ArtworkStatus unknown

The Brook of Les Puits-Noir

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oil paint (paint)55 × 46 Cm

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Artwork metadata
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Mediumoil paint (paint)
Dimensions55 × 46 Cm
Tags
Century of ProgressanimalsdeerfoliageFranceFrenchlandscaperiverrockstreesworld's fairsChicago World's Fairs
CertificateCertificate not provided
Timeline
Chain of custody, exhibitions, and verification milestones synced from the provenance service.
Sat
14
Feb
note

“Mouvement des Arts: Collection Mazaroz-Ribalier,” Gazette des Beaux-Arts, 22, suppl.

“Mouvement des Arts: Collection Mazaroz-Ribalier,” Gazette des Beaux-Arts, 22, suppl. (1890), p. 169.
Sat
14
Feb
note

Jean-Paul Mazaroz-Ribalier, Paris, by 1890

Jean-Paul Mazaroz-Ribalier, Paris, by 1890
Sat
14
Feb
note

it is possible Durand-Ruel acted as an agent for Ryerson]

it is possible Durand-Ruel acted as an agent for Ryerson]
Sat
14
Feb
note

E. Bénézit, Dictionnaire critique et documentaire des peintres, sculpteurs, dessinateurs et graveurs…, vol. 2

E. Bénézit, Dictionnaire critique et documentaire des peintres, sculpteurs, dessinateurs et graveurs…, vol. 2 (Paris: Librairie Gründ, 1949; repr. 1966), p. 681.
Sat
14
Feb
exhibition

New York, American Federation of the Arts, 19th Century French Paintings, 1948–1949; traveled to Saginaw Art Museum, December 19, 1948–January 9, 1949, cat. 6; Dayton, Dayton Art Institute, June 1–June 22, 1948; Springfield...

New York, American Federation of the Arts, 19th Century French Paintings, 1948–1949; traveled to Saginaw Art Museum, December 19, 1948–January 9, 1949, cat. 6; Dayton, Dayton Art Institute, June 1–June 22, 1948; Springfield, Springfield Art Museum, no cat.; Memphis, Brooks Memorial Art Gallery, March 1949; Utica, New York, Munson-Williams-Proctor Institute, April 1949.
Sat
14
Feb
exhibition

Nagoaka, Niigata Prefectural Museum, Masterworks of Modern Art from the Art Institute of Chicago, April 20–May 29, 1944, no. 1; traveled to Nahoya, Aichi Prefectural Museum of Art, August 6–September 25, 1994.

Nagoaka, Niigata Prefectural Museum, Masterworks of Modern Art from the Art Institute of Chicago, April 20–May 29, 1944, no. 1; traveled to Nahoya, Aichi Prefectural Museum of Art, August 6–September 25, 1994.
Sat
14
Feb
exhibition

Art Institute of Chicago, A Century of Progress: Exhibition of Paintings and Sculpture, June 1–November 1, 1934, no. 175.

Art Institute of Chicago, A Century of Progress: Exhibition of Paintings and Sculpture, June 1–November 1, 1934, no. 175.
Sat
14
Feb
note

bequeathed to the Art Institute, 1933.

bequeathed to the Art Institute, 1933.
Sat
14
Feb
note

Art Institute of Chicago, A Guide to the Paintings in the Permanent Collection

Art Institute of Chicago, A Guide to the Paintings in the Permanent Collection (Chicago: Art Institute of Chicago, 1932), p. 184, no. 587.13.
Sat
14
Feb
note

Charles Léger, Courbet

Charles Léger, Courbet (Paris: G. Crès et cie, 1929), p. 57–58.
Sat
14
Feb
note

Art Institute of Chicago, A Guide to the Paintings in the Permanent Collection

Art Institute of Chicago, A Guide to the Paintings in the Permanent Collection (Chicago: Art Institute of Chicago, 1925), p. 161, no. 2104.
Sat
14
Feb
note

Eliot Clark, “Courbet,” Art in America 8

Eliot Clark, “Courbet,” Art in America 8 (1920), p. 16.
Sat
14
Feb
note

Art Institute of Chicago, General Catalogue of Paintings, Sculpture and Other Objects in the Museum

Art Institute of Chicago, General Catalogue of Paintings, Sculpture and Other Objects in the Museum (Chicago: Art Institute of Chicago, 1914), p. 210, no. 2125.
Sat
14
Feb
note

on loan to the Art Institute from 1913

on loan to the Art Institute from 1913
Sat
14
Feb
exhibition

New York, Salander-O’Reilly Galleries, Courbet (1819–1877): Later Paintings, January 6–February 28, 1998 cat. 25; Roslyn Harbor, New York, Nassau Country Art Museum, March 7–May 29, 1998.

New York, Salander-O’Reilly Galleries, Courbet (1819–1877): Later Paintings, January 6–February 28, 1998 cat. 25; Roslyn Harbor, New York, Nassau Country Art Museum, March 7–May 29, 1998.
Sat
14
Feb
note

Pierre Courthion, Tout l’œuvre peint de Courbet

Pierre Courthion, Tout l’œuvre peint de Courbet (Paris: Flammarion, 1987; repr. 1995), p. 124, no. 905, fig. 905.
Thu
14
Feb
note

Gabriel P. Weisberg, Millet and his Barbizon Contemporaries, exh. cat.

Gabriel P. Weisberg, Millet and his Barbizon Contemporaries, exh. cat. (Keo Department Store, Tokyo, 1985), p. 120, under no. 9.
Thu
14
Feb
note

Pierre Courthion, L’opera completa di Courbet

Pierre Courthion, L’opera completa di Courbet (Milan: Rizzoli Editore, 1985), p. 124, no. 905, fig 905.
Wed
14
Feb
note

John D. Morse, Old Master Paintings in North America

John D. Morse, Old Master Paintings in North America (New York: Abbeville Press, 1979), p. 70.
Tue
14
Feb
note

Robert Fernier, La vie et l’œuvre de Gustave Courbet: catalogue raisonné, vol. 2

Robert Fernier, La vie et l’œuvre de Gustave Courbet: catalogue raisonné, vol. 2 (Lausanne: Bibliothèque des arts, 1978), pp. 176–77, no. 888 (ill.).
Wed
14
Feb
note

Jack Lindsay, Gustave Courbet: His Life and Art

Jack Lindsay, Gustave Courbet: His Life and Art (New York: Harper & Row, 1973), pp. 111–12.
Sun
14
Feb
note

Faber Birren, History of Color in Painting: With New Principles of Color Expression

Faber Birren, History of Color in Painting: With New Principles of Color Expression (New York: Reinhold Pub. Corp., 1965), p. 265 (ill.).
Tue
14
Feb
note

Art Institute of Chicago, Paintings in The Art Institute of Chicago: A Catalogue of the Picture Collection

Art Institute of Chicago, Paintings in The Art Institute of Chicago: A Catalogue of the Picture Collection (Chicago: Art Institute of Chicago, 1961), p. 107.
Fri
14
Feb
note

sold to Martin A....

sold to Martin A. Ryerson, New York, October 27, 1890, for $2,000 [according to the receipt of sale, Art Institute Archives]
Fri
14
Feb
note

sold Hôtel Drouot, May 13–14, 1890, no....

sold Hôtel Drouot, May 13–14, 1890, no. 13 for 1,250 francs [price according to an annotated copy of the sale catalogue in the Rijksbureau voor Kunsthistorische Documentatie, The Hague]. Durand-Ruel Paris, by June 5, 1890 [according to a receipt in the Martin A. Ryerson files, Art Institute Archives
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