Te atua (The God) from the Noa Noa Suite

The Art Institute of Chicago, "Gauguin: Artist as Alchemist", June 25 - September 10, 2017, pp. 40, 41, 44n6, 58, 63n11, 235, 237, 238, 248, 270, cat. 191, cat. by Gloria Groom, et. al., traveled to Paris, Réunion des musées nationaux - Grand Palais, October 9, 2017 - January 21, 2018.

Gauguin (Parkstone International, 2010), pp. 152–53 (ill.).

Princeton University Art Museum, "Gauguin's Paradise Remembered: The Noa Noa Prints," September 25, 2010-January 2, 2011, p. 32 (ill.) and p. 131, cat. 20.

Calvin Brown, “Paradise Remembered: The Noa Noa Woodcuts,” in Alastair Wright and Calvin Brown, Gauguin’s Paradise Remembered: The Noa Noa Prints, exh. cat. (Princeton University Art Museum/Yale University Press, 2010), pp. 32 (ill.), 131, cat. 20.

Jean-François Staszak, Gauguin: Voyageur du Pérou aux îles Marquises (Éds. Solar, 2006), p. 123 (ill.).

Martine Regnault, Paul Gauguin: La trace écrite (Éds. Universitaires de Dijon, 2005), p. 95 (ill.).

Boston, Museum of Fine Arts and Paris, Grand Palais, Paris, "Gauguin Tahiti," 2003-2004, pp. 120-121, and 354, cat. 113 (ill.), cat. by George T. M. Shackelford and Claire Frèches-Thory; shown in Boston, February 29-June 20, 2004, and Paris, September 30, 2003-January 19, 2004.

Anna Barskaya, Paul Gauguin (Grange, 2004), p. 150, fig. 114.

Paris, Galeries Nationales du Grand Palais, Gauguin Tahiti, Sept. 30, 2003–Jan. 19, 2004, cat. 113 (ill.); Boston, Museum of Fine Arts, Feb. 29–June 20, 2004.

George T. M. Shackelford and Claire Frèches-Thory, Gauguin Tahiti, with additional essays by Isabelle Cahn et al., exh. cat (MFA Publications, 2004), pp. 120–21, 354, cat. 113 (ill.). Translated as Gauguin Tahiti: L’atelier du tropiques, exh. cat. (Éds. de la Réunion des Musées Nationaux, 2003), pp. 167, 170, 377, cat. 113 (ill.).

James N. Wood and Debra N. Mancoff, Treasures from The Art Institute of Chicago (Hudson Hills, 2000), p. 221 (ill.).

“Cronache—Chicago: Una mostra di Paul Gauguin,” Emporium 1301 (July 1959), p. 44 (ill.).

“Gauguin,” Art Institute of Chicago Quarterly 53, no. 1 (Feb. 1959), p. 7 (ill).

The Art Institute of Chicago, "Gauguin: Paintings, Drawings, Prints, Sculpture," February 12-March 29, 1959, p. 84, cat. 156; traveled to the Metropolitan Museum of Art, New York, April 21-May 31, 1959.

Art Institute of Chicago and Metropolitan Museum of Art, New York, Gauguin: Paintings, Drawings, Prints, Sculpture, exh. cat. (Art Institute of Chicago, 1959), p. 84, cat. 156.

Art Institute of Chicago, Gauguin Prints (Art Institute of Chicago, 1959), n.pag. (ill.).

Carl O. Schniewind, “Paul Gauguin,” special issue, Bulletin of the Art Institute of Chicago 43, no. 3 (Sept. 1949), p. 44 (ill.).

Javier González de Durana, Miriam Alzuri, and María Amezaga, Francisco Durrio (1868–1940): Sobre las huellas de Gauguin, exh. cat. (Museo de Bellas Artes de Bilbao, 2013), p. 220, no. 7.

Francisco "Paco" Durrio (1868-1940), Paris [Kornfeld 1988]. Sold by Walter Geiser, Basel, to the Art Institute, 1948.

Bignou Gallery, Gauguin: First Trip to Tahiti, foreword by Carl O. Schniewind, exh. cat. (Bignou Gallery, 1939), cat. 11.

New York, Bignou Gallery, "Gauguin: First Trip to Tahiti," January 3–14, 1939, cat. 11.

Leicester Galleries, Catalogue of an Exhibition of the Durrio Collection of Works by Paul Gauguin, exh. cat. (Ernest Brown & Phillips, 1931), p. 6, cat. 10.

Kunsthalle Basel, "Paul Gauguin," July-August, 1928, p. 24, cat. 102 (1st ed.), p. 29, cat. 212 (2nd ed.).

Marcel Guérin, L’oeuvre gravé de Gauguin (H. Floury, 1927; Alan Wofsy Fine Arts, 1980), cat. 31 (ill).

Association Paris–Amerique Latine, Exposition rétrospective: Hommage au génial artiste franco-péruvien Gauguin, with introductions by F. Cossio del Pomar and G. Daniel de Monfreid, exh. cat. (n.p., 1926), cat. 36.

Paris, Association Paris Amerique Latine, "Exposition Retrospective: Hommage au Génial Artiste Franca-Péruvien Gauguin," December 17, 1926, cat. 36.

Bilbao, Spain, Escuelas de Berastegui, "Primera Exposición Internacional de Pintura y Escultura," August-September, 1919, p. 14, cat. 124.

Antonio García de Linares, Primera exposición internacional de pintura y escultura, exh. cat. (Imp. Eléxpuru Hnos., 1919), p. 14, cat. 124.

Paris, Grand Palais des Champs-Elysees, "Salon d'Automne," 1906, cat. 136.

Société des Artistes Français and Société du Salon d’Automne, Salon d’automne, exh. cat. (n.p., 1906), cat. 136.

Berlin, Galerien Thannhauser, "Paul Gauguin: 1848-1903," October 1928, p. 15, cat. 188.

Kunsthalle Basel, Paul Gauguin, 1848–1903, exh. cat., 2nd ed. (Kunsthalle Basel, 1928), p. 29, cat. 212.

London, The Leicester Galleries, "Catalogue of an Exhibition of the Durrio Collection of Works by Paul Gauguin (1848-1903)," May-June, 1931, p. 6, cat. 10.

Anna Maria Damigella, Paul Gauguin: La vita el’opera (Mondadori, 1997), p. 189 (ill.).

The Art Institute of Chicago, 1996-97.

Washington, D.C., National Gallery of Art, "The Art of Paul Gauguin," May 1-July 31, 1988, p. 323, cat. 169 (ill.); traveled to The Art Institute of Chicago, September 17-December 11, 1988.

Paul Gauguin, Noa Noa, transcription, ed. Pierre Petit, commentary by Bronwen Nicholson (J.-J. Pauvert, 1988), pp. 132–33 (ill.).

Richard R. Brettell, Françoise Cachin, Claire Frèches-Thory, and Charles F. Stuckey, The Art of Paul Gauguin, with assistance from Peter Zegers, exh. cat. (National Gallery of Art, Washington, D.C./Art Institute of Chicago/New York Graphic Society Books, 1988), p. 323, cat. 169 (ill.).

Adam Biro, Gauguin: La bibliothèque des expositions (A. Biro, 1988), p. 66, fig. 40d.22

Elizabeth Mongan, Eberhard W. Kornfeld, and Harold Joachim, Paul Gauguin: Catalogue Raisonné of His Prints, with assistance of Christine E. Stauffer (Galerie Kornfeld, 1988), pp. 77–78, cat. 17 (ill.).

Alan G. Wilkinson, Gauguin to Moore: Primitivism in Modern Sculpture, exh. cat. (Art Gallery of Ontario, 1982), p. 49, cat. 13 (ill.).

Toronto, Canada, Art Gallery of Ontario, "Gauguin to Moore: Primitivism in Modern Sculpture," November 7, 1981-January 3, 1982, p. 49, cat. 13 (ill.), cat. by Alan G. Wilkinson.

Siegfried Wichmann, World Cultures and Modern Art: The Encounter of 19th and 20th Century European Art and Music with Asia, Africa, Oceania, Afro- and Indo-America, exh. cat. (Bruckmann, 1972), p. 267, cat. 1755.

Munich, Haus der Kunst, "World Cultures and Modern Art," June 16-September 30, 1972, p. 267, cat. 1755, organized by Siegfried Wichmann.

Harold Joachim, "The Print Collection of The Art Institute of Chicago," Artist's Proof: The Annual of Prints and Printmaking, 8 (1968), p. 16.21

Merete Bodelsen, Gauguin’s Ceramics: A Study in the Development of His Art (Faber & Faber: London, 1964), pp. 144–45, fig. 97.

Merete Bodelsen, Gauguin Ceramics in Danish Collections (Munksgaard, 1960), pp. 20, 30, fig. 14.

Munich, Haus der Kunst, "Paul Gauguin," April 1-May 29, 1960, p. 32, cat. 181.

Haus der Kunst, Paul Gauguin, with essays by Germain Bazin and Harold Joachim, exh. cat. (Ausstellungsleitung München e.V. Haus der Kunst, 1960), p. 32, cat. 181.