Philip the Good, Duke of Burgundy; Isabelle of Bourbon (?)

Gustav Friedrich Waagen, Über Hubert und Johann van Eyck (Breslau, 1822), pp.255-256.

this information could not be verified, though Haskell did buy other pictures from Labey in Paris]

Jacob Daniel Abegg, Mannheim, by 1822 [according to Waagen 1822]. Hollingworth Magniac (died 1867), Colworth House, Bedfordshire

heirs of Hollingworth Magniac, sold, Christie's, London, July 2 and 4, 1892, no. 14, to Durlacher for 55 gns. [according to an annotated copy of the sale catalogue at the Fitzwilliam Museum, Cambridge]. Wickham Flower, Guildford and London

accessioned in 1940 [Haskell’s wife disputed his gift, hence the delay in accessioning the painting].

sold to Frederick T. Haskell, (died 1935), Chicago, by whom given to the Art Institute in 1935

Luiz Reis Santos, "Un portrait d'Isabelle de Portugal duchesse de Bourgogne, daté de 1470," Revue belge d'archéologie et d'histoire de l'art, 5 (1935), p. 135.

Seymour de Ricci, "A Flemish Triptych for Melbourne II", The Burlington Magazine, 40 (1922), p. 171.

Marguerite Devigne, "Une collection d'oeuvres d'art à Tournai au commencement du XVIIe siècle," Fédération archéologique et historique de Belgique, Annales, 24 (1921), p. 349, 353.

sold by Agnew's to Sir John Ramsden, Bart., 21 March, 1918 [according to letter cited above]. James P. Labey, London [according to registrar’s records

sold to Thomas Agnew and Sons, London, 16 December, 1913 [according to letter cited above]

W.H. James Weale and Maurice W. Brockwell, The Van Eycks and their Art, London, 1912, p. 199.

W. H. James Weale, Hubert and John van Eyck, Their Life and work (London, 1908), pp. 177-178.

Bruges, 1907, Exposition de la Toison d'Or, cat. 13.

[ ] Court, session of 1 June 1907, compte-rendu, and session of 1 march 1908, compte-rendu in Commission des antiquités du Département de la Côte d'Or, Mémoires, 15 (1906-1910), pp. LXXXVII and LCCVII-CXXVIII.

Bibliothèque Nationale, Paris, 1907, Exposition de portraits peints et dessinés du XIIIe au XVIIe siècle, cat. 532.

H. Kervyn de Lettenhovoe et al., Les chefs-d'oeuvre d'art ancien à l'exposition de la toison d'or à Bruges en 1907 (Brussels, 1908), p. 10.

his estate sale Christie's, London, December 17, 1904, to Dowdeswell for £325 10s [according to annotated catalogue at the Art Institute]. Wildenstein, Paris, by 1907 [lent to Paris 1907]. Dr. Albert Figdor, Vienna, by 1913 [letter of 30 March 1999 from Simona Brusa, Agnew’s]

New Gallery, London, 1899-1900, Exhibition of Pictures by Masters of the Flemish and British Schools including a Selection from the Works of Sir Peter Paul Rubens, cat. 57.

Max J. Friedländer, "Die Leihausstellung der New Gallery in London, Januar-März 1900. Hauptsächlich niederländische Gemälde des XV. und XVI Jahrhunderts", Repertorium für Kunstwissenschaft, 23 (1900), p. 247.

Art Institute of Chicago, 1997, The Meeting of Heaven and Earth: Van Eyck's 'Annunciation', no cat.

Micheline Comblen-Sonkes, Le Musée des Beaux-Arts de Dijon. Les Primitifs flamands. Corpus (Brussels, 1986), pp. 15, no. 4 and 226, no. 17.