Young Woman in Black

copy in curatorial object file]

Greenwich, CT, Bruce Museum of Art, Painterly Controversy: William Merritt Chase and Robert Henri, Jan. 27–Apr. 29, 2007, cat. 10.

Art Institute of Chicago, Two Centuries of American Art, 1750-1950, Oct. 1, 1959–Jan. 10, 1960, no cat. [downloadable checklist available].

Madison Wisconsin Art Association, Mar. 1956, cat. 276.

MI, Kalamazoo Civic Theater, Dec. 26, 1944–Feb. 1945.

Chicago, Garfield Park Art Galleries, Exhibition of Greek Sculptures and American Paintings lent by the Art Institute of Chicago, Nov. 5, 1935–Mar. 3, 1936.

Holger Cahill and Alfred Barr, Art in America in Modern Times (Books for Libraries Press, 1934), 31 (ill.).

Art Institute of Chicago, A Century of Progress: Exhibition of Paintings and Sculpture, June 1–Nov. 1, 1934, cat. 455.

Daniel Catton Rich, ed., Catalogue of a Century of Progress: Exhibition of Paintings and Sculpture, 1934 exh. cat. (Art Institute of Chicago, 1934), 67, cat. 455.

Art Institute of Chicago, A Guide to the Paintings in the Permanent Collection (Art Institute of Chicago, 1932), 127.

New York, Metropolitan Museum of Art, The Robert Henry Memorial Exhibition, Mar. 9–Apr. 19, 1931; cat. 14; MD, Baltimore Museum of Art, The Robert Henri Memorial Exhibition, May 1931.

John Sloan, Catalogue of a Memorial Exhibition of the Work of Robert Henri, exh. cat. (Metropolitan Museum of Art, 1931), 4, cat. 14 (ill.).

Rose Henderson, "Robert Henri," The American Magazine of Art 21, no. 1 (Jan., 1930): 3–12 (ill.), https://www.jstor.org/stable/23931581.

John Shapley, ed., “Robert Henri—Painter, 1865–1929,” Index of Twentieth Century Artists 2 (Sept., 1935): i.

Samuel Isham, History of American Painting (Macmillan, 1927), 507 (ill.).

Milwaukee Art Institute, An Exhibition of Forty Paintings Presented to The Art Institute of Chicago by The Friends of American Art, Mar. 1–25, 1925, cat. 20.

R. M. F., "The Walter H. Schulze Memorial Gallery of Paintings," Bulletin of the Art Institute of Chicago 19, no. 1 (Jan., 1925): 7–9, https://www.jstor.org/stable/4114117.

Nathaniel Pousette–Dart, Robert Henri (F.A. Stokes, 1922), cat. 46 (ill.).

"Book Reviews: Robert Henri, His Life and Works," American Art News 20, no. 12 (Dec. 31, 1921): 6, https://www.jstor.org/stable/25589886.

William Yarrow and Louis Bouche, Robert Henri: His Life and Works (Boni and Liveright, 1921), 20, 101 (ill.).

Art Institute of Chicago, Handbook of Sculpture, Architecture, Paintings, and Drawings: Part 2: Paintings and Drawings, vol. 2 (Art Institute of Chicago, 1920), 42, cat. 393.

"April Exhibitions," Bulletin of the Art Institute of Chicago 13, no. 3 (Mar., 1919): 35–36, https://www.jstor.org/stable/4116044.

Friends of American Art Year Book, 1914–1915, 5th ed. (Art Institute of Chicago, 1915), 20, 87 (ill.).

William M. R. French, Art Institute of Chicago General Catalogue of Paintings, Sculpture and Other Objects in the Museum (Art Institute of Chicago, 1914), 153, cat. 513.

Bennard B. Perlman, The Immortal Eight: American Painting from Eakins to the Armory Show, 1870–1913 (New York, Exposition Press, 1962), (ill.).

Friends of American Art Year Book, 1913–1914, 4th ed. (Art Institute of Chicago, 1914), 17 (ill.).

Guy Pène Du Bois, “Robert Henri—Realist and Idealist,” Arts and Decoration 2, no. 6 (Apr., 1912): 213–15, 230 (ill.), https://www.jstor.org/stable/43799957.

Friends of American Art Year Book, 1912–1913, 3rd ed. (Art Institute of Chicago, 1913), 15 (ill.).

Friends of American Art Year Book, 1911–1912, 2nd ed. (Art Institute of Chicago, 1912), 13 (ill.).

Art Institute of Chicago, "Purchases by the Friends of American Art,", Bulletin of The Art Institute of Chicago 4, no. 4 (Apr., 1911): 55, https://www.jstor.org/stable/4119895.

sold to the Friends of American Art [Friends of American Art ledger book, Feb. 9, 1911

"News Items," Art and Progress 2, no. 8 (June, 1911): 246–47, https://www.jstor.org/stable/20560422.

given to the Art Institute of Chicago, 1911.

"Baltimore," American Art News 8, no. 26 (Apr. 9, 1910): 3, https://www.jstor.org/stable/25590586.

James Frederick Hopkins, Exhibition of the Works of American Artists, exh. cat. (Maryland Institute Gallery, 1910), 41, cat. 54.

Baltimore, Maryland Institute Gallery, Exhibition of the Works of American Artists, Apr. 4–30, 1910, cat. 54.

Friends of American Art Year Book, 1910-11, 1st ed. (Art Institute of Chicago: 1911), 17 (ill.).

Venice, Italy, Eighth Esposizione internazionale d’arte la Citta di Venezia, Apr. 22–Oct. 31, 1909, cat.

Robert Henri, “Progress in Our National Art Must Spring from the Development of Individuality and Freedom of Expression: A Suggestion for a New Art School,” Craftsman 15, no. 4 (Jan., 1909): 395 (ill.).

Washington, DC, Corcoran Gallery, 1908.

"Corcoran Gallery Exhibit: Some Notable Works," American Art News 7, no. 10 (Dec. 19, 1908): 2, https://www.jstor.org/stable/25590389.

Boston Art Club, Seventy-Fifth Annual Exhibition, Jan. 4– , 1907.

"Boston," American Art News 5, no. 13 (Jan. 12, 1907): 2, https://www.jstor.org/stable/25590237.

James William Pattison, “Robert Henri—Painter,” House Beautiful 20 (Aug., 1906): 19 (ill.).

Art Institute of Chicago, Municipal Art League of Chicago: Loan Exhibition of Portraits, Jan. 2–22, 1905, cat. 53.

Judith A. Barter, et al., American Arts at The Art Institute of Chicago: From Colonial Times to World War I (Art Institute of Chicago, 1998), 336, fig. 90 (ill.).

Bennard B. Perlman, Revolutionaries of Realism: The Letters of John Sloan and Robert Henri (Princeton University Press, 1997), 83, cat. 31.

FL, Orlando Museum of Art, My People: The Portraits of Robert Henri, Oct. 22, 1994–Jan. 8, 1995; FL, Ft. Lauderdale Museum of Art, Feb. 5–Apr. 2, 1995; GA, Columbus Museum, Apr. 30–June 25, 1995.

Bennard B. Perlman, Robert Henri: His Life and Art (Dover Publications, 1991), 57–59, 62, 95 (ill.).