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oil paint (paint)295 × 260 Cm
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About the artwork
Artist supplied description.
Perhaps the most acclaimed and well-traveled artist in Italy at the end of the 17th century, Luca Giordano first emulated, then transformed the styles of numerous celebrated artists, including Peter Paul Rubens. Giordano’s artistic studies informed this monumental depiction of the myth of the founding of Rome. The Romans, plagued by a shortage of brides, invited the neighboring Sabines to a festival and then violently kidnapped their young women. Using the rapid, bold brushwork that earned him the nickname Luca fa presto (Luca paints quickly), Giordano wove vivid gestures and compositional inspiration from earlier treatments of the subject into one of his most theatrical and geometrically complex works.
Artwork metadata
Structured fields synced from connected systems.
| Medium | oil paint (paint) |
| Dimensions | 295 × 260 Cm |
| Tags | mythologygesturalfestivalsnight scenesnightarchitechturemenRomeRomanviolencewomen |
| Certificate | Certificate not provided |
Timeline
Chain of custody, exhibitions, and verification milestones synced from the provenance service.
Tue
24
Feb
note
bought in
bought in
Tue
24
Feb
note
Madame Georges de Braconier (née Comtesse d’Hemricourt), Brussels, until 1950s [see letter cited above]
Madame Georges de Braconier (née Comtesse d’Hemricourt), Brussels, until 1950s [see letter cited above]
Tue
24
Feb
note
Alfredo and Raquel Helegua, Washington
Alfredo and Raquel Helegua, Washington
Tue
24
Feb
note
Cruysmans family, Brussels [see letter cited above]
Cruysmans family, Brussels [see letter cited above]
Tue
24
Feb
note
Oreste Ferrari and Giuseppe Scavizi, Luca Giordano. Nuove ricerche e inediti
Oreste Ferrari and Giuseppe Scavizi, Luca Giordano. Nuove ricerche e inediti (Naples, 2003), p. 58, no. A0115.
Fri
24
Feb
note
Larry J. Feinberg, “Luca Giordano’s Abduction of the Sabine Women,” Notable Acquisitions at the Art Institute of Chicago Museum Studies 21, 1
Larry J. Feinberg, “Luca Giordano’s Abduction of the Sabine Women,” Notable Acquisitions at the Art Institute of Chicago Museum Studies 21, 1 (1995), pp. 38–47.
Sun
24
Feb
note
Purchased in the early twentieth century by Georges de Branconier, Brussels [letter from Yvan Cruysmans, dated July 24, 1991, in curatorial file]
Purchased in the early twentieth century by Georges de Branconier, Brussels [letter from Yvan Cruysmans, dated July 24, 1991, in curatorial file]
Sun
24
Feb
note
sold to the Art Institute, 1991.
sold to the Art Institute, 1991.
Sat
24
Feb
note
Paul Jeromack, “Panorama del collezionismo pubblico nell’America del Nord, 1990–1995” in Alessandro Morandotti, Pittura Italiana antica settecento
Paul Jeromack, “Panorama del collezionismo pubblico nell’America del Nord, 1990–1995” in Alessandro Morandotti, Pittura Italiana antica settecento (Milan, 1995), p. 58.
Tue
24
Feb
note
reoffered Sotheby’s, London, May 12, 1976, lot 102
reoffered Sotheby’s, London, May 12, 1976, lot 102
Mon
24
Feb
note
offered for sale, Sotheby’s, London, March 19, 1975, lot 76
offered for sale, Sotheby’s, London, March 19, 1975, lot 76
Tue
24
Feb
note
Jean Cruysmans (died 1970), Brussels [see letter cited above]
Jean Cruysmans (died 1970), Brussels [see letter cited above]
© Artist-Unknown. All rights reserved.
