The Meeting of Gautier, Count of Antwerp, and his Daughter, Violante

Philadelphia Museum of Art, Art In Rome in the Eighteenth Century, February 27-May 21, 2000; Houston, Museum of Fine Arts Houston, June 17-September 17, 2000.

Rome, Palazzo della Esposizioni, March 19–May 31, 1959, cat. 113.

Marcus Galerie, Paris, by 1959 [according to Rome 1959]. Private collection, France [according to fact sheet provided by Wildenstein]. Wildenstein and Co., New York by 1963

Giulio Cantalamessa, “Un quadro inavvetito di Giuseppe Cades nella Galleria Borghese,” Bolletino d’arte (1918), p. 82.

Beverly Louise Brown, Giambattista Tiepolo. Master of the Oil Sketch exh. cat. (Kimbell Art Museum, Fort Worth, 1993), pp. 60–61, fig. 33.

Maria Teresa Caracciolo, Giuseppe Cades 1750–1799 et la Rome de son Temps (Paris, 1990), pp. 294–95, no. 93 D, ill.

The Academy of Europe: Rome in the 18th Century, exh. cat. (Benton Museum of Art, Storrs, Connecticut, 1973), no. 123.

Storrs, Connecticut, Benton Museum of Art (University of Connecticut), Rome in the 18th Century, October 13–November 19, 1973, cat. 123.

Chicago, Art Institute, Painting in Italy in the Eighteenth Century, September 9–November 8, 1970; Minneapolis, Museum of Arts, December 3, 1970–January 10, 1971; Toledo, Museum of Art, February 7–March 21, 1971.

John Maxon, The Art Institute of Chicago (London, 1970), pp. 262, 268, ill.

Robert Rosenblum, “Neoclassicism Surveyed,” Burlington Magazine 107 (January 1965), p. 33.

Cleveland, Ohio, Cleveland Museum of Art, Neo-Classicism: Style and Motif, September 21–November 1, 1964.

sold to the Art Institute, 1963.

Art Institute of Chicago Quarterly 57 (1963–64), p. 2, ill.

Art Institute of Chicago, Annual Report 1963–64 (Chicago, 1964), p. 19.