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oil paint (paint)92 × 65 Cm
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About the artwork
Artist supplied description.
In 1891, as a result of his rheumatoid arthritis, Henri Edmond Cross moved to Cabasson, a hamlet on the Côte d’Azur in southeastern France. The move deeply affected his art: after settling on the Mediterranean coast, he embraced the divided brushwork (small dashes and dots of color) and tonal gradations of “scientific Impressionism.” This methodical technique was a departure from the Impressionists’ more intuitive quick strokes of color to capture fleeting atmospheric conditions. In this beach scene, Cross used this more systematic paint application to convey the color and heat of his adopted region.
Artwork metadata
Structured fields synced from connected systems.
| Medium | oil paint (paint) |
| Dimensions | 92 × 65 Cm |
| Tags | childrenmediterraneanFrancebeachweather/seasonsleisurelandscapeswater |
| Certificate | Certificate not provided |
Timeline
Chain of custody, exhibitions, and verification milestones synced from the provenance service.
Thu
22
Jan
exhibition
Paris, Société des Artistes indépendants, 1892, cat. 312, p. 22-23.
Paris, Société des Artistes indépendants, 1892, cat. 312, p. 22-23.
Thu
22
Jan
exhibition
Anvers, Second exposition de l’Association pour l’Art, 1893, cat. 3.
Anvers, Second exposition de l’Association pour l’Art, 1893, cat. 3.
Thu
22
Jan
exhibition
[Possibly] Paris, Galerie Le Barc de Boutteville, IIe exposition des Peintres impressionistes et symbolistes, 1892.
[Possibly] Paris, Galerie Le Barc de Boutteville, IIe exposition des Peintres impressionistes et symbolistes, 1892.
Thu
22
Jan
exhibition
Brussels, Les XX, 1893, cat. 3.
Brussels, Les XX, 1893, cat. 3.
Thu
22
Jan
exhibition
Giverny, Musée des Impressionismes, Color and Light: The Neo-Impressionist Henri-Edmond Cross, July 27 - November 4, 2018, cat. 14; Potsdam, Museum Barbarini, November 17, 2018 - February 17, 2019 [Giverny Only].
Giverny, Musée des Impressionismes, Color and Light: The Neo-Impressionist Henri-Edmond Cross, July 27 - November 4, 2018, cat. 14; Potsdam, Museum Barbarini, November 17, 2018 - February 17, 2019 [Giverny Only].
Thu
22
Jan
note
Marina Ferretti Bocquillon, "Henry-Edmond Cross and Germany," in Musée des Impressionismes, Giverny, Color and Light: The Neo-Impressionist Henri-Edmond Cross, exh. cat..
Marina Ferretti Bocquillon, "Henry-Edmond Cross and Germany," in Musée des Impressionismes, Giverny, Color and Light: The Neo-Impressionist Henri-Edmond Cross, exh. cat.. (Prestel, 2018) cover image; pp. 19
Thu
22
Jan
note
Daniel Zamani, "’To Paint Happiness’?: Henry-Edmond Cross’s Landscapes," in Musée des Impressionismes, Giverny, Color and Light: The Neo-Impressionist Henri-Edmond Cross, exh. cat.
Daniel Zamani, "’To Paint Happiness’?: Henry-Edmond Cross’s Landscapes," in Musée des Impressionismes, Giverny, Color and Light: The Neo-Impressionist Henri-Edmond Cross, exh. cat. (Prestel, 2018) cover image; pp. 23; 99, 256, cat. 14
Thu
22
Jan
exhibition
Washington, D.C., Phillips Collection, Neo-Impressionism and the Dream of Realities: Painting, Poetry, Music, September 27, 2014-January 11, 2015.
Washington, D.C., Phillips Collection, Neo-Impressionism and the Dream of Realities: Painting, Poetry, Music, September 27, 2014-January 11, 2015.
Thu
22
Jan
note
Cornelia Homburn, Neo-Impressionism and the Dream of Realities, exh. cat.
Cornelia Homburn, Neo-Impressionism and the Dream of Realities, exh. cat. (New Haven and London: Yale University Press, 2014), 113, 134, 139, 177 fig. 100.
Thu
22
Jan
exhibition
Fort Worth, Tex., Kimbell Museum of Art, The Impressionists: Master Paintings from the Art Institute of Chicago, June 29–November 2, 2008, cat. 53 (ill.).
Fort Worth, Tex., Kimbell Museum of Art, The Impressionists: Master Paintings from the Art Institute of Chicago, June 29–November 2, 2008, cat. 53 (ill.).
Thu
22
Jan
note
The Age of Impressionism at the Art Institute of Chicago
The Age of Impressionism at the Art Institute of Chicago (New Haven and London, 2008), cat. 53, pp. 116-117 (ill.).
Thu
22
Jan
note
Sylvie Carlier, Le Néo-Imoressionnisme de Seurat á Paul Klee, Exh. cat.
Sylvie Carlier, Le Néo-Imoressionnisme de Seurat á Paul Klee, Exh. cat. (Réunion des Musées Nationaux, 2005), p. 24, p. 132, ill. 133.
Thu
22
Jan
exhibition
Paris, France, Musée d'Orsay, Le Néo-Impressionnisme de Seurat á Paul Klee, March 14- July 10, 2005.
Paris, France, Musée d'Orsay, Le Néo-Impressionnisme de Seurat á Paul Klee, March 14- July 10, 2005.
Thu
22
Jan
note
Felix Billeter, "Zwischen Kunstgeschichte und Industriemanagement: Eberhard von Bodenhausen als Sammler Neoimpressionistischer Malerei," in Andrea Pophanken and Felix Billeter, Die Moderne und ihre Sammler: französische Kunst in deutschen P...
Felix Billeter, "Zwischen Kunstgeschichte und Industriemanagement: Eberhard von Bodenhausen als Sammler Neoimpressionistischer Malerei," in Andrea Pophanken and Felix Billeter, Die Moderne und ihre Sammler: französische Kunst in deutschen Privatbesitz vom Kaiserreich zur Weimarer Republik (Berlin: Akademie Verlag, 2001), p. 144.
Thu
22
Jan
exhibition
New York, Wildenstein Galleries, Seurat and His Friends, 1953, cat. 57.
New York, Wildenstein Galleries, Seurat and His Friends, 1953, cat. 57.
Thu
22
Jan
note
sold to Mrs....
sold to Mrs. Vincent Astor, Rhinebeck, New York, May 1951. Mr. and Mrs. Werner E. Josten, New York, by 1964 until at least 1968 [Compin 1964 and New York 1968]. Private Collection, Maryland [information given by R. L. Feigen]. Richard L. Feigen and Co., by 1982
Thu
22
Jan
exhibition
New York, Fine Arts Associates, Henri-Edmond Cross, April 16 - May 5, 1951, cat. 3.
New York, Fine Arts Associates, Henri-Edmond Cross, April 16 - May 5, 1951, cat. 3.
Thu
22
Jan
note
sold to Gallery Fine Arts Associates (Otto Gerson), May 1951
sold to Gallery Fine Arts Associates (Otto Gerson), May 1951
Thu
22
Jan
note
Baron Eberhard Freiherr von Bodenhausen-Degener (1868 - 1918), Munich [according to Billeter 2001]
Baron Eberhard Freiherr von Bodenhausen-Degener (1868 - 1918), Munich [according to Billeter 2001]
Tue
22
Jan
exhibition
Tokyo, The Seibu Museum of Art / Fukuoka Art Museum, Fukuoka / Kyoto Municipal Museum of Art, Kyoto, The Impressionist Tradition: Masterpieces from the Art Institute of Chicago, October 18 - December 17, 1985 / January 5 - February 2...
Tokyo, The Seibu Museum of Art / Fukuoka Art Museum, Fukuoka / Kyoto Municipal Museum of Art, Kyoto, The Impressionist Tradition: Masterpieces from the Art Institute of Chicago, October 18 - December 17, 1985 / January 5 - February 2, 1986 / March 4 - April 13, 1986, cat. 53.
Sun
22
Jan
exhibition
Los Angeles, County Museum of Art, A Day in the Country Impressionism and the French Landscape, June 28 - September 16, 1984; traveled to Chicago, Art Institute, October 23, 1984 - January 6, 1985; Paris...
Los Angeles, County Museum of Art, A Day in the Country Impressionism and the French Landscape, June 28 - September 16, 1984; traveled to Chicago, Art Institute, October 23, 1984 - January 6, 1985; Paris, Galeries Nationales d’Exposition du Grand Palais, February 8 - April 22, 1985, cat. 136.
Sat
22
Jan
note
sold to the Art Institute, 1983.
sold to the Art Institute, 1983.
Fri
22
Jan
note
The Burlington Magazine
The Burlington Magazine (May 1982), p. vi.
Wed
22
Jan
note
possibly by descent to his wife Dora Freifrau von Bodenhausen (1877-1969)....
possibly by descent to his wife Dora Freifrau von Bodenhausen (1877-1969). Martin Fabiani, Paris [this and the following according to Gallery Fine Arts Associates' stock card, Otto Gerson Papers, Archives of American Art, copy in curatorial file]
Mon
22
Jan
exhibition
New York, Guggenheim, Neo-Impressionism, February–April 1968.
New York, Guggenheim, Neo-Impressionism, February–April 1968.
Wed
22
Jan
note
Isabelle Compin, H.E. Cross
Isabelle Compin, H.E. Cross (Paris, 1964), no. 31, pp. 333-34, 117-118.
Fri
22
Jan
exhibition
Paris, Hôtel Brébant, Exposition des peintres Néo-Impressionnistes, December 2, 1892-January 8, 1893, cat. 10.
Paris, Hôtel Brébant, Exposition des peintres Néo-Impressionnistes, December 2, 1892-January 8, 1893, cat. 10.
© Artist-Unknown. All rights reserved.