ArtworkStatus unknown
Black Lion Wharf, from A Series of Sixteen Etchings of Scenes on the Thames (the "Thames Set")
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paper (fiber product)22 × 15 Cm
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About the artwork
Artist supplied description.
This etching is the framed print seen on the back wall of Arrangement in Grey and Black No. 1, though its identification would only have been possible for those intimately familiar with Whistler’s printed oeuvre. It is believed that Whistler did indeed have a framed impression of this work installed in his house in London on Lindsey Row, where his mother sat for him. It therefore serves as a reference to the space itself, the artist’s studio, as well as his early acclaim in the field of printmaking.
Artwork metadata
Structured fields synced from connected systems.
| Medium | paper (fiber product) |
| Dimensions | 22 × 15 Cm |
| Certificate | Certificate not provided |
Timeline
Chain of custody, exhibitions, and verification milestones synced from the provenance service.
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by descent to his daughters, Mrs....
by descent to his daughters, Mrs. Chauncey McCormick (née Marion Deering
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exhibition
Art Institute of Chicago, “Whistler’s Mother: An American Icon Returns to Chicago, ” Mar. 4–May 21, 2017, no cat.
Art Institute of Chicago, “Whistler’s Mother: An American Icon Returns to Chicago,” Mar. 4–May 21, 2017, no cat.
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1885–1957), Chicago
1885–1957), Chicago
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Charles Deering (1852–1927), Chicago [stamp (Lugt 516)]
Charles Deering (1852–1927), Chicago [stamp (Lugt 516)]
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given to the Art Institute of Chicago, 1927.
given to the Art Institute of Chicago, 1927.
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1886–1965), Chicago and Mrs....
1886–1965), Chicago and Mrs. Richard Ely Danielson (née Barbara Deering
© Artist-Unknown. All rights reserved.
