Studies for the Deposition

The Art Institute of Chicago, "Strokes of Genius: Italian Drawings from the Goldman Collection," November 1, 2014-February 1, 2015.

Hans Tietze, "Nuovi disegni veneti del Cinquecento in collezioni americane," Arte Veneta (1948), pp. 56-65 (ill.), as by Veronese.

The Art Institute of Chicago, "Drawings: Old and New," 1946, p. 26, cat. 54, pl. VI, as by Veronese, cat. Carl Schniewind.

Boston, Museum of Fine Arts, "Art in New England: Paintings, Drawings, Prints from Private Collections in New England," June 9-September 10, 1939, cat. 217, as by Veronese.

The Art Institute of Chicago, "Drawings Rediscovered: Italian Drawings before 1600 in The Art Institute of Chicago," April 10-July 22, 1997.

Suzanne Folds McCullagh and Laura M. Giles, Italian Drawings before 1600 in The Art Institute of Chicago: A Catalogue of the Collection (Chicago, 1997), p. 134-35, no. 174 (ill.).

Giulio Bora, "Tradizione luinesca da San Vittore a Meda a San Maurizio al Monastero Maggiore," Raccolta Vinciana XXIV (1992), pp. 155-79.

Leopold I, Fürst von Anhalt-Dessau (1676-1747) [stamp (Lugt 1708b), verso, lower center, in black]. Philip Hofer (1898-1986), Camden, Maine, by 1939 [Boston 1939]. Sold by Durlacher Brothers, New York, to the Art Institute, 1941.

Robert Cocke, Veronese's Drawings (Ithaca, 1984), no. 166, as not by Veronese.

Harold Joachim and Suzanne Folds McCullagh, Italian Drawings in The Art Institute of Chicago (Chicago, 1979), pp. 35-36, no. 27, as by Veronese.

Los Angeles County Museum of Art, "Old Master Drawings from American Collections," April 20-June 8, 1976.

Washington, D.C., International Exhibitions Foundation, "Venetian Drawings from American Collections," September 1974-April 1975, cat. 23, as by Veronese, cat. by Terisio Pignatti; traveled to Fort Worth, Tex., Kimbell Art Museum, and St. Louis, Mo., The St. Louis Art Museum.

Birmingham/Montgomery, "Veronese and His Studio in North American Collections," 1972, p. 59, as by circle of Veronese.