A Farm on the Amsteldijk, Seen from the Northwest

Jan Pieteresz. Zoomer (1641–1724), Amsterdam [stamp (Lugt 1511), recto, lower left, in black].  Baron Jan Gijsbert Verstolk van Soelen (1776–1845), The Hague and Soelen [Duthuit 1885]. Jacob de Vos Jacobszoon (1803–1882), Amsterdam [stamp (Lugt 1450), verso, lower left, in black]

Emile Michel, Rembrandt, sa Vie, son Oeuvre, et son Temps (Paris: Librairie Hachette, 1893), pp. 584-85.

Eugéne Dutuit, Tableaux et Dessins de Rembrandt, Supplément à l’oeuvre complet de Rembrandt (Paris: A. Lévy, 1885), p. 114.

The Art Institute of Chicago, "Rubens, Rembrandt, and Drawing in the Golden Age", September 28, 2019 - January 5, 2020, pp. 254-55, 257 (ill.), 259, 277 (ill.), 278, 307-8, cat. 104, cat. by Victoria Sancho Lobis, et. al.

Shelley Perlove and George S. Keyes (editors), Seventeenth-Century European Drawings in Midwestern Collections (Notre Dame, Indiana: University of Notre Dame Press, 2015), pp. 117, 166 no. 66, and 167 (ill.).

Christiaan Vogelaar and Gregor J. M. Weber, et. al., Rembrandt’s Landscapes, exh. Cat. Stedelijk Museum de Lakenhal, Leiden and Staatliche Museen Kassel (Zwolle: Waanders Publishers, 2005), p. 152 (ill). In essay by Boudeweijn Bakker, “Nature or Art? Rembrandt’s Aethetics and the Netherlandish Tradition,” pp. 144–171.

Nathan Goldstein and Harriet J. Fishman, Drawing to See (Upper Saddle, N.J.: Pearson Prentice Hall, 2004), pp. 34–35 and 37, fig. 2.8.

Boston, Museum of Fine Arts, Rembrandt's Journey: Painter, Draftsman, Etcher, Oct. 26, 2003–Jan. 18, 2004, pp. 259, 263–64 and 330, cat. no. 191  (ill. p. 277); also the Art Institute of Chicago, Feb. 14–May 9, 2004.

William W. Robinson, Bruegel to Rembrandt: Dutch and Flemish Drawings from the Maida and George Abrams Collection (New Haven and London: Yale University Press, 2002), p. 136, fig. 1.

Otto Benesch, The Drawings of Rembrandt (London: Phaidon, 1957), vol. 6, no. 1297, fig. 1606.

Rotterdam, Museum Boymans, Rembrandt, May 18–Aug. 5, 1956, p. 129, cat. 172, pl. 54; also Amsterdam, Rijksmuseum, Aug. 8–Oct. 21, 1956.

Harold Joachim, "Three Drawings by Rembrandt," Art Institute of Chicago Quarterly, 48 (1954), p. 11 (ill.).

sold to the Art Institute of Chicago, 1953.

Bern, Switzerland, Kunstmuseum Bern, Rembrandt, Apr. 18–May 30, 1937, p. 44, cat. 195.

Otto Benesch, Rembrandt Werk und Forschung (Vienna: Gilhofer & Ranschburg, 1935), p. 57.

Frits Lugt, Mit Rembrandt in Amsterdam (Berlin: Bruno Cassirer, 1920), pp. 5–6, fig. 3.

Frits Lugt, “Wandelingen met Rembrandt in Amsterdam,” Feest-Bundel Dr. Abraham Bredius Aangeboden den Achttienden April 1915 (Amsterdam: Gebroeders Binger, 1915), vol. 1, p. 141; vol 2., no. 51, fig. 3.

Société de Reproduction des Dessins de Maîtres (Paris, 1913), vol. V, n.p., (ill.).

sold, Amsterdam, May 22–24, 1883, lot 393, to Verstolk [Dutuit 1885].  Sir Francis Seymour Haden (1818–1910), London [stamp (Lugt 1227), verso, lower left, in black]

C. Hofstede de Groot, Die Handzeichnungen Rembrandts (Haarlem: De Erven F. Bohn, 1906), no. 954, p. 217.

Boudewijn Bakker, Mària van Berge-Gerbaud, Erik Schmitz, and Jan Peeters, Landscapes of Rembrandt: His Favorite Walks, exh. cat. Gemeentearchief Amsterdam and Institut Néerlandais, Paris (Bussum: Thoth Publishers, 1998), p. 292–293 (ill. p. 292).

Washington, D.C., National Gallery of Art, Rembrandt's Landscapes: Drawings and Prints, Mar. 11–May 20, 1990, pp. 47-50 fig. 15, 57-58, and 104-106, cat. 16.

Peter Schatborn, “Van Rembrandt tot Crozat: Vroege verzamelingen met tekeningen van Rembrandt,” Nederlands Kunsthistorisch Jaarboek 32 (1981), 22.

Amsterdam, Rijksmuseum, Rembrandt 1669/1969, Sept. 13–Nov. 30, 1969, p. 173, cat. 7 (ill.).

New York, Wildenstein and Company, Master Drawings from The Art Institute of Chicago, Oct. 17–Nov. 30, 1963, n.p., cat. 29.

Ira Moskowitz, Great Drawings of All Time (New York: Shorewood Publishers, Inc., 1962), vol. II, no. 592 (ill.).

New York, Pierpont Morgan Library, Rembrandt Drawings from American Collections, Mar. 15–Apr. 16, 1960, pp. 39–40, cat. 52, pl. 44; also Cambridge, Mass., Fogg Art Museum, Harvard University, Apr. 27–May 29, 1960.