ArtworkStatus unknown

View on the River Roseau, Dominica

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oil paint (paint)158 × 84 Cm

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About the artwork
Artist supplied description.

In this expansive view of Dominica, people along the riverbank bathe, wash linens, converse, and sell produce. The presence of indigenous Carib, African, Afro-Creole, European, and mixed-race individuals attests to the long history of white-settler colonialism in the West Indies, where valuable crops such as coffee and sugar were cultivated through the labor of enslaved people.

The Italian-born artist Agostino Brunias settled on the island, painting scenes of Caribbean life for his planter-class patrons as well as white audiences abroad. Eliding the brutal conditions of slavery, his compositions shaped a reassuring vision of British imperialism for those in power. Yet by centering enslaved and free people of color—and focusing on mixed-race interactions—he also foregrounded the human impact of colonialism.

Artwork metadata
Structured fields synced from connected systems.
Mediumoil paint (paint)
Dimensions158 × 84 Cm
Tags
colonialismAfricancaribbeanchildrencloudsfigureslaborlandscapemenmountainspovertyriverskyslaverytreesvillagewealthwomen
CertificateCertificate not provided
Timeline
Chain of custody, exhibitions, and verification milestones synced from the provenance service.
Wed
28
Jan
note

Sarah Lea, "Beauty and Difference: Landscape and Architecture," in Entangled Pasts, 1768–Now: Art, Colonialism and Change, exh. cat.

Sarah Lea, "Beauty and Difference: Landscape and Architecture," in Entangled Pasts, 1768–Now: Art, Colonialism and Change, exh. cat. (London: Royal Academy of Arts, 2024), 104 (detail ill.), 105, 117 cat. 44.
Wed
28
Jan
exhibition

London, Royal Academy of Arts, Entangled Pasts, 1768–Now: Art, Colonialism and Change, Feb. 3 – Apr. 28, 2024, cat. 44.

London, Royal Academy of Arts, Entangled Pasts, 1768–Now: Art, Colonialism and Change, Feb. 3 – Apr. 28, 2024, cat. 44.
Wed
28
Jan
note

Katie A. Pfohl, ed., Inventing Acadia : painting and place in Louisiana, exh. cat.

Katie A. Pfohl, ed., Inventing Acadia : painting and place in Louisiana, exh. cat. (New Orleans: New Orleans Museum of Art, 2019), 96-97, 98-99 fig. 8, 166 pl. 13, 226.
Wed
28
Jan
exhibition

New Orleans Museum of Art, Inventing Acadia: Painting and Place in Louisiana, Nov. 16, 2019 – Jan. 26, 2020, no cat. no., pl. 13.

New Orleans Museum of Art, Inventing Acadia: Painting and Place in Louisiana, Nov. 16, 2019 – Jan. 26, 2020, no cat. no., pl. 13.
Wed
28
Jan
note

given to the Art Institute, 1953.

given to the Art Institute, 1953.
Wed
28
Jan
note

Emily Crane Chadbourne, Stone Ridge, New York by 1952

Emily Crane Chadbourne, Stone Ridge, New York by 1952
Sun
28
Jan
note

Susan Wise and Malcolm Warner, French and British Paintings from 1600 to 1800 in The Art Institute of Chicago: A Catalogue of the Collection

Susan Wise and Malcolm Warner, French and British Paintings from 1600 to 1800 in The Art Institute of Chicago: A Catalogue of the Collection (Chicago: The Art Institute, 1996), 198–200, ill.
Wed
28
Jan
exhibition

Art Institute of Chicago, Selected Works of Eighteenth-Century French Art in the Collections of The Art Institute of Chicago, Jan. 24 – Mar. 28, 1976, cat. 22.

Art Institute of Chicago, Selected Works of Eighteenth-Century French Art in the Collections of The Art Institute of Chicago, Jan. 24 – Mar. 28, 1976, cat. 22.
Sun
28
Jan
note

Hans Huth, "Agostino Brunias, Romano: Robert Adam's 'Bred Painter'," Connoisseur 151

Hans Huth, "Agostino Brunias, Romano: Robert Adam's 'Bred Painter'," Connoisseur 151 (December 1962): 296, fig. 6.
Sat
28
Jan
note

Art Institute of Chicago, Paintings in The Art Institute of Chicago: A Catalogue of the Collection

Art Institute of Chicago, Paintings in The Art Institute of Chicago: A Catalogue of the Collection (Chicago: The Art Institute, 1961), 61.
© Artist-Unknown. All rights reserved.