catalogue of the Roerich sale]
Wed
28
Jan
exhibition
New York, Corona Mundi International Art Center (Roerich Museum), Exhibition of Old Masters, 1927, no. 1, as Vinckboons.
New York, Corona Mundi International Art Center (Roerich Museum), Exhibition of Old Masters, 1927, no. 1, as Vinckboons.
Thu
28
Jan
note
Jill Dunkerton, “North and South: Painting Techniques in Venice,” in Renaissance Venice and the North: Crosscurrents in the Time of Bellini, Dürer and Titian, exh. cat., ed. Bernard Aikema and Beverly Louise Brown, Venice, Palazzo Grassi, 1...
Jill Dunkerton, “North and South: Painting Techniques in Venice,” in Renaissance Venice and the North: Crosscurrents in the Time of Bellini, Dürer and Titian, exh. cat., ed. Bernard Aikema and Beverly Louise Brown, Venice, Palazzo Grassi, 1999, p.
Wed
28
Jan
exhibition
Art Institute of Chicago, On the Road to Italy: Early Paintings by Dutch Renaissance Master Jan van Scorel, 1998 (no cat.).
Art Institute of Chicago, On the Road to Italy: Early Paintings by Dutch Renaissance Master Jan van Scorel, 1998 (no cat.).
Wed
28
Jan
note
Molly Faries, “Jan van Scorel’s Jerusalem Landscapes,” in In Detail: New Studies of Northern Renaissance Art in Honor of Walter S. Gibson, ed. Laurinda S. Dixon, Turnhout, 1998, pp. 114–16, 128, 131, fig. 2.
Molly Faries, “Jan van Scorel’s Jerusalem Landscapes,” in In Detail: New Studies of Northern Renaissance Art in Honor of Walter S. Gibson, ed. Laurinda S. Dixon, Turnhout, 1998, pp. 114–16, 128, 131, fig. 2.
Tue
28
Jan
note
Monika Anne Schmitter, “7e Display of Distinction: Art Collecting and Social Status in Early Sixteenth-Century Venice,” Ph.D. diss., University of Michigan, 1997, pp. 69, 76.
Monika Anne Schmitter, “7e Display of Distinction: Art Collecting and Social Status in Early Sixteenth-Century Venice,” Ph.D. diss., University of Michigan, 1997, pp. 69, 76.
Sun
28
Jan
note
Molly Faries and Martha Wolff, “Landscape in the Early Paint ings of Jan van Scorel,” Burlington Magazine 138
Molly Faries and Martha Wolff, “Landscape in the Early Paint ings of Jan van Scorel,” Burlington Magazine 138 (1996), pp. 724–33, figs. 2, 5, 17, 18.
Sun
28
Jan
note
Molly Faries, “Scorel, Jan van,” in Dictionary of Art, vol. 28, 1996, p. 216.
Molly Faries, “Scorel, Jan van,” in Dictionary of Art, vol. 28, 1996, p. 216.
Sat
28
Jan
note
M[olly] F[aries], in Fiamminghi a Roma, 1508–1608, exh. cat., Brussels, Palais des Beaux-Arts, and Rome, Palazzo delle Esposizioni, 1995, p. 255, under no. 179.
M[olly] F[aries], in Fiamminghi a Roma, 1508–1608, exh. cat., Brussels, Palais des Beaux-Arts, and Rome, Palazzo delle Esposizioni, 1995, p. 255, under no. 179.
Sun
28
Jan
note
accessioned, 1990.
accessioned, 1990.
Thu
28
Jan
note
ownership transferred to the Art Institute, 1982
ownership transferred to the Art Institute, 1982
© Artist-Unknown. All rights reserved.