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oil paint (paint)144 × 141 Cm
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About the artwork
Artist supplied description.
Jean-Baptiste Oudry received numerous commissions from Louis XV of France, who admired his skill as a painter of animals and still lifes. The artist frequently combined his two specialties, as in this work, in which a monkey, an animal celebrated in this period for its mischievous and lustful character, snatches a few grapes. The French Rococo taste for the sensual is manifest in the lush, overripe quality of the fruits and flowers, reminiscent of 17th-century Flemish works that Oudry is known to have studied. Paintings such as this typically adorned dining rooms as part of an overall decorative scheme.
Artwork metadata
Structured fields synced from connected systems.
| Medium | oil paint (paint) |
| Dimensions | 144 × 141 Cm |
| Tags | still lifeanimalsvasetulipstreesskypink (color)naturemonkeysleavesleafgreen (color)grapesfruitfoliageflowerscloudsbowl |
| Certificate | Certificate not provided |
Timeline
Chain of custody, exhibitions, and verification milestones synced from the provenance service.
Fri
23
Jan
note
Louis Aubert, Lyon (died c....
Louis Aubert, Lyon (died c. 1886)
Fri
23
Jan
note
his sale, Hôtel des Ventes, Lyons, April 12–13, 1886, lot 43, as Singe dérobant des fruits....
his sale, Hôtel des Ventes, Lyons, April 12–13, 1886, lot 43, as Singe dérobant des fruits. Paris art market, c. 1970 [according to Opperman 1977 and telephone conversation of Opperman with Martha Wolff, July 12, 2005]. Heim Gallery, London by 1977
Tue
23
Jan
note
Susan Wise and Malcolm Warner, French and British Paintings from 1600 to 1800 in the Art Institute of Chicago: A Catalogue of the Collection
Susan Wise and Malcolm Warner, French and British Paintings from 1600 to 1800 in the Art Institute of Chicago: A Catalogue of the Collection (Chicago, 1996), pp. 109–112, 111 (ill.).
Thu
23
Jan
note
James Yood, Feasting: A Celebration of Food in Art: Paintings from the Art Institute of Chicago
James Yood, Feasting: A Celebration of Food in Art: Paintings from the Art Institute of Chicago (New York: Universe, 1992), n. p., no. 9 (ill.).
Sun
23
Jan
note
“Une Ténébreuse Affaire,” Apollo 117
“Une Ténébreuse Affaire,” Apollo 117 (January 1983), p. 2, fig. 1.
Sat
23
Jan
exhibition
Paris, Galeries Nationales du Grand Palais, J.–B. Oudry, 1686–1755, 1982–83, cat. 32 (cat. 17 in English catalogue); traveled to Kimbell Art Museum, Forth Worth, Texas, and Kansas City, Missouri.
Paris, Galeries Nationales du Grand Palais, J.–B. Oudry, 1686–1755, 1982–83, cat. 32 (cat. 17 in English catalogue); traveled to Kimbell Art Museum, Forth Worth, Texas, and Kansas City, Missouri.
Sat
23
Jan
note
Amina Okada, “J. B. Oudry, 1686–1755: La Tentation de la nature morte,” Le Petit Journal des grandes expositions 122
Amina Okada, “J. B. Oudry, 1686–1755: La Tentation de la nature morte,” Le Petit Journal des grandes expositions 122 (1982), n. p.
Tue
23
Jan
note
“La Chronique des arts,” Gazette des Beaux–Arts 6th ser. 93
“La Chronique des arts,” Gazette des Beaux–Arts 6th ser. 93 (1979), suppl. to no. 1323, p. 77.
Mon
23
Jan
note
The Art Institute of Chicago, The Art Institute of Chicago: 100 Masterpieces
The Art Institute of Chicago, The Art Institute of Chicago: 100 Masterpieces (Chicago, 1978), pp. 25, 69 (color ill.).
Sun
23
Jan
note
sold to the Art Institute, 1977.
sold to the Art Institute, 1977.
Sun
23
Jan
note
Hal N. Opperman, Jean-Baptiste Oudry, vol. 1
Hal N. Opperman, Jean-Baptiste Oudry, vol. 1 (New York and London: Garland Publishing Inc., 1977), pp. 78-79, 528–29, no. P447, vol. 2, fig. 100.
Sun
23
Jan
note
The Art Institute of Chicago, Annual Report 1977–78
The Art Institute of Chicago, Annual Report 1977–78 (Chicago, 1978), pp. 5, 11, frontispiece (color ill.)
© Artist-Unknown. All rights reserved.
