Women of the Ouled Nayls

Walter Rowlands, “Art Sales in America,” Art News 40 (1888), p. 318.

his sale Hôtel Drouot, Paris, May 11–12, 1868, lot 36 as “Femmes des Ouled-Nayls (Sahara)” for 9,400 francs [price according to an annotated copy of the sale catalogue in the Rijksbureau voor Kunsthistorische Documentatie, The Hague]. Edward Matthews, New York [see Spencer sale cited below]

“The Henry Field Memorial Collection,” The Art Amateur 31, 6 (1894), p. 115.

given to the Art Institute, 1894.

Chicago, World’s Columbian Exposition: Department of Fine Arts, 1893, no. 3097.

American Art Annual 1898 1 (1899), p. 140, no. 28.

“Drift of the Dog Days,” The Collector 4, 16 (1893), p. 247.

sold to Albert Spencer, New York, by 1888

“The Art Institute of Chicago,” The Art Amateur 32, 1 (1894), p. 19.

Louis Gonse, Eugène Fromentin: peintre et écrivain (Paris: A. Quantin, 1881), pp. 29, 82.

Collection of the artist, 1867 [lent by him to Paris 1867]. Possibly Durand-Ruel, 1867 [see catalogue of Albert Spencer sale, cited below]. Marmontel

Roger Riordan, “The World’s Fair Loan Exhibition: Contemporary Painting,” The Art Amateur 30, 5 (1894), p. 130.

his widow Mrs. Florence Lathrop Field

Paris, Salon de 1867, 1867, no. 619.

Art Institute of Chicago, Catalogue of Objects in the Museum, pt. 1 (Chicago: Art Institute of Chicago, 1896), p. 73, no. 28.

James Thompson and Barbara Wright, Eugène Fromentin 1820–1876: Visions d’Algérie et d’Égypte (Courbevoie: ACR Éditions, 2008), pp. 254, 258–59, 261, 273 (ill.), 282, 288, 327–28.

Barbara Wright, Eugène Fromentin: A Life in Art and Letters (Bern and New York: Peter Lang, 2000), pp. 205, 254, 401, 423, 549.

Providence, Rhode Island School of Design, French Painting in Africa, April 1935, no cat.

Art Institute of Chicago, A Guide to the Paintings in the Permanent Collection (Chicago: Art Institute of Chicago, 1932), p. 153.

Art Institute of Chicago, A Guide to the Paintings in the Permanent Collection (Chicago: Art Institute of Chicago, 1925), p. 137, no. 128.

Art Institute of Chicago, Catalogue of Paintings, Drawings, Sculpture and Architecture (Chicago: Art Institute of Chicago, 1917), p. 118, no. 128.

Art Institute of Chicago, General Catalogue of Paintings, Sculpture and Other Objects in the Museum (Chicago: Art Institute of Chicago, 1914), p. 118, no. 128.

Art Institute of Chicago, General Catalogue of Paintings, Sculpture and Other Objects in the Museum (Chicago: Art Institute of Chicago, 1913), p. 114, no. 128.

Pierre Blanchon, Eugène Fromentin: Corresondance et Fragments inédits (Paris: Plon-Nourrit, 1912), p. 203 n. 2.

Art Institute of Chicago, General Catalogue of Sculpture, Paintings and Other Objects (Chicago: Art Institute of Chicago, 1910), p. 170, no. 128.

Art Institute of Chicago, General Catalogue of Sculpture, Paintings and Other Objects (Chicago: Art Institute of Chicago, 1907), p. 178, no. 128.

Art Institute of Chicago, General Catalogue of Objects in the Museum (Chicago: Art Institute of Chicago, 1904), p. 167, no. 128.

Frederick Clifton Pierce, Field Genealogy (Chicago: Hammond Press, 1901), p. 712.

Art Institute of Chicago, General Catalogue of Objects in the Museum (Chicago: Art Institute of Chicago, 1901), p. 161, no. 128.

Sotheby’s, New York, 19th Century European Paintings, Drawings and Sculpture, sale cat. (Sotheby’s, May 23, 1996), lot. 72.

James Thompson and Barbara Wright, La vie et l’œuvre d’Eugène Fromentin (Courbevoie: ACR Éditions, 1987), pp. 73, 84, 218, 224–25 (ill.), 240–41, 280.

Maureen C. O’Brien, In Support of Liberty: European Paintings at the 1883 Pedestal Fund Art Loan Exhibition, exh. cat. (Southampton, New York: Parrish Art Museum, 1986), pp. 51 n. 67, 152 n. 3.

James Thompson, “Eugène Fromentin: Painter and Writer” (Ph.D. diss., University of North Carolina, 1984), vol. 1, pp. 234–35, no. 160; vol. 2 p. 81, no. 160 (ill.).

Fouad Marcos, Fromentin et l’Afrique (Sherbrooke: Éditions Cosmos, 1973), pp. 141, 209.

Art Institute of Chicago, Paintings in The Art Institute of Chicago: A Catalogue of the Picture Collection (Chicago: Art Institute of Chicago, 1961), p. 166.

Art Institute of Chicago, Annual Report of the Trustees for the Year Ending June 4, 1895 (Chicago: Art Institute of Chicago, 1895), p. 37.

“Gives Her Pictures: Mrs. Henry Field Donates a Collection to the Art Institute,” Chicago Daily Tribune (June 4, 1893), p. 10.