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paper (fiber product)13 × 12 Cm
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About the artwork
Artist supplied description.
This drawing exemplifies the style Parmigianino developed after his stay in Rome (1524–27), where he would have been exposed to Raphael’s frescoes in the Vatican. It may be a preparatory drawing for a painting of a religious subject; the composition has been linked to the Marriage of the Virgin and a representation of six apostles. Parmigianino’s image has been copied many times by other artists, including Count Antonio Maria Zanetti, who bought this and other drawings by Parmigianino from the Earl of Arundel.
Artwork metadata
Structured fields synced from connected systems.
| Medium | paper (fiber product) |
| Dimensions | 13 × 12 Cm |
| Certificate | Certificate not provided |
Timeline
Chain of custody, exhibitions, and verification milestones synced from the provenance service.
Fri
06
Feb
note
by descent through three generations of the Zanetti family [Lugt 2992]
by descent through three generations of the Zanetti family [Lugt 2992]
Fri
06
Feb
note
inscription]
inscription]
Fri
06
Feb
note
Antonio Maria Zanetti, Raccolta di Varie Stampe a Chiaroscuro Trattate dai Disegni Originali di Francesco Mazzuola, Detto Il Parmigianino e d'Altri Insigni Autori da Anton Maria Zanetti, O. in Gir che gli stessi disegni possiede
Antonio Maria Zanetti, Raccolta di Varie Stampe a Chiaroscuro Trattate dai Disegni Originali di Francesco Mazzuola, Detto Il Parmigianino e d'Altri Insigni Autori da Anton Maria Zanetti, O. in Gir che gli stessi disegni possiede (Venice, 1749).
Fri
06
Feb
exhibition
Art Institute of Chicago, "Strokes of Genius: Italian Drawings from the Goldman Collection, " Nov. 1, 2014-Feb. 1, 2015.
Art Institute of Chicago, "Strokes of Genius: Italian Drawings from the Goldman Collection," Nov. 1, 2014-Feb. 1, 2015.
Fri
06
Feb
note
sold by the Zanetti family to Baron Dominique Vivant-Denon (1747-1825), Paris, in 1789 [stamp, (Lugt 779), recto, lower right, in black
sold by the Zanetti family to Baron Dominique Vivant-Denon (1747-1825), Paris, in 1789 [stamp, (Lugt 779), recto, lower right, in black
Fri
06
Feb
note
by descent to her son, William Howard, Lord Stratford (1614-1680), Tart Hall, London
by descent to her son, William Howard, Lord Stratford (1614-1680), Tart Hall, London
Thu
06
Feb
note
McCullagh and Giles 1997]....
McCullagh and Giles 1997]. Samuel Woodburn (1786-1853), London [see Lugt 2584
Thu
06
Feb
note
by descent to his wife, Alethea Howard, Countess of Arundel (1585-1654) [McCullagh and Giles 1997]
by descent to his wife, Alethea Howard, Countess of Arundel (1585-1654) [McCullagh and Giles 1997]
Thu
06
Feb
exhibition
Art Institute of Chicago, "Drawings Rediscovered: Italian Drawings before 1600 in The Art Institute of Chicago, " Apr. 12-June 22, 1997.
Art Institute of Chicago, "Drawings Rediscovered: Italian Drawings before 1600 in The Art Institute of Chicago," Apr. 12-June 22, 1997.
Thu
06
Feb
note
sold by his estate, Tart Hall (Stratford House), London, 1720 [McCullagh and Giles 1997]....
sold by his estate, Tart Hall (Stratford House), London, 1720 [McCullagh and Giles 1997]. Antonio Maria Zanetti (1680-1757), Venice [script (Lugt 2992f), verso, lower center on mount, in pen and brown ink]
Thu
06
Feb
note
Suzanne Folds McCullagh and Laura M. Giles, Italian Drawings before 1600 in The Art Institute of Chicago: A Catalogue of the Collection
Suzanne Folds McCullagh and Laura M. Giles, Italian Drawings before 1600 in The Art Institute of Chicago: A Catalogue of the Collection (Chicago, 1997), p. 168-69, no. 217 (ill.).
Tue
06
Feb
note
Harold Joachim, Italian Drawings of the 15th, 16th, and 17th Centuries in The Art Institute of Chicago
Harold Joachim, Italian Drawings of the 15th, 16th, and 17th Centuries in The Art Institute of Chicago (Chicago, 1979), p. 50, no. 2B4.
Tue
06
Feb
exhibition
Art Institute of Chicago, "151 Italian Drawings from the Art Institute, " 1979-1980, pp. 29-30, cat. 16, pl. 22, cat. by Harold Joachim and Suzanne Folds McCullagh; traveled to Washington, D.C., the National Gallery of Art.
Art Institute of Chicago, "151 Italian Drawings from the Art Institute," 1979-1980, pp. 29-30, cat. 16, pl. 22, cat. by Harold Joachim and Suzanne Folds McCullagh; traveled to Washington, D.C., the National Gallery of Art.
Sat
06
Feb
note
Arthur E. Popham, Catalogue of the Drawings of Parmigianino, I
Arthur E. Popham, Catalogue of the Drawings of Parmigianino, I (New Haven, 1971), vol 1, p. 257, no. 94, vol. 2, pl. 202.
Sun
06
Feb
note
sold, Christie's, London, June 10, 1881, lot 2397, as "A Group of Seven Figures," to Riggale [annotated sales catalogue]....
sold, Christie's, London, June 10, 1881, lot 2397, as "A Group of Seven Figures," to Riggale [annotated sales catalogue]. Sold, Frederick Muller, Amsterdam, June 26, 1946, lot 862A. Sold by P. & D. Colnaghi and Company, London, to the Art Institute, 1978.
Sun
06
Feb
note
sold, Christie's, London, June 12-14, 1860....
sold, Christie's, London, June 12-14, 1860. Charles Sackville Bale (1791-1880), London, [stamp (Lugt 640), verso, lower center on mount, in black]
Wed
06
Feb
note
Thomas Howard, 2nd Earl of Arundel (1585-1646), England [inscription on mount]
Thomas Howard, 2nd Earl of Arundel (1585-1646), England [inscription on mount]
© Artist-Unknown. All rights reserved.