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oil paint (paint)71 × 53 Cm
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About the artwork
Artist supplied description.
At a time when still life was emerging as a discrete subject (and not just an element of larger narrative works), this artist depicted fruit and vegetables arrayed on a simple tabletop with elegant clarity and naturalism. Louise Moillon trained first under her father and, from 1620, her stepfather. When she executed this still life at the young age of 20, she was already an accomplished painter.
Women painters were not uncommon within the European tradition of the family workshop, which provided training, studio space, and clients for successive generations of artists. The system was one of few pro- fessional routes for women in a period when they could not legally take up a career.
Artwork metadata
Structured fields synced from connected systems.
| Medium | oil paint (paint) |
| Dimensions | 71 × 53 Cm |
| Tags | still lifetableshadowsleavesleafgrapesfruitfoliagecherriesbasket |
| Certificate | Certificate not provided |
Timeline
Chain of custody, exhibitions, and verification milestones synced from the provenance service.
Thu
05
Feb
exhibition
Baltimore Museum of Art, Making Her Mark: A History of Women Artists in Europe, 1400-1800, Oct. 1, 2023 - Jan. 7, 2024, cat. 115; Toronto, Art Gallery of Ontario, Mar. 1, 2024 - July 1, 2024.
Baltimore Museum of Art, Making Her Mark: A History of Women Artists in Europe, 1400-1800, Oct. 1, 2023 - Jan. 7, 2024, cat. 115; Toronto, Art Gallery of Ontario, Mar. 1, 2024 - July 1, 2024.
Thu
05
Feb
note
Andaleeb Badiee Banta and Alexa Greist, eds., Making Her Mark: A History of Women Artists in Europe, 1400-1800, exh. cat.
Andaleeb Badiee Banta and Alexa Greist, eds., Making Her Mark: A History of Women Artists in Europe, 1400-1800, exh. cat. (Fredericton, New Brunswick: Goose Lane Editions, 2023), 8 (detail ill.), 211, 213 cat. 115.
Thu
05
Feb
note
Ann Sutherland Harris in Los Angeles County Museum of Art, Women Artists: 1550–1950, exh. cat.
Ann Sutherland Harris in Los Angeles County Museum of Art, Women Artists: 1550–1950, exh. cat. (1976), 141.
Thu
05
Feb
note
sold by Kleinberger to the Art Institute through the Wirt D....
sold by Kleinberger to the Art Institute through the Wirt D. Walker Fund, 1948.
Thu
05
Feb
note
Gertrude D....
Gertrude D. Webster, Mass., probably to 1947 [Kleinberger archives, Metropolitan Museum of Art, New York]. Sold, Plaza Art Galleries, New York, 6–8 November 1947, no. 234, as Dutch School, to Kleinberger, New York [annotated sale cat. in Frick Art Reference Library, New York]
Mon
05
Feb
note
Susan Wise in Susan Wise and Malcolm Warner, French and British Paintings from 1600 to 1800 in The Art Institute of Chicago: A Catalogue of the Collection
Susan Wise in Susan Wise and Malcolm Warner, French and British Paintings from 1600 to 1800 in The Art Institute of Chicago: A Catalogue of the Collection (Chicago, 1996), 106–09 (ill.).
Sat
05
Feb
note
Alain Mérot, La Peinture française au XVIIe siècle
Alain Mérot, La Peinture française au XVIIe siècle (Paris, 1994), 238–39 (ill.).
Wed
05
Feb
note
Copenhagen, Statens Museum fur Kunst, Fransk Guldalder: Poussin og Claude og maleriet I det 17. Århundredes Frankig, exh. cat. by Humphrey Wine and Olaf Koester,
Copenhagen, Statens Museum fur Kunst, Fransk Guldalder: Poussin og Claude og maleriet I det 17. Århundredes Frankig, exh. cat. by Humphrey Wine and Olaf Koester, (1992), 50, fig. 17, p. 54.
Wed
05
Feb
note
James Yood, Feasting: A Celebration of Food in Art
James Yood, Feasting: A Celebration of Food in Art (New York, 1992), 7, no. 3 (ill.).
Tue
05
Feb
note
Christopher Wright, comp., The World's Master Paintings from the Early Renaissance to the Present Day: A Comprehensive Listing of Works by 1,300 Painters and a Complete Guide to Their Locations Worldwide
Christopher Wright, comp., The World's Master Paintings from the Early Renaissance to the Present Day: A Comprehensive Listing of Works by 1,300 Painters and a Complete Guide to Their Locations Worldwide (New York, 1991), vol. 1, p. 246; vol. 2, pp. 62, 427.
Tue
05
Feb
note
Gerardo Casale, Giovanna Garzoni: "Insigne minatrice," 1600–1670
Gerardo Casale, Giovanna Garzoni: "Insigne minatrice," 1600–1670 (Milan and Rome, 1991), 28 (ill.).
Wed
05
Feb
note
Beatrijs Brenninkmeyer-de Rooij in Paris, Galeries nationales du Grand Palais, De Rembrandt à Vermeer: Les Peintres hollandais au Mauritshuis de La Haye, exh. cat.
Beatrijs Brenninkmeyer-de Rooij in Paris, Galeries nationales du Grand Palais, De Rembrandt à Vermeer: Les Peintres hollandais au Mauritshuis de La Haye, exh. cat. (1986), 62, fig. 29.
Tue
05
Feb
note
Christopher Wright, The French Painters of the Seventeenth Century
Christopher Wright, The French Painters of the Seventeenth Century (London, 1985), 233.
Sun
05
Feb
note
André Chastel, Musica depicta
André Chastel, Musica depicta (Milan, 1984), 30, 100–01 (ill.).
Sat
05
Feb
note
Erich Schleier, "La Peinture française du XVIIe siècle dans les collections américaines: France in the Golden Age, part 2," Kunstchronik 36
Erich Schleier, "La Peinture française du XVIIe siècle dans les collections américaines: France in the Golden Age, part 2," Kunstchronik 36 (1983), 232.
Fri
05
Feb
exhibition
Paris, Galeries Nationales du Grand Palais, La Peinture française du XVIIe siècle dans les collections américaines, Jan. 29 – Apr. 26, 1982, cat. 73; New York, Metropolitan Museum of Art, May 26 – Aug. 22, 1982; Art Institute of Chicago...
Paris, Galeries Nationales du Grand Palais, La Peinture française du XVIIe siècle dans les collections américaines, Jan. 29 – Apr. 26, 1982, cat. 73; New York, Metropolitan Museum of Art, May 26 – Aug. 22, 1982; Art Institute of Chicago, Sep. 18 – Nov. 28, 1982.
Fri
05
Feb
note
Claude Lesné, "La Peinture française du XVIIe siècle dans les collections américaines," Le Petit Journal des grandes expositions 116
Claude Lesné, "La Peinture française du XVIIe siècle dans les collections américaines," Le Petit Journal des grandes expositions 116 (1982), n.p. (ill.).
Fri
05
Feb
note
J. V. Hantz, "La Peinture française du XVIIe siècle dans les collections américaines," L’Amateur d’art 35, no. 680
J. V. Hantz, "La Peinture française du XVIIe siècle dans les collections américaines," L’Amateur d’art 35, no. 680 (1982), 19.
Wed
05
Feb
note
James A. Schinneller, Art: Search and Self-Discovery, 3rd ed.
James A. Schinneller, Art: Search and Self-Discovery, 3rd ed. (Worcester, Mass., 1975), 28 (ill.).
Tue
05
Feb
note
Michel Faré, Le Grand Siècle de la nature morte en France: Le XVIIe Siècle
Michel Faré, Le Grand Siècle de la nature morte en France: Le XVIIe Siècle (Fribourg and Paris, 1974), 55 (ill.).
Mon
05
Feb
note
Michel Faré, La Nature morte en France: Son Histoire et son évolution du XVIIe au XXe siècle
Michel Faré, La Nature morte en France: Son Histoire et son évolution du XVIIe au XXe siècle (Geneva, 1962), vol. 2, fig. 33.
Sun
05
Feb
note
Art Institute of Chicago, Paintings in The Art Institute of Chicago: A Catalogue of the Picture Collection
Art Institute of Chicago, Paintings in The Art Institute of Chicago: A Catalogue of the Picture Collection (Chicago, 1961), 316.
© Artist-Unknown. All rights reserved.
