Workers' Daughters on the Outer Boulevard (Illustration for Émile Zola's "L'Assommoir")

Cleveland, OH, The Cleveland Museum of Art, "Degas and the Laundress", October 8, 2023 - January 14, 2024, p. 37, 86 (ill.), 189 (ill.), 204, cat. 75, cat. by Britany Salsbury, et. al.

“Cat. 5: Workers’ Daughters on the Outer Boulevard (Illustration for Émile Zola’s “L’assommoir”),” in Renoir Paintings and Drawings at the Art Institute of Chicago, ed. Gloria Groom and Jill Shaw (Art Institute of Chicago, 2014), https://publications.artic.edu/renoir/reader/paintingsanddrawings/section/138973.

Vienna, Albertina, Impressionism: Pastels, Watercolors, Drawings, Feb. 9–May 13, 2012, p. 239, cat. 138 (ill.).

Guy-Patrice Dauberville and Michel Dauberville, Renoir: Catalogue raisonné des tableaux, pastels, dessins, et aquarelles, vol. 3, 1858–1881 (Bernheim-Jeune, 2007), p. 619, no. 664 (ill.).

Paul Hayes Tucker, “Renoir in the 1870s and ’80s: Modernity, Tradition, and Individuality,” in Renoir: From Outsider to Old Master, 1870–1892, exh. cat. (Chūnichi Shinbunsha, 2001), p. 220, fig. 11.

Art Institute of Chicago, Treasures from The Art Institute of Chicago, selected by James N. Wood, commentaries by Debra N. Mancoff (Art Institute of Chicago/Hudson Hills, 2000), p. 206 (ill.).

Suzanne Folds McCullagh, “‘A Lasting Monument’: The Regenstein Collection at The Art Institute of Chicago,” special issue, Art Institute of Chicago Museum Studies 26, 1 (2000), p. 13.

Rotterdam, Boymans Museum, French Drawings in American Collections, 1958, cat. 181, pl. 165; Paris, Musée de Orangerie, 1959; New York, Metropolitan Museum of Art, 1959.

H. J. Wechsler, French Impressionists and Their Circle (Abrams, 1953), fig. 4, (ill.).

San Francisco, California Palace of the Legion of Honor, 19th Century French Drawings, Mar. 8–Apr. 6, 1947, p. 64, cat. 105 (ill.).

John Rewald, Renoir Drawings (H. Bittner, 1946), p. 15–16, no. 4 (ill.).

Kimon Nicolaides, The Natural Way to Draw (Houghton Mifflin, 1941), p. 98 (ill.).316

Omaha, Neb., Joslyn Art Museum, Dec. 1941.315

San Francisco, Calif., Palace of Fine Arts, Master Drawings: An Exhibition of Drawings from American Museums and Private Collections, 1940, pp. 22, 87, cat. 85 (ill.).

Boston, Museum of Fine Arts, Art in New England, June 8–Sept. 10, 1939, cat. 200 (ill.).

New London, Conn., Lyman Allyn Museum, Drawings, Mar. 2–Apr. 15, 1936, cat. 162.

Buffalo, N.Y., Albright Art Gallery, Master Drawings, Jan. 1935, cat. 122 (ill.).

Providence, Rhode Island School of Design, Drawings and Paintings from the Collection of Mr. John Nicholas Brown, Apr. 2–27, 1931, no. cat.314

Sold by Maurice Sachs (1906–1945), Paris, to De Hauke and Company, Inc., New York, July 1, 1929 [De Hauke and Company purchase book, p. 54, stock no. 1462, in Jacques Seligmann & Co. records, 1904–1978, bulk 1913–1974. Archives of American Art, Smithsonian Institution, box 408, folder 4.]

sold to John Nicholas Brown II (1900–1979), Newport, R.I., Oct. 16, 1929 [De Hauke and Company sale book, p. 59, in Jacques Seligmann & Co. records, 1904–1978, bulk 1913–1974. Archives of American Art, Smithsonian Institution, box 408, folder 5.]

New York, De Hauke and Company, Watercolors and Drawings of the 19th and 20th Century, Dec. 1929, no cat.313

Joachim Gasquet, “Le paradis de Renoir,” L’amour de l’art 2 (Feb. 1921) (ill.).

Ambroise Vollard, La vie et l’oeuvre de Pierre-Auguste Renoir (A. Vollard, 1919), p. 161 (ill.).

Théodore Duret, Histoire des peintres impressionistes (H. Floury, 1906), p. 102 (ill.).

Douglas W. Druick, Renoir, Artists in Focus (Art Institute of Chicago/Abrams, 1997) p. 31–37, 83, no. 5, 109 (ill.).

Hollis Clayson, Painted Love: Prostitution in French Art of the Impressionist Era (Yale University Press, 1991) p. 73–75, fig. 39 (ill.).

New York, Frick Collection, From Pontormo to Seurat: Drawings Recently Acquired by The Art Institute of Chicago, Apr. 23–July 7, 1991, cat. 51; Art Institute of Chicago, Sept. 10, 1991–Jan. 5, 1992.

Art Institute of Chicago, Masterpieces from the Helen Regenstein Collection, 1974–1989, Feb. 2–May 8, 1990, no cat.

Sophie Monneret, Renoir, Profils de l’art (Chêne, 1989) n.p., fig. 2 (ill.).

sold to David Tunick, Inc., New York, c. 1986

sold to the Art Institute of Chicago, 1986.

Barbara Ehrlich White, Renoir: His Life, Art, and Letters (Abrams, 1984) pp. 83–84 (ill.).

estate of John Nicholas Brown II, Newport, R.I., from 1979.

Martha Tedeschi, “Pierre Auguste Renoir, Workers’ Daughters on the Outer Boulevard (Illustration for Emile Zola’s ‘L’Assommoir’), 1877/78,” in “Maineri to Miró: The Regenstein Collection since 1975,” special issue, Art Institute of Chicago Museum Studies 26, 1 (2000), pp. 78–79, no. 34 (ill.).

Cambridge, Mass., Fogg Art Museum, Forty Master Drawings from the Collection of John Nicholas Brown, Summer 1962, cat. 23.

Ira Moskowitz, Great Drawings of All Time, vol. 3 (Shorewood, 1962), no. 798 (ill.).