ArtworkStatus unknown

Prout's Neck, Breakers

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wove paper54 × 38 Cm

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About the artwork
Artist supplied description.

Homer’s decision to move to Maine in 1883 presumably indicated his desire to live close to nature—Prout’s Neck was a peninsula known for its rocky coastline and dramatic views of the Atlantic Ocean. Prout’s Neck, Breakers, later the model for the monumental oil painting Early Morning after a Storm at Sea, shows the artist’s continued fascination with the power of the sea. However, unlike his earlier marine works, this and other watercolors made at Prout’s Neck are usually devoid of human activity, exploring nature’s grandeur in its many manifestations. This work also exemplifies important aspects of Homer’s technique as a watercolorist, including the way he layered strokes of color—using a range of light and dark blues—to create the depth and force of the breaking waves. He used the white of the paper to produce a brilliant sheen on the sea, juxtaposed with a hazy sky above.

Artwork metadata
Structured fields synced from connected systems.
Mediumwove paper
Dimensions54 × 38 Cm
Tags
seascapesCentury of Progressworld's fairsChicago World's Fairs
CertificateCertificate not provided
Timeline
Chain of custody, exhibitions, and verification milestones synced from the provenance service.
Sat
14
Feb
exhibition

The Art Institute of Chicago, "Watercolors by Winslow Homer: The Color of Light, " February 16-May 11, 2008, pp. 16, 109, 110, 111 (ill.), 123, 134, 209, 210, cat. by Martha Tedeschi and Kristi Dahm.

The Art Institute of Chicago, "Watercolors by Winslow Homer: The Color of Light," February 16-May 11, 2008, pp. 16, 109, 110, 111 (ill.), 123, 134, 209, 210, cat. by Martha Tedeschi and Kristi Dahm.
Sat
14
Feb
note

Robert M. Poole, “Hidden Depths,” Smithsonian Magazine 39: 2

Robert M. Poole, “Hidden Depths,” Smithsonian Magazine 39: 2 (May 2008), p. 90.
Sat
14
Feb
note

The artist to his brother, Charles S....

The artist to his brother, Charles S. Homer, Jr. (1834–1917), New York, by 1910 [according to correspondence from Abigail Booth Gerdts to the Art Institute, February 10, 2007]. Charles W. Gould (1849–1931), New York, by 1915 [Brooklyn exh. cat. 1915]. Sold by Knoedler and Company, New York, Martin A. Ryerson (1856–1932), Chicago, November 11, 1915 [invoice]
Sat
14
Feb
note

Miles Unger, The Watercolors of Winslow Homer

Miles Unger, The Watercolors of Winslow Homer (New York, 2001), pp. 1 and 221 (ill.).
Sat
14
Feb
exhibition

Washington, D.C., The National Gallery, "Winslow Homer: A Retrospective Exhibition, " November 23, 1958–January 4, 1959, pp. 63 and 123, cat. 119; also traveled to The Metropolitan Museum of Art, New York, January 29–March 8, 1959.

Washington, D.C., The National Gallery, "Winslow Homer: A Retrospective Exhibition," November 23, 1958–January 4, 1959, pp. 63 and 123, cat. 119; also traveled to The Metropolitan Museum of Art, New York, January 29–March 8, 1959.
Sat
14
Feb
exhibition

The Art Institute of Chicago, "Water Colors and Drawings by Winslow Homer, " October 14–December 4, 1944 (Gallery 13), no cat.

The Art Institute of Chicago, "Water Colors and Drawings by Winslow Homer," October 14–December 4, 1944 (Gallery 13), no cat.
Sat
14
Feb
exhibition

The Art Institute of Chicago, "Twenty-Two Watercolors by Winslow Homer, " April 13–May 14, 1944 (Gallery G59), no cat.

The Art Institute of Chicago, "Twenty-Two Watercolors by Winslow Homer," April 13–May 14, 1944 (Gallery G59), no cat.
Sat
14
Feb
exhibition

Pittsburgh, Pa., Carnegie Institute, "Centenary Exhibition of Works by Winslow Homer, " January 28–March 7, 1937, p. 25, cat. 87.

Pittsburgh, Pa., Carnegie Institute, "Centenary Exhibition of Works by Winslow Homer," January 28–March 7, 1937, p. 25, cat. 87.
Sat
14
Feb
exhibition

Indianapolis, Ind., John Herron Art Institute, "Watercolors by Winslow Homer Lent by the Art Institute of Chicago, " November 1–December 15, 1936, no cat.

Indianapolis, Ind., John Herron Art Institute, "Watercolors by Winslow Homer Lent by the Art Institute of Chicago," November 1–December 15, 1936, no cat.
Sat
14
Feb
exhibition

The Art Institute of Chicago, "Homer Centenary, " July 16–August 16, 1936, no cat.

The Art Institute of Chicago, "Homer Centenary," July 16–August 16, 1936, no cat.
Sat
14
Feb
exhibition

The Art Institute of Chicago, "A Century of Progress, " June 1–November 1, 1934, p. 69, cat. 481.

The Art Institute of Chicago, "A Century of Progress," June 1–November 1, 1934, p. 69, cat. 481.
Sat
14
Feb
note

given to the Art Institute, 1933.

given to the Art Institute, 1933.
Sat
14
Feb
exhibition

The Art Institute of Chicago, "A Century of Progress, " June 1–November 1, 1933, p. 92, cat. 901.

The Art Institute of Chicago, "A Century of Progress," June 1–November 1, 1933, p. 92, cat. 901.
Sat
14
Feb
note

Theodore Bolton, “Water Colors by Homer: Critique and Catalogue,” The Fine Arts 18: 5

Theodore Bolton, “Water Colors by Homer: Critique and Catalogue,” The Fine Arts 18: 5 (April 1932), p. 50.
Sat
14
Feb
exhibition

City Art Museum of St. Louis, "Water Colors by Winslow Homer Lent by the Art Institute of Chicago, " December 15, 1932–January 15, 1933, no cat.

City Art Museum of St. Louis, "Water Colors by Winslow Homer Lent by the Art Institute of Chicago," December 15, 1932–January 15, 1933, no cat.
Sat
14
Feb
exhibition

The Buffalo Fine Art Academy, Albright Art Gallery, "An Important Group of Paintings in Oil and Water Color by Winslow Homer: Loaned by The Art Institute of Chicago, " December 15, 1929–January 6, 1930, cat. 5.

The Buffalo Fine Art Academy, Albright Art Gallery, "An Important Group of Paintings in Oil and Water Color by Winslow Homer: Loaned by The Art Institute of Chicago," December 15, 1929–January 6, 1930, cat. 5.
Sat
14
Feb
exhibition

The Art Institute of Chicago, "Watercolors by Winslow Homer from the Collection of Martin A. Ryerson, " July–Fall, 1926, no cat.

The Art Institute of Chicago, "Watercolors by Winslow Homer from the Collection of Martin A. Ryerson," July–Fall, 1926, no cat.
Sat
14
Feb
exhibition

The Art Institute of Chicago, "Watercolors by Winslow Homer from the Collection of Martin A. Ryerson, " April 1926, no cat.

The Art Institute of Chicago, "Watercolors by Winslow Homer from the Collection of Martin A. Ryerson," April 1926, no cat.
Sat
14
Feb
note

The Art Institute of Chicago, A Guide to the Paintings in the Permanent Collection

The Art Institute of Chicago, A Guide to the Paintings in the Permanent Collection (Chicago, 1925), p. 164, no. 2392.
Sat
14
Feb
exhibition

Omaha Society of Fine Arts, December 26, 1924–February 3, 1925, no cat.

Omaha Society of Fine Arts, December 26, 1924–February 3, 1925, no cat.
Sat
14
Feb
exhibition

The Art Institute of Chicago, "The Second International Water Color Exhibition, " April 15–May 21, 1922, p. 20, cat. 191.

The Art Institute of Chicago, "The Second International Water Color Exhibition," April 15–May 21, 1922, p. 20, cat. 191.
Sat
14
Feb
exhibition

The Art Institute of Chicago, "Watercolors by Winslow Homer, Martin Ryerson Collection, " July–September, 1921, no cat.

The Art Institute of Chicago, "Watercolors by Winslow Homer, Martin Ryerson Collection," July–September, 1921, no cat.
Sat
14
Feb
exhibition

Muskegon, Mich., Hackley Art Gallery, "Watercolors and Drawings by Winslow Homer, Lent by Martin Ryerson, " May 9¬June 20, 1921, no cat.

Muskegon, Mich., Hackley Art Gallery, "Watercolors and Drawings by Winslow Homer, Lent by Martin Ryerson," May 9¬June 20, 1921, no cat.
Sat
14
Feb
exhibition

The Art Institute of Chicago, "Watercolors by Winslow Homer Lent by Martin A. Ryerson, " October 1–26, 1920, no cat.

The Art Institute of Chicago, "Watercolors by Winslow Homer Lent by Martin A. Ryerson," October 1–26, 1920, no cat.
Sat
14
Feb
note

“Notes,” Bulletin of The Art Institute of Chicago 10: 2

“Notes,” Bulletin of The Art Institute of Chicago 10: 2 (February 1916), p. 143.
Sat
14
Feb
exhibition

The Art Institute of Chicago, "Twenty Water Colors by Winslow Homer, Martin Ryerson Collection, " January 5–June 16, 1916, no cat.

The Art Institute of Chicago, "Twenty Water Colors by Winslow Homer, Martin Ryerson Collection," January 5–June 16, 1916, no cat.
Sat
14
Feb
exhibition

New York, The Museum of the Brooklyn Institute, "Water Colors by Winslow Homer, " October 16–November 7, 1915, p. 8, cat. 34.

New York, The Museum of the Brooklyn Institute, "Water Colors by Winslow Homer," October 16–November 7, 1915, p. 8, cat. 34.
Sat
14
Feb
note

“Knoedler Firm Buys 21 Winslow Homers,” New York Herald

“Knoedler Firm Buys 21 Winslow Homers,” New York Herald (November 19, 1915).
Tue
14
Feb
note

Nicolai Cikovsky, Jr., and Franklin Kelly, Winslow Homer, exh. cat.

Nicolai Cikovsky, Jr., and Franklin Kelly, Winslow Homer, exh. cat. (Washington, D.C.: The National Gallery of Art, 1995), pp. 365–66, fig. 228.
Sun
14
Feb
note

Judith Walsh, “A Summer’s Pleasure: Incoming Tide, Scarboro, Maine, by Winslow Homer,” The American Art Journal 25: 1 and 2

Judith Walsh, “A Summer’s Pleasure: Incoming Tide, Scarboro, Maine, by Winslow Homer,” The American Art Journal 25: 1 and 2 (1993), pp. 66 and 68, fig. 6.
Wed
14
Feb
note

Bruce Robertson, Reckoning with Winslow Homer: His Late Paintings and Their Influence, exh. cat.

Bruce Robertson, Reckoning with Winslow Homer: His Late Paintings and Their Influence, exh. cat. (Cleveland, Ohio: Cleveland Museum of Art, 1990), pp. 22 and 165, fig. 10.
Fri
14
Feb
note

Helen A. Cooper, Winslow Homer Watercolors, exh. cat.

Helen A. Cooper, Winslow Homer Watercolors, exh. cat. (Washington, D.C.; The National Gallery of Art, 1986, p. 129, no.3.
Wed
14
Feb
note

Gordon Hendricks, Life and Work of Winslow Homer

Gordon Hendricks, Life and Work of Winslow Homer (New York, 1979), p. 286.
Wed
14
Feb
exhibition

Los Angeles County Museum of Art, "Eight American Masters of Watercolor, " April 23–June 16, 1968, n.p., cat. 4 (ill.); also traveled to the M. H. de Young Memorial Museum, San Francisco, June 28–August 18...

Los Angeles County Museum of Art, "Eight American Masters of Watercolor," April 23–June 16, 1968, n.p., cat. 4 (ill.); also traveled to the M. H. de Young Memorial Museum, San Francisco, June 28–August 18, 1968; and the Seattle Art Museum, September 5–October 13, 1968.
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