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In this expansive view of Dominica, people along the riverbank bathe, wash linens, converse, and sell produce. The presence of indigenous Carib, African, Afro-Creole, European, and mixed-race individuals attests to the long history of white-settler colonialism in the West Indies, where valuable crops such as coffee and sugar were cultivated through the labor of enslaved people.
The Italian-born artist Agostino Brunias settled on the island, painting scenes of Caribbean life for his planter-class patrons as well as white audiences abroad. Eliding the brutal conditions of slavery, his compositions shaped a reassuring vision of British imperialism for those in power. Yet by centering enslaved and free people of color—and focusing on mixed-race interactions—he also foregrounded the human impact of colonialism.
| Medium | oil paint (paint) |
| Dimensions | 158 × 84 Cm |
| Tags | colonialismAfricancaribbeanchildrencloudsfigureslaborlandscapemenmountainspovertyriverskyslaverytreesvillagewealthwomen |
| Certificate | Certificate not provided |
