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oil paint (paint)57 × 81 Cm
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About the artwork
Artist supplied description.
This painting provides a revealing glimpse into the workshop practice of Agnolo Bronzino. Three examples of the composition are known; an original version and two copies, including this one. All are unfinished. This version and the other copy follow a cartoon, or pattern drawing, based on the original work, and may be from a later date. It is unclear why these replicas were begun and then abandoned.
Artwork metadata
Structured fields synced from connected systems.
| Medium | oil paint (paint) |
| Dimensions | 57 × 81 Cm |
| Tags | Virgin and child/Madonna and childbiblicalchildrenChristian subjectsChristianityfiguresreligionreligiousSaint John the Baptistsaintswomanwoman with children |
| Certificate | Certificate not provided |
Timeline
Chain of custody, exhibitions, and verification milestones synced from the provenance service.
Sat
14
Feb
note
Sestieri, Rome
Sestieri, Rome
Sat
14
Feb
note
Janet Cox-Rearick, “A Bronzino Discovery,” Apollo
Janet Cox-Rearick, “A Bronzino Discovery,” Apollo (April 2004): 13 fig. 3
Sat
14
Feb
note
Frank Zuccari, “Conservations of Italian Paintings in Chicago” in Early Italian Paintings: Approaches to Conservation. Proceedings of a Symposium at the Yale University Art Gallery, April 2002, ed. by Patricia Sherwin Garland
Frank Zuccari, “Conservations of Italian Paintings in Chicago” in Early Italian Paintings: Approaches to Conservation. Proceedings of a Symposium at the Yale University Art Gallery, April 2002, ed. by Patricia Sherwin Garland (New Haven and London, 2003), 254–5, figs. 18.4 and 5.
Sun
14
Feb
exhibition
The Art Institute of Chicago, Bill Viola: A 25-Year Survey, October 16, 1999 – January 9, 2000, included in the gallery that held Viola’s The Greeting for the Chicago venue.
The Art Institute of Chicago, Bill Viola: A 25-Year Survey, October 16, 1999 – January 9, 2000, included in the gallery that held Viola’s The Greeting for the Chicago venue.
Mon
14
Feb
note
Phillippe Costamagna, Pontormo
Phillippe Costamagna, Pontormo (Milan: Electa, 1994), 11, 301, no. A66.1.
Sun
14
Feb
note
Christopher Lloyd, Italian Paintings Before 1600 in the Art Institute of Chicago: A Catalogue of the Collection
Christopher Lloyd, Italian Paintings Before 1600 in the Art Institute of Chicago: A Catalogue of the Collection (Chicago, 1993), 202–5, ill.
Thu
14
Feb
note
sold to Colnaghi, London, 1962 [according to letter of January 29, 1991 from Jeremy Howard of Colnaghi in curatorial file]
sold to Colnaghi, London, 1962 [according to letter of January 29, 1991 from Jeremy Howard of Colnaghi in curatorial file]
Fri
14
Feb
exhibition
The Art Institute of Chicago, The Art of the Edge: European Frames, 1300–1900, Oct. 17–Dec. 14, 1986, cat. 6.
The Art Institute of Chicago, The Art of the Edge: European Frames, 1300–1900, Oct. 17–Dec. 14, 1986, cat. 6.
Thu
14
Feb
note
Anna Matteloi, “Una S. Famiglia di Maso da San Friano,” Mitteilungen des Kunsthistorischen Institutes in Florenz 29
Anna Matteloi, “Una S. Famiglia di Maso da San Friano,” Mitteilungen des Kunsthistorischen Institutes in Florenz 29 (1985), 394.
Sat
14
Feb
note
Valentino Pace, “Maso da San Friano,” Bollettino d’Arte 61
Valentino Pace, “Maso da San Friano,” Bollettino d’Arte 61 (1976), 91.
Fri
14
Feb
note
Cecil Gould, National Gallery Catalogues: The Sixteenth-Century Italian Schools
Cecil Gould, National Gallery Catalogues: The Sixteenth-Century Italian Schools (London, 1975), 87.
Mon
14
Feb
note
Burton Fredericksen and Federico Zeri, Census of Pre-Nineteenth-Century Italian paintings in American Public Collections
Burton Fredericksen and Federico Zeri, Census of Pre-Nineteenth-Century Italian paintings in American Public Collections (Cambridge, Mass., 1972), 168, 336, 571.
Mon
14
Feb
note
Kurt W. Forster, “A Madonna by Maso da San Friano,” Art Institute of Chicago Museum Studies 7
Kurt W. Forster, “A Madonna by Maso da San Friano,” Art Institute of Chicago Museum Studies 7 (1972): 34–51, figs. 1, 4, 6, 13.
Sat
14
Feb
note
John Maxon, The Art Institute of Chicago
John Maxon, The Art Institute of Chicago (London, 1970), 254 (ill.).
Thu
14
Feb
note
purchased from Colnaghi by the Art Institute through the Charles H....
purchased from Colnaghi by the Art Institute through the Charles H. and Mary F. S. Worcester Endowment, 1963.
Wed
14
Feb
note
Art Institute of Chicago Annual Report, 1962–63
Art Institute of Chicago Annual Report, 1962–63 (1963): 15
© Artist-Unknown. All rights reserved.