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paper (fiber product)20 × 30 Cm
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About the artwork
Artist supplied description.
It is clear from drawings like this one, which relates to a series of prints representing Peter Paul Rubens’s workshop materials, that Rubens’s assistants copied his drawings. Rubens likely encouraged this practice, and this drawing may even show signs of correction in the form of ink retouching to emphasize the contour lines of the figure.
Artwork metadata
Structured fields synced from connected systems.
| Medium | paper (fiber product) |
| Dimensions | 20 × 30 Cm |
| Certificate | Certificate not provided |
Timeline
Chain of custody, exhibitions, and verification milestones synced from the provenance service.
Sat
24
Jan
note
Harold Joachim, compiled by Suzanne Folds McCullagh and Sandra Haller Olsen,
Harold Joachim, compiled by Suzanne Folds McCullagh and Sandra Haller Olsen,
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24
Jan
exhibition
The Art Institute of Chicago, "Rubens, Rembrandt, and Drawing in the Golden Age", September 28, 2019 - January 5, 2020, pp. 55, 60-61 (ill.), 314, cat. 12, cat. by Victoria Sancho Lobis, et. al.
The Art Institute of Chicago, "Rubens, Rembrandt, and Drawing in the Golden Age", September 28, 2019 - January 5, 2020, pp. 55, 60-61 (ill.), 314, cat. 12, cat. by Victoria Sancho Lobis, et. al.
Sat
24
Jan
note
Jeremy Wood, Rubens: Copies and Adaptations from Renaissance and Later Artists, Italian Artists, Artists Working in Central Italy and France, Corpus Rubenianum Ludwig Burchard XXVI, part II, 2 vols.
Jeremy Wood, Rubens: Copies and Adaptations from Renaissance and Later Artists, Italian Artists, Artists Working in Central Italy and France, Corpus Rubenianum Ludwig Burchard XXVI, part II, 2 vols. (London: Harvey Mill, 2011), vol. 1, p. 444, under no. R20 (as copy after related drawing, formerly in the I.Q. van Regteren Altena collection).
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24
Jan
note
given to the Art Institute of Chicago for the Leonora Hall Gurley Memorial Collection, 1922 [stamp (Lugt 1230b), verso, in black].
given to the Art Institute of Chicago for the Leonora Hall Gurley Memorial Collection, 1922 [stamp (Lugt 1230b), verso, in black].
Sat
24
Jan
note
Sold, Puttick and Simpson, May 15, 1914, to William F....
Sold, Puttick and Simpson, May 15, 1914, to William F. E. Gurley (1854–1943), Chicago [stamp (Lugt 5308), recto, lower right, in black]
Sat
24
Jan
note
Christie’s, Amsterdam, The I. Q. van Regteren Altena Collection, Part IV: Dutch and Flemish Drawings from 1500–1900, 13 May 2015, under lot 135, p. 83
Christie’s, Amsterdam, The I. Q. van Regteren Altena Collection, Part IV: Dutch and Flemish Drawings from 1500–1900, 13 May 2015, under lot 135, p. 83 (as possibly a copy of lot 135).
Wed
24
Jan
note
Jaffé, Michael. “Seven Unpublished Drawings by Rubens.” In Ars naturam adiuvans: Festschrift für Matthias Winner zum 11. Marz 1996, edited by Victoria V. Flemming and Sebastian Schütze. Mainz am Rhein: P. von Zabern, 1996, fig. 2, 453–455
Jaffé, Michael. “Seven Unpublished Drawings by Rubens.” In Ars naturam adiuvans: Festschrift für Matthias Winner zum 11. Marz 1996, edited by Victoria V. Flemming and Sebastian Schütze. Mainz am Rhein: P. von Zabern, 1996, fig. 2, 453–455 (as Rubens).
Wed
24
Jan
note
Italian Drawings of the 15th, 16th, and 17th Centuries
Italian Drawings of the 15th, 16th, and 17th Centuries (Chicago: University of Chicago Press, 1979), no. 5G4.
© Artist-Unknown. All rights reserved.