ArtworkStatus unknown

Virgin and Child Enthroned with Saints Peter, Paul, John the Baptist, and Dominic and a Dominican Supplicant

by Artist-Unknown

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Virgin and Child Enthroned with Saints Peter, Paul, John the Baptist, and Dominic and a Dominican Supplicant artwork image

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tempera23 × 37 Cm

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About the artwork

Artist supplied description.

In 1260 Gerard de Frachet, an early chronicler of the Dominican order, noted that the friars had “in their cells . . . before their eyes images of Mary and her crucified son, so that while reading, praying, and sleeping they could look upon them and be looked upon by them, with eyes of compassion.” This image of the Virgin and Child with saints would have served such a purpose. A Dominican friar kneels before the enthroned Virgin, just below the figure of Saint Dominic, who intercedes on the friar’s behalf. Traces of hinges on the left edge suggest that the piece was part of diptych, probably paired with a painting of the Crucifixion.

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Structured fields synced from connected systems.

Medium	tempera
Dimensions	23 × 37 Cm
Tags	Virgin and child/Madonna and childVirgin MaryThronesaintsSaint John the Baptistreligious scenesreligious figuresreligious attirereligiousreligionmothersmother and childmothermenMadonnaJesusfamilyfamiliesDevotionChristianityChristian subjectschildrenbookblue (color)bluebiblesbabiesCentury of Progressworld's fairsChicago World's Fairs
Certificate	Certificate not provided

Timeline

Chain of custody, exhibitions, and verification milestones synced from the provenance service.

Tue

Feb

note

Bellandi or Bellanti collection, Siena [according to Ramboux 1862

2026 at 08:25 PM

Bellandi or Bellanti collection, Siena [according to Ramboux 1862

Tue

Feb

note

Joanna Cannon, Religious Poverty, Visual Riches. Art in the Dominican Churches of Central Italy in the Thirteenth and Fourteenth Centuries

2026 at 08:13 PM

Joanna Cannon, Religious Poverty, Visual Riches. Art in the Dominican Churches of Central Italy in the Thirteenth and Fourteenth Centuries (New Haven and London, 2013), pp. 213-215, 384, fig. 190.

Tue

Feb

note

Laurence Kanter in Laurence Kanter and John Marciari, Italian Paintings from the Richard L. Feigen Collection, exh. cat., Yale University Art Gallery, New Haven, 2010, pp. 46-48.

2026 at 08:10 PM

Laurence Kanter in Laurence Kanter and John Marciari, Italian Paintings from the Richard L. Feigen Collection, exh. cat., Yale University Art Gallery, New Haven, 2010, pp. 46-48.

Tue

Feb

note

Victor M. Schmidt, Painted Piety: Panel Paintings for Personal Devotion in Tuscany, 1250-1400

2026 at 08:05 PM

Victor M. Schmidt, Painted Piety: Panel Paintings for Personal Devotion in Tuscany, 1250-1400 (Florence, 2005), p. 184, 202 n.67, fig. 149.

Tue

Feb

note

L[arry] J. F[einberg] in “Devotion and Splendor. Medieal Art at the Art Institute of Chicago,” Museum Studies 30, no. 2

2026 at 08:04 PM

L[arry] J. F[einberg] in “Devotion and Splendor. Medieal Art at the Art Institute of Chicago,” Museum Studies 30, no. 2 (2004), pp. 55-6, no. 33, ill.

Tue

Feb

note

Luciano Cateni, Maria Pia Lippi Mazzieri. Duccio, Simone, Pietro, Ambrogio e la grande stagione della Pittura Senese. Betti Editrice, Siena, 2003, p. 198.

2026 at 08:03 PM

Luciano Cateni, Maria Pia Lippi Mazzieri. Duccio, Simone, Pietro, Ambrogio e la grande stagione della Pittura Senese. Betti Editrice, Siena, 2003, p. 198.

Tue

Feb

note

G. Coor, “Trecento-Gemälde aus der Sammlung Ramboux” Wallraf-Richartz-Jahrbuch 18

2026 at 07:56 PM

G. Coor, “Trecento-Gemälde aus der Sammlung Ramboux” Wallraf-Richartz-Jahrbuch 18 (1956), pp. 114, 116, fig. 93.

Tue

Feb

note

G. Coor Achenbach, “Contributions to the Study of Ugolino di Nerio’s Art,“ Art Bulletin 37

2026 at 07:55 PM

G. Coor Achenbach, “Contributions to the Study of Ugolino di Nerio’s Art,“ Art Bulletin 37 (1955), pp. 162 n. 39, 163 n. 52.

Tue

Feb

note

Frederick A. Sweet, “La pittura italiana all’ Art Institute di Chicago,” Le vie del mondo: Rivista mensile de Touring Club Italiano 15

2026 at 07:53 PM

Frederick A. Sweet, “La pittura italiana all’ Art Institute di Chicago,” Le vie del mondo: Rivista mensile de Touring Club Italiano 15 (1953), pp. 693, ill, 696.

Tue

Feb

note

Cesare Brandi, Duccio, Florence, 1951, pp. 142, 153, 155, pl. 119.

2026 at 07:51 PM

Cesare Brandi, Duccio, Florence, 1951, pp. 142, 153, 155, pl. 119.

Tue

Feb

note

“Recent Important Acquisitions of American Museums,” Art Quarterly 1

2026 at 07:38 PM

“Recent Important Acquisitions of American Museums,” Art Quarterly 1 (1938), p. 228, ill.

Tue

Feb

note

K. L. Brewster, “The Ryerson Gift to The Art Institute of Chicago,” Magazine of Art 31

2026 at 07:38 PM

K. L. Brewster, “The Ryerson Gift to The Art Institute of Chicago,” Magazine of Art 31 (1938), pp. 95 ill., 97.

Tue

Feb

note

“Exhibition of the Ryerson Gift,” Art Institute of Chicago Bulletin 32

2026 at 07:38 PM

“Exhibition of the Ryerson Gift,” Art Institute of Chicago Bulletin 32 (1938), pp. 2-3, ill.

Tue

Feb

note

J. L. Allen, “The Entire Ryerson Collection Goes to the Chicago Art Institute” Art News 36, no. 21

2026 at 07:38 PM

J. L. Allen, “The Entire Ryerson Collection Goes to the Chicago Art Institute” Art News 36, no. 21 (1938), p. 10, ill.

Tue

Feb

note

bequeathed to the Art Institute of Chicago, 1937.

2026 at 07:37 PM

bequeathed to the Art Institute of Chicago, 1937.

Tue

Feb

note

Bernard Berenson, Pitture italiane de Rinascimento, Milan, 1936, p. 501.

2026 at 07:36 PM

Bernard Berenson, Pitture italiane de Rinascimento, Milan, 1936, p. 501.

Tue

Feb

exhibition

Dallas, Museum of Fine Arts, The Centennial Exposition, 1936, no. 20, as Segna di Bonaventura

2026 at 07:36 PM

Dallas, Museum of Fine Arts, The Centennial Exposition, 1936, no. 20, as Segna di Bonaventura

Tue

Feb

exhibition

Art Institute of Chicago, A Century of Progress, 1933, no. 95, as Segna di Bonaventura.

2026 at 07:33 PM

Art Institute of Chicago, A Century of Progress, 1933, no. 95, as Segna di Bonaventura.

Tue

Feb

note

“The Century of Progress Exhibition of the Fine Arts,” Art Institute of Chicago Bulletin 27

2026 at 07:33 PM

“The Century of Progress Exhibition of the Fine Arts,” Art Institute of Chicago Bulletin 27 (1933), p. 60.

Tue

Feb

exhibition

Chicago, The Renaissance Society, The University of Chicago, Commemorative Exhibition from the Martin A. Ryerson Collection, 1932, no. 2, as Segna [di] Bonaventura.

2026 at 07:32 PM

Chicago, The Renaissance Society, The University of Chicago, Commemorative Exhibition from the Martin A. Ryerson Collection, 1932, no. 2, as Segna [di] Bonaventura.

Tue

Feb

note

sold Galerie Georges Petit, Paris, May 14, 16-17, 1898, no....

2026 at 07:32 PM

sold Galerie Georges Petit, Paris, May 14, 16-17, 1898, no. 68, as School of Giotto for Fr 650 [according to annotated copy of sale catalogue at the Getty Research Center, Los Angeles]. Martin A. Ryerson (died 1932), Chicago, probably by 1904 [see Lloyd 1993, p. 261, n. 3]

Tue

Feb

note

Bernard Berenson, Italian Pictures of the Renaissance, Oxford, 1932, p. 582.

2026 at 07:32 PM

Bernard Berenson, Italian Pictures of the Renaissance, Oxford, 1932, p. 582.

Tue

Feb

note

by descent to his wife Carrie Hutchinson Ryerson (1859–1937), Chicago, 1932 [Last Will and Testament of Martin A....

2026 at 07:32 PM

by descent to his wife Carrie Hutchinson Ryerson (1859–1937), Chicago, 1932 [Last Will and Testament of Martin A. Ryerson, Died August 11, 1932, copy in Institutional Archives, Art Institute of Chicago]

Tue

Feb

note

William R. Valentiner, Paintings in the Collection of Martin A. Ryerson, unpublished manuscript [1932], Archives, Art Institute of Chicago, n. pag.

2026 at 07:32 PM

William R. Valentiner, Paintings in the Collection of Martin A. Ryerson, unpublished manuscript [1932], Archives, Art Institute of Chicago, n. pag.

Tue

Feb

note

Lionello Venturi, Pitture italiane in America, Milan, 1931, pl. XXII.

2026 at 07:31 PM

Lionello Venturi, Pitture italiane in America, Milan, 1931, pl. XXII.

Tue

Feb

note

Richard Offner, Italian Primitives at Yale University, New Haven, 1927, p. 4.

2026 at 07:27 PM

Richard Offner, Italian Primitives at Yale University, New Haven, 1927, p. 4.

Tue

Feb

note

Rose Mary Fischkin, Martin A. Ryerson Collection of Paintings and Sculpture, XII to XVIII Century, Loaned to The Art Institute of Chicago, unpublished manuscript, 1926, Ryerson Library, Art Institute of Chicago, pp. 25-6.

2026 at 07:26 PM

Rose Mary Fischkin, Martin A. Ryerson Collection of Paintings and Sculpture, XII to XVIII Century, Loaned to The Art Institute of Chicago, unpublished manuscript, 1926, Ryerson Library, Art Institute of Chicago, pp. 25-6.

Tue

Feb

note

Raimond van Marle, The Development of the Italian Schools of Painting, vol. 5, The Hague, 1925, p. 448.

2026 at 07:25 PM

Raimond van Marle, The Development of the Italian Schools of Painting, vol. 5, The Hague, 1925, p. 448.

Tue

Feb

note

J. Breck, “A Trecento Painting in Chicago,” Art in America 1

2026 at 07:13 PM

J. Breck, “A Trecento Painting in Chicago,” Art in America 1 (1913), pp. 112-15, fig. 26,

Tue

Feb

exhibition

Art Institute of Chicago, The Art of the Edge. European Frames 1300-1900, 1986, no. 3

2026 at 07:00 PM

Art Institute of Chicago, The Art of the Edge. European Frames 1300-1900, 1986, no. 3

Wed

Feb

note

Norman E. Muller, “Ambrogio Lorenzetti’s ‘Small’ Maestà reconsidered” in Conservare necesse est. Festskrift til Leif Einar Plahter på jams 70-årsdag, ed. Erling Skaug, Oslo, 1999, p. 221 n. 21.

1999 at 02:35 AM

Norman E. Muller, “Ambrogio Lorenzetti’s ‘Small’ Maestà reconsidered” in Conservare necesse est. Festskrift til Leif Einar Plahter på jams 70-årsdag, ed. Erling Skaug, Oslo, 1999, p. 221 n. 21.

Wed

Feb

exhibition

Art Institute of Chicago, Raphael and Titian: The Renaissance Portrait, 1999-2000 (no cat.)

1999 at 02:35 AM

Art Institute of Chicago, Raphael and Titian: The Renaissance Portrait, 1999-2000 (no cat.)

Tue

Feb

note

Mojmír Frinta, Punched Decoration on Late Medieval Panel Painting and Miniature Painting, Part 1, Catalogue Raisonné of All Punch Shapes, Prague, 1998, pp. 83, 355, 445, 451, ill

1998 at 02:35 AM

Mojmír Frinta, Punched Decoration on Late Medieval Panel Painting and Miniature Painting, Part 1, Catalogue Raisonné of All Punch Shapes, Prague, 1998, pp. 83, 355, 445, 451, ill (punchmarks)

Tue

Feb

note

sold to Johann Anton Ramboux, Cologne (died 1866), probably by 1832-42 [Wallraf-Richartz-Museum 1998, p....

1998 at 02:35 AM

sold to Johann Anton Ramboux, Cologne (died 1866), probably by 1832-42 [Wallraf-Richartz-Museum 1998, p. 583, no. 300]. Leopold Goldschmidt, Paris

Tue

Feb

note

Wallraf-Richartz-Museum, Lust und Verlust II. Corpus-Band zu Kölner Gemäldesammlungen 1800-1860, ed. Hiltrud Kier and Frank Günter Zehnder, Cologne, 1998, p. 585, no. 300, ill.

1998 at 02:35 AM

Wallraf-Richartz-Museum, Lust und Verlust II. Corpus-Band zu Kölner Gemäldesammlungen 1800-1860, ed. Hiltrud Kier and Frank Günter Zehnder, Cologne, 1998, p. 585, no. 300, ill.

Tue

Feb

note

see Wallraf-Richartz-Museum 1998, p....

1998 at 02:35 AM

see Wallraf-Richartz-Museum 1998, p. 583, no. 300]

Thu

Feb

note

Carl Brandon Strehlke, review of Christopher Lloyd, Italian Paintings before 1600 in The Art Institute of Chicago. A Catalogue of the Collection in Burlington Magazine 136

1994 at 02:35 AM

Carl Brandon Strehlke, review of Christopher Lloyd, Italian Paintings before 1600 in The Art Institute of Chicago. A Catalogue of the Collection in Burlington Magazine 136 (1994), p. 626.

Wed

Feb

note

Christopher Lloyd, Italian Paintings before 1600 in the Art Institute of Chicago. A Catalogue of the Collection, Chicago, 1993, pp. 258-61, ill.

1993 at 02:35 AM

Christopher Lloyd, Italian Paintings before 1600 in the Art Institute of Chicago. A Catalogue of the Collection, Chicago, 1993, pp. 258-61, ill.

Sat

Feb

note

Robert Gibbs, “The Tuscan Renaissance in the Making,” Apollo 131

1990 at 02:35 AM

Robert Gibbs, “The Tuscan Renaissance in the Making,” Apollo 131 (1990), p. 277.

Wed

Feb

note

Martin Davies, rev. by Dillian Gordon, National Gallery Catalogues: The Early Italian Schools before 1400, London, 1988, pp. 23-24, under no. 6386.

1988 at 02:35 AM

Martin Davies, rev. by Dillian Gordon, National Gallery Catalogues: The Early Italian Schools before 1400, London, 1988, pp. 23-24, under no. 6386.

Sat

Feb

note

James H. Stubblebine, Duccio di Buoninsegna and His School, Princeton, 1979, vol. 1, pp. 17, 179-80, 189, vol. 2, fig. 444.

1979 at 02:35 AM

James H. Stubblebine, Duccio di Buoninsegna and His School, Princeton, 1979, vol. 1, pp. 17, 179-80, 189, vol. 2, fig. 444.

Sat

Feb

note

L. Amico, “Reconstructing an Early Fourteenth-Century Pentaptych by Ugolino di Nerio: St. Catherine Finds Her Niche,” Bulletin of the Krannert Art Museum, University of Illinois, Urbana-Champaign 5, no. 1

1979 at 02:35 AM

L. Amico, “Reconstructing an Early Fourteenth-Century Pentaptych by Ugolino di Nerio: St. Catherine Finds Her Niche,” Bulletin of the Krannert Art Museum, University of Illinois, Urbana-Champaign 5, no. 1 (1979), pp. 25-26, 30 n. 24.

Thu

Feb

note

Burton B. Frederksen and Federico Zeri, Census of Pre-Nineteenth-Century Italian Paintings in North American Public Collections, Cambridge, Mass, 1972, pp. 207, 317, 571.

1972 at 02:35 AM

Burton B. Frederksen and Federico Zeri, Census of Pre-Nineteenth-Century Italian Paintings in North American Public Collections, Cambridge, Mass, 1972, pp. 207, 317, 571.

Thu

Feb

note

James H. Stubblebine, “Duccio’s Maestà of 1302 for the Chapel of the Nove” Art Quarterly 35

1972 at 02:35 AM

James H. Stubblebine, “Duccio’s Maestà of 1302 for the Chapel of the Nove” Art Quarterly 35 (1972), p. 264 n. 16.

Mon

Feb

note

Luisa Vertova “Un frammento duccesco,” Arte illustrata 2, 22-24

1969 at 02:35 AM

Luisa Vertova “Un frammento duccesco,” Arte illustrata 2, 22-24 (1969), pp,. 41-3, fig. 4.

Sat

Feb

note

Bernard Berenson, Italian Pictures of the Renaissance: Central Italian and North Italian Schools, vol. 1, London, 1968, p. 437.

1968 at 02:35 AM

Bernard Berenson, Italian Pictures of the Renaissance: Central Italian and North Italian Schools, vol. 1, London, 1968, p. 437.

Wed

Feb

note

Mojmîr Frinta, “An Investigation of the Punched Decoration of Mediaeval Italian and Non-Italian Panel Paintings,” Art Bulletin 47

1965 at 02:35 AM

Mojmîr Frinta, “An Investigation of the Punched Decoration of Mediaeval Italian and Non-Italian Panel Paintings,” Art Bulletin 47 (1965), p. 264

Mon

Feb

note

James H. Stubblebine, Guido da Siena, Princeton, 1964, p. 86.

1964 at 02:35 AM

James H. Stubblebine, Guido da Siena, Princeton, 1964, p. 86.

Fri

Feb

note

Hans Huth, “Italienische Kunstwerke im Art Institute von Chicago, USA,” in Miscellanea Bibliothecae Herzianae, Munich, 1961, p. 516.

1961 at 02:35 AM

Hans Huth, “Italienische Kunstwerke im Art Institute von Chicago, USA,” in Miscellanea Bibliothecae Herzianae, Munich, 1961, p. 516.

Fri

Feb

note

Art Institute of Chicago, Paintings in the Art Institute of Chicago. A Catalogue of the Collection, Chicago, 1961, p. 413.

1961 at 02:35 AM

Art Institute of Chicago, Paintings in the Art Institute of Chicago. A Catalogue of the Collection, Chicago, 1961, p. 413.