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oil paint (paint)17 × 21 Cm
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About the artwork
Artist supplied description.
In this portrait of a maid of honor to Catherine de’ Medici, wife of Henry II of France, the sitter wears a fashionable dress of the mid-1550s. Her jewelry—a gold chain around her narrow waist, a pearl necklace, and a band of pearls on her hood—harmonizes with the rich, yet restrained ornamentation of her dress and embroidered white chemise. Louise de Halluin was still an unmarried attendant of the queen when she sat for this portrait. Corneille de Lyon’s small, keenly observed portraits of courtiers have their own precious, jewel like quality and were well adapted to the itinerant lives of their owners, who accompanied the court as it moved from one palace to another.
Artwork metadata
Structured fields synced from connected systems.
| Medium | oil paint (paint) |
| Dimensions | 17 × 21 Cm |
| Tags | Century of ProgresschainsFrancejewelrynecklacenobilitypearlsportraitsportraits: European subjectportraits: female subjecttextilewealthworld's fairsChicago World's Fairs |
| Certificate | Certificate not provided |
Timeline
Chain of custody, exhibitions, and verification milestones synced from the provenance service.
Sat
14
Feb
exhibition
New York, Kleinberger, Loan Exhibition of French Primitives and
New York, Kleinberger, Loan Exhibition of French Primitives and
Sat
14
Feb
note
Susan Frances Jones in Martha Wolff et al., Northern European and Spanish Paintings before 1600 in the Art Institute of Chicago
Susan Frances Jones in Martha Wolff et al., Northern European and Spanish Paintings before 1600 in the Art Institute of Chicago (Chicago, 2008), pp. 10-13, ill.
Sat
14
Feb
exhibition
Art Institute of Chicago, A Century of Progress, 1934, no. 10.
Art Institute of Chicago, A Century of Progress, 1934, no. 10.
Sat
14
Feb
note
6 bequeathed to the Art Institute, 1933.
6 bequeathed to the Art Institute, 1933.
Sat
14
Feb
exhibition
Art Institute of Chicago, A Century of Progress, 1933, no. 11.
Art Institute of Chicago, A Century of Progress, 1933, no. 11.
Sat
14
Feb
note
Daniel Catton Rich, “The Paintings of Martin A. Ryerson,” Bulletin of the Art Institute of Chicago 27
Daniel Catton Rich, “The Paintings of Martin A. Ryerson,” Bulletin of the Art Institute of Chicago 27 (1933), p. 12.
Sat
14
Feb
exhibition
Objects of Art, 1927, no. 66.
Objects of Art, 1927, no. 66.
Sat
14
Feb
note
Rose Mary Fischkin, “Martin A. Ryerson Collection of Paintings and Sculpture, XIII to XVII Century, Loaned to The Art Institute of Chicago,” unpub. MS, 1926, Ryerson Library, The Art Institute of Chicago, pp. 146–27.
Rose Mary Fischkin, “Martin A. Ryerson Collection of Paintings and Sculpture, XIII to XVII Century, Loaned to The Art Institute of Chicago,” unpub. MS, 1926, Ryerson Library, The Art Institute of Chicago, pp. 146–27.
Sat
14
Feb
note
The Art Institute of Chicago, A Guide to the Paintings in the Permanent Collection, 1925, no. 2015.
The Art Institute of Chicago, A Guide to the Paintings in the Permanent Collection, 1925, no. 2015.
Sat
14
Feb
note
The Art Institute of Chicago, Handbook of Sculpture, Architecture, Paintings, and Drawings, vol. 2, August 1920, p. 61.
The Art Institute of Chicago, Handbook of Sculpture, Architecture, Paintings, and Drawings, vol. 2, August 1920, p. 61.
Sat
14
Feb
note
sold to Martin A....
sold to Martin A. Ryerson (d. 1932), Chicago, for 30,000 fr., June 20, 1913 [Kleinberger stock card cited above]
Sat
14
Feb
note
on loan to the Art Institute from 1913
on loan to the Art Institute from 1913
Sat
14
Feb
note
sold to Kleinberger, Paris, June 1913 [Kleinberger stock card cited above]
sold to Kleinberger, Paris, June 1913 [Kleinberger stock card cited above]
Sat
14
Feb
note
Dr....
Dr. Paul Mersch, Paris, July 1912 [according to Max Friedländer’s authentication dated Berlin, July 3, 1912, on a photograph in the Rijksbureau voor Kunsthistorische Documentie., The Hague]. Senateur Colin, Paris, by June 1913 [Kleinberger stock card, Department of European paintings, Metropolitan Museum of Art, New York]
Wed
14
Feb
note
Anne Dubois de Groër, Corneille de La Haye, dit Corneille de Lyon, Paris, 1996, pp. 216–18, no. 132
Anne Dubois de Groër, Corneille de La Haye, dit Corneille de Lyon, Paris, 1996, pp. 216–18, no. 132 (ill.).
Tue
14
Feb
note
The Art Institute of Chicago, Paintings in The Art Institute of Chicago: A Catalogue of the Picture Collection, 1961, p. 84.
The Art Institute of Chicago, Paintings in The Art Institute of Chicago: A Catalogue of the Picture Collection, 1961, p. 84.
© Artist-Unknown. All rights reserved.