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Snow at Louveciennes

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oil paint (paint)47 × 32 Cm

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About the artwork
Artist supplied description.

Camille Pissarro made this small oil on panel painting showing trees and houses blanketed by a heavy snow at Louveciennes, the village west of Paris where he lived. Using a limited palette of shades of white, brown, blue, tan, gray, and green to evoke the gray skies and freshly fallen snow of a cold winter day, Pissarro created a scene that has the freshness and spontaneity of a work painted outdoors. Only the footsteps of a solitary figure, walking below the screen of trees, break the silence of this intimate and poetic winter scene.

Artwork metadata
Structured fields synced from connected systems.
Mediumoil paint (paint)
Dimensions47 × 32 Cm
Tags
wintersnowtreesnaturefiguremanwallfencesbuildinghousehousesFrancewhite (color)gray (color)weather/seasonslandscapes
CertificateCertificate not provided
Timeline
Chain of custody, exhibitions, and verification milestones synced from the provenance service.
Wed
25
Feb
note

“Cat. 3: Snow at Louveciennes, c. 1870,” in Pissarro Paintings and Works on Paper at the Art Institute of Chicago, eds. Gloria Groom and Genevieve Westerby

“Cat. 3: Snow at Louveciennes, c. 1870,” in Pissarro Paintings and Works on Paper at the Art Institute of Chicago, eds. Gloria Groom and Genevieve Westerby (Art Institute of Chicago, 2015), https://publications.artic.edu/pissarro/reader/paintingsandpaper/section/8.
Wed
25
Feb
exhibition

Baltimore Museum of Art, Pissarro: Creating the Impressionist Landscape, Feb. 11–May 13, 2007, cat. 17 (ill.); Milwaukee Art Museum, June 10–Sept. 9, 2007; Memphis Brooks Museum of Art, Oct. 7, 2007–Jan. 6, 2008.

Baltimore Museum of Art, Pissarro: Creating the Impressionist Landscape, Feb. 11–May 13, 2007, cat. 17 (ill.); Milwaukee Art Museum, June 10–Sept. 9, 2007; Memphis Brooks Museum of Art, Oct. 7, 2007–Jan. 6, 2008.
Wed
25
Feb
note

Katherine Rothkopf, with an essay by Christopher Lloyd and contributions by Gülru Çakmak and Mary Sebera, Pissarro: Creating the Impressionist Landscape, exh. cat.

Katherine Rothkopf, with an essay by Christopher Lloyd and contributions by Gülru Çakmak and Mary Sebera, Pissarro: Creating the Impressionist Landscape, exh. cat. (Baltimore Museum of Art/Philip Wilson, 2006), pp. 108–09, cat. 17 (ill.).
Wed
25
Feb
note

Joachim Pissarro and Claire Durand-Ruel Snollaerts, with the collaboration of Alexia de Buffévent and Annie Champié, Pissarro: Catalogue critique des peintures/Critical Catalogue of Paintings, vol. 1, trans. Mark Hutchinson and Michael Tayl...

Joachim Pissarro and Claire Durand-Ruel Snollaerts, with the collaboration of Alexia de Buffévent and Annie Champié, Pissarro: Catalogue critique des peintures/Critical Catalogue of Paintings, vol. 1, trans. Mark Hutchinson and Michael Taylor (Skira/Wildenstein Institute, 2005), pp. 76, 421.
Wed
25
Feb
note

Joachim Pissarro and Claire Durand-Ruel Snollaerts, with the collaboration of Alexia de Buffévent and Annie Champié, Pissarro: Catalogue critique des peintures/Critical Catalogue of Paintings, vol. 2, trans. Mark Hutchinson and Michael Tayl...

Joachim Pissarro and Claire Durand-Ruel Snollaerts, with the collaboration of Alexia de Buffévent and Annie Champié, Pissarro: Catalogue critique des peintures/Critical Catalogue of Paintings, vol. 2, trans. Mark Hutchinson and Michael Taylor (Skira/Wildenstein Institute, 2005), pp. 130–31, cat. 143 (ill.).
Wed
25
Feb
note

Belinda Thomson, “Gli impressioniste e la neve,” in Gli impressionisti e la neve: La Francia e l’Europa, ed. Marco Goldin, exh. cat.

Belinda Thomson, “Gli impressioniste e la neve,” in Gli impressionisti e la neve: La Francia e l’Europa, ed. Marco Goldin, exh. cat. (Linea d’ombra, 2004), p. 268 (ill.).
Wed
25
Feb
note

Marie-José Pellé, “Vert Pissarro . . .”: Impressions de Normandie et d’ailleurs

Marie-José Pellé, “Vert Pissarro . . .”: Impressions de Normandie et d’ailleurs (Bertout, 2000), p. 49.
Thu
25
Feb
exhibition

Washington, D. C., Phillips Collection, Impressionists in Winter: Effets de Neige, Sept. 19, 1998–Jan. 3, 1999, cat. 35 (ill.); Fine Arts Museums of San Francisco at the Center for the Arts at Yerba Buena Gardens, Jan. 30–May 2...

Washington, D. C., Phillips Collection, Impressionists in Winter: Effets de Neige, Sept. 19, 1998–Jan. 3, 1999, cat. 35 (ill.); Fine Arts Museums of San Francisco at the Center for the Arts at Yerba Buena Gardens, Jan. 30–May 2, 1999; New York, Brooklyn Museum of Art, May 28–Aug. 29, 1999.
Wed
25
Feb
note

Charles S. Moffett, Eliza E. Rathbone, Katherine Rothkopf, and Joel Isaacson, Impressionists in Winter: Effets de Neige, exh. cat.

Charles S. Moffett, Eliza E. Rathbone, Katherine Rothkopf, and Joel Isaacson, Impressionists in Winter: Effets de Neige, exh. cat. (Phillips Collection/Philip Wilson, 1998), pp. 142–43, cat. 35 (ill.); 213.
Wed
25
Feb
note

Christopher Lloyd, Camille Pissarro

Christopher Lloyd, Camille Pissarro (Skira/Rizzoli, 1981), pp. 42 (ill.), 145.
Sun
25
Feb
note

sold to the Art Institute of Chicago, 1973.

sold to the Art Institute of Chicago, 1973.
Sun
25
Feb
note

Private collection, Paris [per Paul Rosenberg & Company, to the Art Institute of Chicago, Nov....

Private collection, Paris [per Paul Rosenberg & Company, to the Art Institute of Chicago, Nov. 21, 1973, curatorial object file]. Sarec, S.A., Switzerland, by December 1972 [per Elaine Rosenberg, meeting notes, May 2002, curatorial object file and Sylvie Brame, Brame & Lorenceau, to the Art Institute of Chicago, June 19, 2002, curatorial object file]
Sun
25
Feb
note

sold to Paul Rosenberg & Company, New York, Dec....

sold to Paul Rosenberg & Company, New York, Dec. 1972 [per Elaine Rosenberg, meeting notes, May 2002, curatorial object file and Paul Rosenberg & Company, to the Art Institute of Chicago, Nov. 21, 1973, curatorial object file]
© Artist-Unknown. All rights reserved.