Caricature of Léon Manchon

Art Institute of Chicago, "Monet and Chicago," Sept. 5, 2020-June 14, 2021.

“Cat. 2: Caricature of Léon Manchon,” in Monet Paintings and Drawings at the Art Institute of Chicago, ed. Gloria Groom and Jill Shaw (Art Institute of Chicago, 2014), https://publications.artic.edu/monet/reader/paintingsanddrawings/section/135470.

Constance C. McPhee with Nadine M. Orenstein, “‘Shoot Folly as It Flies’: Humor on Paper,” in Infinite Jest: Caricature and Satire from Leonardo to Levine, exh. cat. (Metropolitan Museum of Art, New York, 2011), pp. 10; 11, fig. 6; 42.

Ségolène Le Men, Monet (Citadelles & Mazenod, 2010), pp. 42; 44, fig. 32; 44.

Frédéric Martinez, Claude Monet, une vie au fil de l’eau (Tallandier, 2009), p. 23.4

Souren Melikian, “Beyond Impressions: The Monet You Didn’t Know,” New York Times, Apr. 13, 2007. http://www.nytimes.com/​2007/​04/13/​arts/​13iht-melik14​.1.5269879​.html?pagewanted=all.

Pascal Bonafoux, Monet (Perrin, 2007), p. 40.3

Williamstown, Mass., Sterling and Francine Clark Art Institute, "The Unknown Monet: Pastels and Drawings," June 24–Sept. 16, 2007, pp. 46; 48, fig. 36; 49; 53; 300; London, Royal Academy, Mar. 17–June 10, 2007.

John Rewald, The History of Impressionism (Museum of Modern Art, New York, 1946), p. 35 (ill.).

New York, Wildenstein and Company, "A Loan Exhibition of Paintings by Claude Monet for the Benefit of the Children of Giverny," Apr. 11–May 12, 1945, p. 58, cat. 82.

Hugh Edwards, “The Caricatures of Claude Monet,” Bulletin of the Art Institute of Chicago 37, 1 (Jan. 1943), p. 71.

Sold by Henri Cottereau, Paris, to Carter H. Harrison (1860–1953), Chicago, winter 1927–28 [according to Carter H. Harrison, “A brief statement of where and how I acquired the various items in the collection of drawings I have given to the Art Institute . . . ,” Oct. 18, 1934, curatorial object file]

given to the Art Institute of Chicago, 1933.

Catherine Morris, The Essential Claude Monet (Abrams, 1999), p. 14 (ill.).

Matthias Arnold, Claude Monet (Rowohlt, 1998), p. 11 (ill.).

Art Institute of Chicago, "Claude Monet: 1840–1926," July 22–Nov. 26, 1995, pp. 23, cat. 1a (color ill.); 186.

Andrew Forge, Monet (Art Institute of Chicago, 1995), pp. 8; 10, fig. 3.

Virginia Spate, Claude Monet: Life and Work (Rizzoli, 1992), p. 15, fig. 5.

Daniel Wildenstein, Claude Monet: Catalogue raisonné, vol. 5, Supplément aux peintures: Dessins; Pastels; Index (Wildenstein Institute, 1991), p. 152, cat. D481 (ill.).

William C. Seitz, Monet: 25 Masterworks (Abrams, 1982), p. 11 (ill.).

M. Shuji Takashina, Monet (Seibu Museum of Art, 1981), n.pag. (ill.).

Harold Joachim and Sandra Haller Olsen, French Drawings and Sketchbooks of the Nineteenth Century, vol. 2 (University of Chicago Press, 1979), p. 70, no. 4B1.

Rodolphe Walter, “Claude Monet as a Caricaturist: A Clandestine Apprenticeship,” trans. Eric Young, Apollo 103 (June 1976), pp. 489, 492.

Daniel Wildenstein, Claude Monet: Biographie et catalogue raisonné, vol. 1, Peintures, 1840–1881(Bibliothèque des Arts, 1974), pp. 6, 15 (ill.), 40.

John Rewald, History of Impressionism (Museum of Modern Art, New York, 1973), p. 39 (ill.).

Daniel Wildenstein, Claude Monet (Fratelli Fabbri, 1971), pp. 84; 93 (ill.), no. 51.

Hideji Takashima, Manet, Monet, Seurat (Holp Shuppan 1970), chap. 4 (ill.).

Charles Merrill Mount, Monet, A Biography (Simon & Schuster, 1966), p. 396.

Raymond Cogniat, Monet and His World (Viking, 1966), pp. 10 (ill.), 131.

Yvon Taillandier, Monet (Flammarion, 1963), p. 47 (ill.).