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oil paint (paint)35 × 28 Cm
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About the artwork
Artist supplied description.
The half-length format of this jewel-like painting makes the subject of the adoration of the Christ Child accessible, while the departure of the magi and their exotic followers enlivens the rocky landscape of the background. This picture was probably made for the market of discriminating private collectors just developing in the Low Countries in the early 16th century. Cornelis Engebrechtsz. worked in the northern city of Leiden but apparently made this small painting for export and sale in the more cosmopolitan southern provinces of the Low Countries, then the center of the emerging art market. Its design was copied in several paintings and illuminations made in Bruges.
Artwork metadata
Structured fields synced from connected systems.
| Medium | oil paint (paint) |
| Dimensions | 35 × 28 Cm |
| Tags | Virgin and child/Madonna and childarchitechturefigureskingknightstreesCentury of Progressworld's fairsChicago World's Fairs |
| Certificate | Certificate not provided |
Timeline
Chain of custody, exhibitions, and verification milestones synced from the provenance service.
Wed
25
Feb
note
Ellen S. Jacobowitz and Stephanie Loeb Stepanek, The Prints of Lucas van Leyden and His Contemporaries, exh. cat., Washington, D.C., National
Ellen S. Jacobowitz and Stephanie Loeb Stepanek, The Prints of Lucas van Leyden and His Contemporaries, exh. cat., Washington, D.C., National
Wed
25
Feb
note
(ill.).
(ill.).
Wed
25
Feb
note
Konrad Renger, review of Lucas van Leyden, exh. cat., Leiden, Stedelijk Museum
Konrad Renger, review of Lucas van Leyden, exh. cat., Leiden, Stedelijk Museum
Wed
25
Feb
note
Jan Piet Filedt Kok, Walter Gibson, and Yvette Bruijnen, Cornelis Engebrechtsz: A Sixteenth-century Leiden Artist and his Workshop, Turnhout, 2014, pp. 103-105, 117, 178, 185-86, 284, no. 3, figs. 102 and 103.
Jan Piet Filedt Kok, Walter Gibson, and Yvette Bruijnen, Cornelis Engebrechtsz: A Sixteenth-century Leiden Artist and his Workshop, Turnhout, 2014, pp. 103-105, 117, 178, 185-86, 284, no. 3, figs. 102 and 103.
Wed
25
Feb
exhibition
Leiden, Stedelijk Museum De Lakenhal, Lucas van Leyden en de Renaissance, March 17-June 26, 2011, no. 14.
Leiden, Stedelijk Museum De Lakenhal, Lucas van Leyden en de Renaissance, March 17-June 26, 2011, no. 14.
Wed
25
Feb
note
Jan Piet Filedt Kok, "Leiden en Antwerpen omstreeks 1520. De ontmoeding met Albrecht Dürer en de introductie van het landscap" in Lucas van Leyden en de Renaissance, exhib. cat., Leiden, Museum De Lakenhal, 2011, p. 118, fig. 4.22.
Jan Piet Filedt Kok, "Leiden en Antwerpen omstreeks 1520. De ontmoeding met Albrecht Dürer en de introductie van het landscap" in Lucas van Leyden en de Renaissance, exhib. cat., Leiden, Museum De Lakenhal, 2011, p. 118, fig. 4.22.
Wed
25
Feb
note
Lynn Ransom in François Avril, Nicole Reynaud and Dominique Cordellier, Les enluminures du Louvre, Moyen Age et Renaissance, exhib. cat., Paris, Musée du Louvre, 2010, p. 326, under no. 165.
Lynn Ransom in François Avril, Nicole Reynaud and Dominique Cordellier, Les enluminures du Louvre, Moyen Age et Renaissance, exhib. cat., Paris, Musée du Louvre, 2010, p. 326, under no. 165.
Wed
25
Feb
note
Susan Frances Jones in Martha Wolff et al., Northern European and Spanish Paintings before 1600 in the Art Institute of Chicago, Chicago, 2008, pp. 205-211, ill.
Susan Frances Jones in Martha Wolff et al., Northern European and Spanish Paintings before 1600 in the Art Institute of Chicago, Chicago, 2008, pp. 205-211, ill.
Wed
25
Feb
note
Georges Marlier, Ambrosius Benson et la peinture à Bruges au temps de Charles-Quint, Damme, 1957, p. 207.
Georges Marlier, Ambrosius Benson et la peinture à Bruges au temps de Charles-Quint, Damme, 1957, p. 207.
Wed
25
Feb
exhibition
Art Institute of Chicago, Masterpieces of Religious Art, 1954, pp. 16–17.
Art Institute of Chicago, Masterpieces of Religious Art, 1954, pp. 16–17.
Wed
25
Feb
note
The Art Institute of Chicago, Masterpieces in The Art Institute of Chicago, 1952, n.pag.
The Art Institute of Chicago, Masterpieces in The Art Institute of Chicago, 1952, n.pag. (ill.).
Wed
25
Feb
note
“A Tour of the World of Art in 150 Masterpieces,” Masterpieces 1
“A Tour of the World of Art in 150 Masterpieces,” Masterpieces 1 (1950), p. 63
Wed
25
Feb
note
Helen Parker, The Christmas Story: Illustrated from the Collections of the Art Institute of Chicago, Chicago, 1949, n.pag.
Helen Parker, The Christmas Story: Illustrated from the Collections of the Art Institute of Chicago, Chicago, 1949, n.pag. (ill.).
Wed
25
Feb
note
The Art Institute of Chicago, A Picture Book: Masterpieces of Painting, XV and XVI Centuries in the Collections of The Art Institute of Chicago, 1946, pp. 19–21
The Art Institute of Chicago, A Picture Book: Masterpieces of Painting, XV and XVI Centuries in the Collections of The Art Institute of Chicago, 1946, pp. 19–21 (ill.).
Wed
25
Feb
note
“Chicago Art Institute,” Life, Sept. 8, 1941, p. 210
“Chicago Art Institute,” Life, Sept. 8, 1941, p. 210 (ill.).
Wed
25
Feb
note
N. Beets, Lucas van Leyden, Brussels, 1940, pp. 51–52.
N. Beets, Lucas van Leyden, Brussels, 1940, pp. 51–52.
Wed
25
Feb
note
G. J. Hoogewerff, De Noord-nederlandsche schilderkunst, vol. 3, The Hague, 1939, p. 233.
G. J. Hoogewerff, De Noord-nederlandsche schilderkunst, vol. 3, The Hague, 1939, p. 233.
Wed
25
Feb
exhibition
Art Institute of Chicago, Masterpiece of the Month, Nov. 1938 (no cat.).
Art Institute of Chicago, Masterpiece of the Month, Nov. 1938 (no cat.).
Wed
25
Feb
exhibition
Art Institute of Chicago, The Christmas Story in Art, 1938–39 (no cat.).
Art Institute of Chicago, The Christmas Story in Art, 1938–39 (no cat.).
Wed
25
Feb
note
“Tomas Harris Galleries Show Flemish Art,” Art News 33, 38
“Tomas Harris Galleries Show Flemish Art,” Art News 33, 38 (1935), p. 13.
Wed
25
Feb
note
Catalogue of the Exhibition of Early Flemish Paintings, exh. cat., London, Tomas Harris Galleries, 1935, under no. 8.
Catalogue of the Exhibition of Early Flemish Paintings, exh. cat., London, Tomas Harris Galleries, 1935, under no. 8.
Wed
25
Feb
note
Hans Tietze, Meisterwerke europäische Malerei in Amerika, Vienna, 1935 , p. 335, no. 146
Hans Tietze, Meisterwerke europäische Malerei in Amerika, Vienna, 1935 , p. 335, no. 146 (Eng. ed., Masterpieces of European Painting in America, New York, 1939).
Wed
25
Feb
exhibition
Art Institute of Chicago, A Century of Progress, 1934, no. 121, as Lucas van Leyden.
Art Institute of Chicago, A Century of Progress, 1934, no. 121, as Lucas van Leyden.
Wed
25
Feb
exhibition
Art Institute of Chicago, A Century of Progress, 1933, no. 43, as Lucas van Leyden.
Art Institute of Chicago, A Century of Progress, 1933, no. 43, as Lucas van Leyden.
Wed
25
Feb
note
Daniel Catton Rich, “The Paintings of Martin A. Ryerson,” Bulletin of the Art Institute of Chicago 27
Daniel Catton Rich, “The Paintings of Martin A. Ryerson,” Bulletin of the Art Institute of Chicago 27 (1933), pp. 12, 59, 60.
Wed
25
Feb
note
“The Century of Progress of the Fine Arts,” Bulletin of the Art Institute of Chicago 27
“The Century of Progress of the Fine Arts,” Bulletin of the Art Institute of Chicago 27 (1933), pp. 59 (ill.), 60.
Wed
25
Feb
note
bequeathed to the Art Institute, 1933.
bequeathed to the Art Institute, 1933.
Wed
25
Feb
note
Franz Du_lberg, “Lucas van Leyden, bij de vierhonderdjarige herdenking van zijn sterfdag,” Elsevier’s geïllustreerd maandschrift 43
Franz Du_lberg, “Lucas van Leyden, bij de vierhonderdjarige herdenking van zijn sterfdag,” Elsevier’s geïllustreerd maandschrift 43 (1933), p. 7.
Wed
25
Feb
note
The Art Institute of Chicago, A Guide to the Paintings in the Permanent Collection, 1932, p. 181.
The Art Institute of Chicago, A Guide to the Paintings in the Permanent Collection, 1932, p. 181.
Wed
25
Feb
note
Max J. Friedländer, Die altniederländische Malerei, vol. 10, Leiden, 1932, pp. 89–90, 135, no. 120, pl. 73; rev. Eng. ed., Early Netherlandish Painting, Brussels and Leiden, 1973, pp. 51, 82, no. 120, pl. 96.
Max J. Friedländer, Die altniederländische Malerei, vol. 10, Leiden, 1932, pp. 89–90, 135, no. 120, pl. 73; rev. Eng. ed., Early Netherlandish Painting, Brussels and Leiden, 1973, pp. 51, 82, no. 120, pl. 96.
Wed
25
Feb
note
sold to Martin A....
sold to Martin A. Ryerson (d. 1932), Chicago [Martin Ryerson’s notebook, Art Institute Archives]
Wed
25
Feb
note
Max J. Friedländer, “Über die Anfänge des Malers Lucas van Leyden,” Der Cicerone 22
Max J. Friedländer, “Über die Anfänge des Malers Lucas van Leyden,” Der Cicerone 22 (1930), pp. 495 (ill.), 498.
Wed
25
Feb
note
P[aul] Wescher, in Ulrich Thieme and Felix Becker, Allgemeines Lexikon der bildenden Künstler von der Antike bis zur Gegenwart, vol. 23, Leipzig, 1929, pp. 168–69.
P[aul] Wescher, in Ulrich Thieme and Felix Becker, Allgemeines Lexikon der bildenden Künstler von der Antike bis zur Gegenwart, vol. 23, Leipzig, 1929, pp. 168–69.
Wed
25
Feb
note
Franz Du_lberg, Niederländische Malerei der Spätgotik und Renaissance, Potsdam, 1929, p. 168.
Franz Du_lberg, Niederländische Malerei der Spätgotik und Renaissance, Potsdam, 1929, p. 168.
Wed
25
Feb
note
Max J. Friedländer, “A Painting by Lucas van Leyden,” Art News 26, 28
Max J. Friedländer, “A Painting by Lucas van Leyden,” Art News 26, 28 (1928), p. 12.
Wed
25
Feb
note
Rose Mary Fischkin, “Martin A. Ryerson Collection of Paintings and Sculpture, XIII to XVII Century, Loaned to The Art Institute of Chicago,” unpub. MS, 1926, Ryerson Library, The Art Institute of Chicago, pp. 102–05, no. 2051.
Rose Mary Fischkin, “Martin A. Ryerson Collection of Paintings and Sculpture, XIII to XVII Century, Loaned to The Art Institute of Chicago,” unpub. MS, 1926, Ryerson Library, The Art Institute of Chicago, pp. 102–05, no. 2051.
Wed
25
Feb
note
The Art Institute of Chicago, A Guide to the Paintings in the Permanent Collection, 1925, p. 160, no. 2051.
The Art Institute of Chicago, A Guide to the Paintings in the Permanent Collection, 1925, p. 160, no. 2051.
Thu
25
Feb
note
Art Institute of Chicago, Glad Tidings of Great Joy, Chicago, 1993, pp. 32–33
Art Institute of Chicago, Glad Tidings of Great Joy, Chicago, 1993, pp. 32–33 (ill.), 39.
Thu
25
Feb
exhibition
Art Institute of Chicago, Glad Tidings of Great Joy, 1993–94 (no cat.).
Art Institute of Chicago, Glad Tidings of Great Joy, 1993–94 (no cat.).
Tue
25
Feb
note
Cécile Scailliérez, “Entre enluminure et peinture: À propos d’un ‘Paysage avec saint Jérôme pénitent’ de l’école ganto-brugeoise, récemment acquis par le Louvre,” Revue du Louvre 42
Cécile Scailliérez, “Entre enluminure et peinture: À propos d’un ‘Paysage avec saint Jérôme pénitent’ de l’école ganto-brugeoise, récemment acquis par le Louvre,” Revue du Louvre 42 (1992), pp. 21–22, fig. 5.
Tue
25
Feb
note
Elise Lawton Smith, The Paintings of Lucas van Leyden: A New Appraisal, with Catalogue Raisonné, Columbia, Mo., 1992, pp. 187–89, no. A6.
Elise Lawton Smith, The Paintings of Lucas van Leyden: A New Appraisal, with Catalogue Raisonné, Columbia, Mo., 1992, pp. 187–89, no. A6.
Fri
25
Feb
note
Gallery of Art, 1983, p. 148.
Gallery of Art, 1983, p. 148.
Sun
25
Feb
note
“De Lakenhal,” in Kunstchronik 32
“De Lakenhal,” in Kunstchronik 32 (1979), p. 58.
Sat
25
Feb
note
Jan Piet Filedt Kok,“Underdrawing and Other Technical Aspects in the Paintings of Lucas van Leyden,” Nederlands Kunsthistorisch Jaarboek 29
Jan Piet Filedt Kok,“Underdrawing and Other Technical Aspects in the Paintings of Lucas van Leyden,” Nederlands Kunsthistorisch Jaarboek 29 (1978), p. 161 n. 71.
Fri
25
Feb
note
Walter S. Gibson, The Paintings of Cornelis Engebrechtsz., New York, 1977, pp. 126 n. 88, 219 n. 92, 248 n. 35.
Walter S. Gibson, The Paintings of Cornelis Engebrechtsz., New York, 1977, pp. 126 n. 88, 219 n. 92, 248 n. 35.
Mon
25
Feb
note
Julius S. Held, review of Friedländer 1963, in Art Bulletin 48
Julius S. Held, review of Friedländer 1963, in Art Bulletin 48 (1966), p. 447.
Mon
25
Feb
note
Max J. Friedländer, Lucas van Leyden, Berlin, 1963, p. 50, fig. 33.
Max J. Friedländer, Lucas van Leyden, Berlin, 1963, p. 50, fig. 33.
Mon
25
Feb
note
E. I. Reznicek-Buriks, review of Friedländer 1963, in Oud Holland 80
E. I. Reznicek-Buriks, review of Friedländer 1963, in Oud Holland 80 (1965), p. 245 n. 10.
Sun
25
Feb
note
J[osua] Bruyn, “Lucas van Leyden and the Leyden Painters of His Time,” unpublished typescript of summer course, 1962, copy at Rijksbureau voor Kunsthistorische Documentatie, The Hague.
J[osua] Bruyn, “Lucas van Leyden and the Leyden Painters of His Time,” unpublished typescript of summer course, 1962, copy at Rijksbureau voor Kunsthistorische Documentatie, The Hague.
Sat
25
Feb
note
The Art Institute of Chicago, Paintings in The Art Institute of Chicago: A Catalogue of the Picture Collection, 1961, pp. 152
The Art Institute of Chicago, Paintings in The Art Institute of Chicago: A Catalogue of the Picture Collection, 1961, pp. 152 (ill.), 259–60.
© Artist-Unknown. All rights reserved.