Sheet of Studies for the Blinding of Elymas, Sacrifice at Lystra, and a Holy Family

given to the Art Institute, 1928.

possibly his sale, T. Philipe, London, June 20, 1814, lot 1492 (as Taddeo Zuccaro)

Cristina Acidini Luchinat, Taddeo e Federico Zuccari, fratelli pittori del Cinquecento (Milan, 1998), vol. I, pp. 70-72, fig. 16.

Suzanne Folds McCullagh and Laura M. Giles, Italian Drawings before 1600 in The Art Institute of Chicago: A Catalogue of the Collection (Chicago, 1997), pp. 268-70, no. 350 (ill.), and pl. 27.

The Art Institute of Chicago, "Drawings Rediscovered: Italian Drawings before 1600 in The Art Institute of Chicago," April 10-July 22, 1997.

Milwaukee Art Museum, "Renaissance into Baroque: Italian Master Drawings by the Zuccari, 1550-1600," November 17, 1989-January 14, 1990, pp. 88-91, cat. 15, pl. 14 (cat. by E. James Mundy, et al.); traveled to New York, National Academy of Design, March 13-April 29, 1990.

John A. Gere, Some Observations on the Practical Utility of Connoisseurship, in Drawings Defined, edited by Walter Strauss and Tracie Felker (New York, 1987), p. 301, fig. 10 (recto).

"Oltre Raffaello: aspetti della cultura figurativa del cinquecento romano," 1984, pp. 113-14 (cat. by Stefania Macioce), hors cat.

Notre Dame, Ind., University of Notre Dame, "Religious Narrative in Sixteenth Century Rome," September 11-October 23, 1983, pp. 75-76, cat. 50 (ill.) (cat. by Richard-Raymond Alasko).

The Art Institute of Chicago, "Italian Drawings at The Art Institute of Chicago," cat. by Harold Joachim and Suzanne Folds McCullagh; also traveled to Washington, National Gallery of Art, 1979-80.

Harold Joachim, Italian drawings of the 15th, 16th, and 17th centuries (Chicago and London, 1979), p. 79, nos. 3A1-3A2 (ill. microfiche).

The Cleveland Museum of Art, "The Draftsman's Eye: Late Italian Renaissance Schools and Styles," March 6-April 22, 1979, p. 105, cat. 82 (ill.) (cat. by Edward J. Olszewski, with the assistance of Jane Glaubinger).

Harold Joachim and Suzanne Folds McCullagh, Italian Drawings in The Art Institute of Chicago (Chicago, 1979), pp. 36-37, no. 28, pls. 36-37.

Los Angeles County Museum of Art, "Old Master Drawings From American Collections," April 29-June 13, 1976, p. 94, cat. 113 (ill.) (cat. by Ebria Feinblatt).

St. Louis Art Museum, Mo., "Italian Drawings Selected from Mid-Western Collections, February 25-April 16, 1972, n.p., cat. 12 (ill. recto) (cat. by Nancy Ward Nielson).

John Gere, Il manierismo a Roma (Milan, c. 1971), pp. 17 and 83, pl. 17 (recto, as Foglio di Studi).

Regina, Norman Mackenzie Art Gallery, "A Selection of Italian Drawings from North American Collections," January 16-February 15, 1970, p. 20, cat. 10 (ill.) (as Sheet of Studies); traveled to Montreal, Museum of Fine Arts, March 5-April 3, 1970.

John A. Gere, Taddeo Zuccaro: His Development Studied in his Drawings (Chicago, 1969), pp. 73-74, 76-77, and 138, no. 22, pls. 94 (recto) and 95 (verso).

his sale of Sir Thomas Lawrence collection, Christie's, London, June 4, 1860, lot 108 (as Michelangelo). Robert B. Harshe (1879-1938, Director of the Art Institute from 1911 to 1928) Chicago

Samuel Woodburn (1786-1853), London (Lugt 2584)

Possibly William Young Ottley (1771-1836), London (Lugt 2663)