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oil paint (paint)54 × 65 Cm
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About the artwork
Artist supplied description.
In this work, an unidentified woman sits in front of Paul Cézanne’s 1879–80 Still Life with Fruit Dish, now at the Museum of Modern Art, New York. The painting was part of Paul Gauguin’s own collection, and here he proprietarily signed his name over its white frame. Of the five or six Cézannes that he acquired while still a banker, this was the one he claimed he would never part with, “except in a case of direst necessity.” (He would eventually sell it to pay for medical treatment in Tahiti.) Although the version in this painting is nearly to scale with the original, it is more a translation than a copy, with rhythmical arabesques that are characteristic of Gauguin’s painting style rather than Cézanne’s.
This is one of thirty-five works that comprise the Winterbotham Collection. Click here to learn more about the collection.
Artwork metadata
Structured fields synced from connected systems.
| Medium | oil paint (paint) |
| Dimensions | 54 × 65 Cm |
| Tags | womenFrenchapplesartistchairknifeorangesportraitportraits: female subjectstill lifetableportraitsCentury of Progressworld's fairsChicago World's Fairs |
| Certificate | Certificate not provided |
Timeline
Chain of custody, exhibitions, and verification milestones synced from the provenance service.
Sat
14
Feb
note
Evelyn Benesch, Gauguin Unexpected, exh. cat.,
Evelyn Benesch, Gauguin Unexpected, exh. cat., (Vienna: Kehrer, 2024), 15, 18, 95 (ill), 182.
Sat
14
Feb
exhibition
Kunstforum Wien, Gauguin Unexpected, Oct. 3, 2024–Jan. 19, 2025, fig. 95.
Kunstforum Wien, Gauguin Unexpected, Oct. 3, 2024–Jan. 19, 2025, fig. 95.
Sat
14
Feb
exhibition
Art Institute of Chicago, Cezanne, May 15-Sep. 5, 2022, no cat. no., p. 28; London, Tate, Oct. 5, 2022-Mar. 12, 2023[ Chicago only].
Art Institute of Chicago, Cezanne, May 15-Sep. 5, 2022, no cat. no., p. 28; London, Tate, Oct. 5, 2022-Mar. 12, 2023[ Chicago only].
Sat
14
Feb
note
Achim Borchardt-Hume, Gloria Groom, Caitlin Haskell and Natalia Sidlina, eds., Cezanne, exh. cat.
Achim Borchardt-Hume, Gloria Groom, Caitlin Haskell and Natalia Sidlina, eds., Cezanne, exh. cat. (Chicago: Art Institute of Chicago, 2022), 28 fig. 6.
Sat
14
Feb
exhibition
Art Institute of Chicago, Gauguin: Artist as Alchemist, June 25-September 10, 2017; Paris, Musée d’Orsay, October 9, 2017-January 1, 2018.
Art Institute of Chicago, Gauguin: Artist as Alchemist, June 25-September 10, 2017; Paris, Musée d’Orsay, October 9, 2017-January 1, 2018.
Sat
14
Feb
note
Gloria Groom, ed. Gauguin: Artist as Alchemist, exh. cat.
Gloria Groom, ed. Gauguin: Artist as Alchemist, exh. cat. (Art Institute of Chicago/ Yale University Press, 2017). p. 22, 71n16, 85n14, 151, 154, 160,-161, 335, cat. 86.
Sat
14
Feb
note
Claire Bernardi and Ophélie Ferlier-Bouat, Guaguin: L’alchimiste, exh. cat.
Claire Bernardi and Ophélie Ferlier-Bouat, Guaguin: L’alchimiste, exh. cat. (Musée d’Osay/ Réunion des muséea nationaux-Grand Palais/ Graphicom, 2017), p.89, 308, cat. 96.
Sat
14
Feb
exhibition
Fort Worth, Tex., Kimbell Museum of Art, The Impressionists: Master Paintings from the Art Institute of Chicago, June 29–November 2, 2008, cat. 65 (ill.).
Fort Worth, Tex., Kimbell Museum of Art, The Impressionists: Master Paintings from the Art Institute of Chicago, June 29–November 2, 2008, cat. 65 (ill.).
Sat
14
Feb
note
The Age of Impressionism at the Art Institute of Chicago
The Age of Impressionism at the Art Institute of Chicago (New Haven and London, 2008), cat. 65, p. 138 (ill.).
Sat
14
Feb
exhibition
Essen, Museum Folkwang, Cézanne and the Dawn of Modern Art, September 18, 2004-January 16, 2005, no cat. no., ill. p. 24.
Essen, Museum Folkwang, Cézanne and the Dawn of Modern Art, September 18, 2004-January 16, 2005, no cat. no., ill. p. 24.
Sat
14
Feb
exhibition
Art Institute of Chicago, Van Gogh and Gauguin: The Studio of the South, The Art Institute of Chicago, September 22, 2001-January 13, 2002, traveled to The Van Gogh Museum, Amsterdam, February 9-June 6, 2002, cat. 129 (ill.).
Art Institute of Chicago, Van Gogh and Gauguin: The Studio of the South, The Art Institute of Chicago, September 22, 2001-January 13, 2002, traveled to The Van Gogh Museum, Amsterdam, February 9-June 6, 2002, cat. 129 (ill.).
Sat
14
Feb
exhibition
Art Institute of Chicago, Gauguin: Paintings, Drawings, Prints, Sculpture, February 12-March 29, 1959, cat. 24, as Marie Derrien; New York, Metropolitan Museum of Art, April 21-May 31, 1959.
Art Institute of Chicago, Gauguin: Paintings, Drawings, Prints, Sculpture, February 12-March 29, 1959, cat. 24, as Marie Derrien; New York, Metropolitan Museum of Art, April 21-May 31, 1959.
Sat
14
Feb
note
Robert Goldwater, Paul Gauguin
Robert Goldwater, Paul Gauguin (New York, 1957), pp. 94, 95 (ill.).
Sat
14
Feb
note
The Art Institute of Chicago, An Illustrated Guide to the Collections of The Art Institute of Chicago
The Art Institute of Chicago, An Illustrated Guide to the Collections of The Art Institute of Chicago (Chicago, 1956), p. 37.
Sat
14
Feb
note
John Rewald, Post-Impressionism: From Van Gogh to Gauguin
John Rewald, Post-Impressionism: From Van Gogh to Gauguin (New York, 1956), pp. 308,309 (ill.).
Sat
14
Feb
exhibition
Edinburgh, The Royal Scotish Academy, An Exhibition of Paintings, Engravings and Sculpture: Gauguin, 1955, cat. 35 (pl. XII), as Portrait of Marie Henry.
Edinburgh, The Royal Scotish Academy, An Exhibition of Paintings, Engravings and Sculpture: Gauguin, 1955, cat. 35 (pl. XII), as Portrait of Marie Henry.
Sat
14
Feb
note
John O’Connel Kerr, “Paul Gauguin: Creative Iconoclast,” The Studio 150, 753
John O’Connel Kerr, “Paul Gauguin: Creative Iconoclast,” The Studio 150, 753 (December 1955), pp. 172 (ill.).
Sat
14
Feb
note
John Rewald, Post-Impressionism
John Rewald, Post-Impressionism (New York, 1954), p. 309 (ill.).
Sat
14
Feb
note
Henri Dorra, “Gauguin and His Century,” Art Digest 28, 12
Henri Dorra, “Gauguin and His Century,” Art Digest 28, 12 (March 15, 1954), p. 13 (ill.).
Sat
14
Feb
note
René Huyghe, Gauguin, 1954, pl. 13.
René Huyghe, Gauguin, 1954, pl. 13.
Sat
14
Feb
exhibition
Museum of Fine Arts of Houston, Paul Gauguin: His Place in the Meeting of East and West, March 27-April 25, 1954, cat. 18 (ill.), as Portrait of a Woman, Marie Henry.
Museum of Fine Arts of Houston, Paul Gauguin: His Place in the Meeting of East and West, March 27-April 25, 1954, cat. 18 (ill.), as Portrait of a Woman, Marie Henry.
Mon
14
Feb
note
The Art Institute of Chicago, The Joseph Winterbotham Collection at The Art Institute of Chicago, The Art Institute of Chicago Museum Studies 20, 2
The Art Institute of Chicago, The Joseph Winterbotham Collection at The Art Institute of Chicago, The Art Institute of Chicago Museum Studies 20, 2 (Chicago: The Art Institute of Chicago, 1994), pp. 128, 129 (ill.).
Fri
14
Feb
note
Richard Verdi, Cézanne
Richard Verdi, Cézanne (London, 1992), pp. 206, 208 (ill. 181).
Wed
14
Feb
note
Michel Howard, Cezanne
Michel Howard, Cezanne (London, 1990), p. 20 (ill.).
Tue
14
Feb
note
Mary Louise Krumrine, Paul Cézanne: The Bathers, exh. cat.
Mary Louise Krumrine, Paul Cézanne: The Bathers, exh. cat. (Basel: Museum of Fine Arts, 1989), p. 285, 287 (ill.).
Tue
14
Feb
note
Marina Aleksndrovna Bessonova, Gogen: Vzgliad iz Rossii: album-katalog
Marina Aleksndrovna Bessonova, Gogen: Vzgliad iz Rossii: album-katalog (Moskwa, 1989), pp. 136 (ill. 19), 137.
Sun
14
Feb
exhibition
Washington, DC, National Gallery of Art, The Art of Gauguin, May 1-July 31, 1988, cat. 111; Art Institute of Chicago, September 17-December 11, 1988; Paris, Galeries nationales du Grand Palais, January 10-April 24, 1989.
Washington, DC, National Gallery of Art, The Art of Gauguin, May 1-July 31, 1988, cat. 111; Art Institute of Chicago, September 17-December 11, 1988; Paris, Galeries nationales du Grand Palais, January 10-April 24, 1989.
Sat
14
Feb
note
Richard R. Brettell, Post-Impressionists
Richard R. Brettell, Post-Impressionists (Chicago and New York, 1987), pp. 28 (ill.), 29-30, 31 (ill.).
Fri
14
Feb
exhibition
Art Institute of Chicago, The Art of the Edge: European Frames 1300-1900, October 17-December 14, 1986, not included in cat.
Art Institute of Chicago, The Art of the Edge: European Frames 1300-1900, October 17-December 14, 1986, not included in cat.
Thu
14
Feb
note
Susan Wise, Paul Gauguin: His Life and His Paintings
Susan Wise, Paul Gauguin: His Life and His Paintings (Chicago, 1980), no. 10, ill.
Wed
14
Feb
note
Patrice J. Marandel, The Art Institute of Chicago: Favorite Impressionist Paintings
Patrice J. Marandel, The Art Institute of Chicago: Favorite Impressionist Paintings (New York, 1979), pp. 80, 81 (ill.).
Tue
14
Feb
exhibition
Art Institute of Chicago, European Portraits 1600 – 1900 in The Art Institute of Chicago, July 8-September 11, 1978, cat. 21 (ill.).
Art Institute of Chicago, European Portraits 1600 – 1900 in The Art Institute of Chicago, July 8-September 11, 1978, cat. 21 (ill.).
Tue
14
Feb
note
John Rewald, Post-Impressionism from Van Gogh to Gauguin
John Rewald, Post-Impressionism from Van Gogh to Gauguin (New York, 1978), pp. 270-271, 275, 286, 287 (ill.).
Thu
14
Feb
note
René Huyghe, La Relève du Réel Impressionnisme Symbolisme
René Huyghe, La Relève du Réel Impressionnisme Symbolisme (Paris, 1974), p. 345, ill. 299.
Thu
14
Feb
note
Daniel Wildenstein and Raymond Cogniat, Gauguin
Daniel Wildenstein and Raymond Cogniat, Gauguin (Garden City, New York, 1974), pp. 48, 49 (ill.).
Wed
14
Feb
note
Herbert Lee van Dowski, Die Wahrheit über Gauguin: Mit vielen, zum Teil farbigen Abbildungen und einem “Katalog der Gemälde”
Herbert Lee van Dowski, Die Wahrheit über Gauguin: Mit vielen, zum Teil farbigen Abbildungen und einem “Katalog der Gemälde” (Darmstadt, 1973), p. 141 (ill.), cat. 205.
Wed
14
Feb
note
John Rewald, The History of Impressionism
John Rewald, The History of Impressionism (New York, 1973), p. 561 (ill.).
Mon
14
Feb
note
G. M. Sugana, L’opera completa di Gauguin
G. M. Sugana, L’opera completa di Gauguin (Milan, 1972), cat. 223 (ill.)
Mon
14
Feb
exhibition
New York, Wildenstein and Co., Faces from the World of Impressionism and Post-Impressionism: A Loan Exhibition for the benefit of The New York Chapter of The Arthritis Foundation, November 2-December 9, 1972, cat. 30 (ill.)...
New York, Wildenstein and Co., Faces from the World of Impressionism and Post-Impressionism: A Loan Exhibition for the benefit of The New York Chapter of The Arthritis Foundation, November 2-December 9, 1972, cat. 30 (ill.), as Marie Derrien.
Mon
14
Feb
note
Wladyslawa Jaworska, Gauguin and the Pont-Aven School
Wladyslawa Jaworska, Gauguin and the Pont-Aven School (London, 1972), p. 24 (ill.).
Sat
14
Feb
note
Mark Roskill, Van Gogh, Gauguin and French Painting of the 1880s: A Catalogue Raisonné of Key Works
Mark Roskill, Van Gogh, Gauguin and French Painting of the 1880s: A Catalogue Raisonné of Key Works (Ann Arbor: University Microfilms, 1970), pp. 196-197.
Sat
14
Feb
note
Mark Roskill, Van Gogh, Gauguin, and the Impressionist Circle
Mark Roskill, Van Gogh, Gauguin, and the Impressionist Circle (Greenwich, Conn., 1970), pp. 46-47, 54, pl. IV, ill. 29.
Mon
14
Feb
note
Keith Roberts, “Current and Forthcoming Exhibitions,” Burlington Magazine 108, 755
Keith Roberts, “Current and Forthcoming Exhibitions,” Burlington Magazine 108, 755 (February 1966), pp. 105.
Mon
14
Feb
exhibition
London, Tate Gallery, Gauguin and the Pont Aven Group, January 7-February 13, 1966, cat. 33 (pl. 23b), as Portrait of Marie Derrien, traveled to Zürich, Kunsthaus, Pont Aven: Gauguin und sein Kreis, March 5-April 11, 1966...
London, Tate Gallery, Gauguin and the Pont Aven Group, January 7-February 13, 1966, cat. 33 (pl. 23b), as Portrait of Marie Derrien, traveled to Zürich, Kunsthaus, Pont Aven: Gauguin und sein Kreis, March 5-April 11, 1966, cat. 30 (ill.).
Fri
14
Feb
note
André Chastel, “Le Tableau dans le tableau,” Stil und Überlieferung in der Kunst des Abendlandes: Akten des 21. Internatioanlen Kongresses für Kunstgeschichte in Bonn 1964
André Chastel, “Le Tableau dans le tableau,” Stil und Überlieferung in der Kunst des Abendlandes: Akten des 21. Internatioanlen Kongresses für Kunstgeschichte in Bonn 1964 (Berlin, 1967), pp. 26-27.
Fri
14
Feb
exhibition
San Francisco, California Palace of Legion of Honor, M. H. de Young Memorial Museum and The San Francisco Museum of Art, Man, Glory, Jest, and Riddle: A Survey of the Human Form through the Ages, November 10, 1964-January 3, 1965...
San Francisco, California Palace of Legion of Honor, M. H. de Young Memorial Museum and The San Francisco Museum of Art, Man, Glory, Jest, and Riddle: A Survey of the Human Form through the Ages, November 10, 1964-January 3, 1965, cat. 182, as Portrait of Marie Derrien.
Fri
14
Feb
note
Bernheim-Jeune Galerie, Paris [according to Wildenstein 1964]....
Bernheim-Jeune Galerie, Paris [according to Wildenstein 1964]. Ernest Brown and Phillips, Leicester Galleries, London by 1924 [see London 1924 and Wildenstein 1964]. Chester H. Johnson Gallery, Chicago, by 1925
Fri
14
Feb
note
Georges Wildenstein, Gauguin
Georges Wildenstein, Gauguin (Paris, 1964), no. 387 (ill.).
Tue
14
Feb
note
The Art Institute of Chicago, Paintings in The Art Institute of Chicago: A Catalogue of the Picture Collection
The Art Institute of Chicago, Paintings in The Art Institute of Chicago: A Catalogue of the Picture Collection (Chicago, 1961), pp. 170, 332 (ill.).
Sun
14
Feb
note
Ernest W. Watson, “Borrowings of the Masters,” American Artists 24, 2
Ernest W. Watson, “Borrowings of the Masters,” American Artists 24, 2 (February 1960), p. 39.
© Artist-Unknown. All rights reserved.