ArtworkStatus unknown

Violet and Silver—The Deep Sea

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oil paint (paint)73 × 50 Cm

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About the artwork
Artist supplied description.

After years of painting seascapes on a significantly smaller scale, James McNeill Whistler returned briefly to a large-format canvas to capture a hot summer day on the water near Brittany, France. The artist likely painted this seascape while boating off the coast as a crewman steadied their vessel. This could account for the unusually broad handling of paint and thick touches of pigment apparent throughout the composition, particularly in the clouds and gently cresting waves. Here, Whistler demonstrated his enduring passion for the myriad relationships of color offered by the ever-changing sea.

Artwork metadata
Structured fields synced from connected systems.
Mediumoil paint (paint)
Dimensions73 × 50 Cm
Tags
landscapes
CertificateCertificate not provided
Timeline
Chain of custody, exhibitions, and verification milestones synced from the provenance service.
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note

James McNeill Whistler, London and Paris, 1893

James McNeill Whistler, London and Paris, 1893
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note

Jay A. Clarke and Sarah Kelly Oehler, eds., <em>Whistler Paintings and Drawings at the Art Institute of Chicago</em>

Jay A. Clarke and Sarah Kelly Oehler, eds., Whistler Paintings and Drawings at the Art Institute of Chicago (Chicago: Art Institute of Chicago, 2020), cat. 34 (ill.), http://artic.edu/digitalwhistler.
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note

Margaret F. MacDonald, Grischka Petri, "Violet and Silver: A Deep Sea," <em>The Paintings of James McNeill Whistler: A Catalogue Raisonné</em>, University of Glasgow, accessed June 3, 2020, <a href="https://whistlerpaintings.gla.ac.uk/catal...

Margaret F. MacDonald, Grischka Petri, "Violet and Silver: A Deep Sea," The Paintings of James McNeill Whistler: A Catalogue Raisonné, University of Glasgow, accessed June 3, 2020, https://whistlerpaintings.gla.ac.uk/catalogue/display/?mid=y411, as Violet and Silver: A Deep Sea (ill.).
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Judith A. Barter, et al., <em>The Age of American Impressionism: Masterpieces from the Art Institute of Chicago</em>

Judith A. Barter, et al., The Age of American Impressionism: Masterpieces from the Art Institute of Chicago (Chicago: Art Institute of Chicago, 2011), cat. 18.
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given to the Art Institute of Chicago, 1955.

given to the Art Institute of Chicago, 1955.
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Estate of Clara Margaret Lynch, Chicago, 1954

Estate of Clara Margaret Lynch, Chicago, 1954
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bequeathed to his wife, Clara Margaret Lynch (1872–1954), Chicago, 1938

bequeathed to his wife, Clara Margaret Lynch (1872–1954), Chicago, 1938
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sold to John A....

sold to John A. Lynch (1853–1938), Chicago, 1894 [inscribed on verso of painting: “Exhibited in salon of the / Champ de Mars. 1894 / & / bought in my Studio, Paris / in October of that year by / John A. Lynch, of Chicago. / J. McNeill Whistler.”]
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exhibition

London, Tate Gallery, <em>James McNeill Whistler</em>, Nov. 12, 1994–Jan. 8, 1995; Paris, Musee d'Orsay, Feb. 6–Apr. 30, 1995, Washington DC, National Gallery of Art, May 29–Aug. 20, 1995.

London, Tate Gallery, James McNeill Whistler, Nov. 12, 1994–Jan. 8, 1995; Paris, Musee d'Orsay, Feb. 6–Apr. 30, 1995, Washington DC, National Gallery of Art, May 29–Aug. 20, 1995.
© Artist-Unknown. All rights reserved.