ArtworkStatus unknown

Early Morning, Tarpon Springs

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oil paint (paint)82 × 107 Cm

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About the artwork
Artist supplied description.

In 1878 the painter George Inness wrote in Harper’s magazine:

"Details in the pictures must be elaborated only enough fully to reproduce the impression that the artist wishes to reproduce. When [there are more details], the impression is weakened or lost, and we see simply an array of external things which may be cleverly painted and may look very real, but which do not make an artistic painting. . . . The one is poetic truth, the other is scientific truth; the former is aesthetic, the latter is analytic."

In the course of his lengthy career, Inness increasingly eschewed precision of detail in his paintings, conveying mood and emotion through richness of tone and broadness of handling. He first visited Florida about 1890, and he subsequently established a house and studio in Tarpon Springs, where he executed this painting. In a pink-and-blue morning light, a lone man studies a cluster of buildings in the middle distance. Through blurred outlines and delicate, subtle tonalities, as well as the solitary presence of the figure, Inness masterfully evoked the brightening day and peaceful mood of this moment.

Artwork metadata
Structured fields synced from connected systems.
Mediumoil paint (paint)
Dimensions82 × 107 Cm
Tags
landscapesweather/seasons
CertificateCertificate not provided
Timeline
Chain of custody, exhibitions, and verification milestones synced from the provenance service.
Wed
04
Feb
note

Paintings at the Art Institute of Chicago: Highlights of the Collection,

Paintings at the Art Institute of Chicago: Highlights of the Collection, (Chicago: Art Institute of Chicago/Yale University Press, 2017) p. 77.
Wed
04
Feb
note

Judith A. Barter, et al., <em>The Age of American Impressionism: Masterpieces from the Art Institute of Chicago</em>

Judith A. Barter, et al., The Age of American Impressionism: Masterpieces from the Art Institute of Chicago (Chicago: Art Institute of Chicago, 2011), cat. 56.
Wed
04
Feb
note

Michael Quick, George Inness, a Catalogue Raisonne, vol. 2

Michael Quick, George Inness, a Catalogue Raisonne, vol. 2 (Rutgers University Press, 2007), no. 1075, pl. 231.
Wed
04
Feb
exhibition

Art Institute of Chicago, <a href="https://www.artic.edu/exhibitions/4071/two-centuries-of-american-art-1750-1950"><em>Two Centuries of American Art, 1750-1950</em></a>, Oct. 1, 1959–Jan. 10, 1960...

Art Institute of Chicago, Two Centuries of American Art, 1750-1950, Oct. 1, 1959–Jan. 10, 1960, no cat. [downloadable checklist available].
Wed
04
Feb
note

sold to Edward B....

sold to Edward B. Butler, Chicago, 1911
Wed
04
Feb
note

given to the Art Institute of Chicago, 1911.

given to the Art Institute of Chicago, 1911.
Wed
04
Feb
note

Reinhardt Galleries, Chicago, 1911

Reinhardt Galleries, Chicago, 1911
Wed
04
Feb
note

Judith A. Barter, et al., American Arts at The Art Institute of Chicago: From Colonial Times to World War I

Judith A. Barter, et al., American Arts at The Art Institute of Chicago: From Colonial Times to World War I (Art Institute of Chicago, 1998) p. 292, no. 75.
Fri
04
Feb
exhibition

Nagaoka, Japan, Niigata Prefectural Museum of Modern Art, <em>Shikago Bijutsukan Ten: Kindai Kaiga no 100–nen</em> [Masterworks of Modern Art from the Art Institute of Chicago], Apr. 20–May 29, 1994, cat.; Nagoya...

Nagaoka, Japan, Niigata Prefectural Museum of Modern Art, Shikago Bijutsukan Ten: Kindai Kaiga no 100–nen [Masterworks of Modern Art from the Art Institute of Chicago], Apr. 20–May 29, 1994, cat.; Nagoya, Aichi Prefectural Museum of Art, June 10–July 24, 1994; Yokohama Museum of Art, Aug. 6–Sept. 25, 1994.
Wed
04
Feb
exhibition

Ohio, Mansfield Art Center, The American Landscape, Mar. 8–Apr. 5, 1981, cat. 11.

Ohio, Mansfield Art Center, The American Landscape, Mar. 8–Apr. 5, 1981, cat. 11.
© Artist-Unknown. All rights reserved.