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oil paint (paint)102 × 75 Cm
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About the artwork
Artist supplied description.
In this painting, Claude Monet depicted a moody sky over a beach in Sainte-Adresse, an affluent suburb of Le Havre in northern France. He was familiar with the landscape, having grown up in the area, but the region underwent dramatic change during his lifetime: in particular, the expansion of the country’s rail network turned many rural fishing villages into seaside resorts for tourists. Here, Monet hinted at this transformation, placing a group of local fishermen and their boats in the foreground while drawing the eye to the red details in the outfit of a fashionable woman sitting beside her companion, who idly watches the sailboats through a telescope.
Artwork metadata
Structured fields synced from connected systems.
| Medium | oil paint (paint) |
| Dimensions | 102 × 75 Cm |
| Tags | landscapesmenfigurescloudsskyfishermanweather/seasonsworkleisurewatertransportationseasboatssailingCentury of Progressworld's fairsChicago World's Fairs |
| Certificate | Certificate not provided |
Timeline
Chain of custody, exhibitions, and verification milestones synced from the provenance service.
Tue
20
Jan
note
Catalogue de la 2e exposition de peinture, exh. cat.
Catalogue de la 2e exposition de peinture, exh. cat. (Alcan-Lévy, 1876), p. 15, cat. 151.
Tue
20
Jan
exhibition
Possibly London, Durand-Ruel, Eighth Exhibition of the Society of French Artists, spring 1874, cat. 142, as Ste Adresse near Havre.
Possibly London, Durand-Ruel, Eighth Exhibition of the Society of French Artists, spring 1874, cat. 142, as Ste Adresse near Havre.
Tue
20
Jan
note
Possibly Durand-Ruel, London, Eighth Exhibition of the Society of French Artists, exh. cat.
Possibly Durand-Ruel, London, Eighth Exhibition of the Society of French Artists, exh. cat. (Durand-Ruel, 1874), p. 11, cat. 142.
Tue
20
Jan
note
Galerie Georges Petit, Paris, Collection H. V.: Catalogue de tableaux modernes de premier ordre, pastels, aquarelles, dessins, sale cat.
Galerie Georges Petit, Paris, Collection H. V.: Catalogue de tableaux modernes de premier ordre, pastels, aquarelles, dessins, sale cat. (Galerie Georges Petit, Feb. 1–2, 1897), p. 109, lot 79.
Tue
20
Jan
exhibition
Paris, 11, rue Le Peletier, 2e exposition de peinture [second Impressionist exhibition], Apr. 1876, cat. 151, as La Plage à Sainte-Adresse. Appartient à M. Faure.
Paris, 11, rue Le Peletier, 2e exposition de peinture [second Impressionist exhibition], Apr. 1876, cat. 151, as La Plage à Sainte-Adresse. Appartient à M. Faure.
Tue
20
Jan
note
Catalogue de la 2e exposition de peinture [second Impressionist exhibition], exh. cat.
Catalogue de la 2e exposition de peinture [second Impressionist exhibition], exh. cat. (Alcan-Lévy, 1876), cat. 151.
Tue
20
Jan
note
sold Henri Véver, Paris, sale, Galerie Georges Petit, Paris, Feb....
sold Henri Véver, Paris, sale, Galerie Georges Petit, Paris, Feb. 1–2, 1897, lot 79, to Boulley, as the agent for Georges Kohn, Paris, for 9,000 francs [per Galerie Georges Petit, Paris, sale cat. Feb. 1–2, 1897, the Durand-Ruel Archives also confirms that the painting was “acheté à G. Kohn (et non pas Kahn)”
Tue
20
Jan
exhibition
Paris, Galerie Georges Petit, Claude Monet—A. Rodin, June 21–Sept. 21, 1889, cat. 5, as Sainte-Adresse. 1867.
Paris, Galerie Georges Petit, Claude Monet—A. Rodin, June 21–Sept. 21, 1889, cat. 5, as Sainte-Adresse. 1867.
Tue
20
Jan
exhibition
Cologne, Wallraf-Richartz-Museum & Foundation Corbound, A Revolution in Art: Paris 1863-1875, From Salon to Impressionism, Mar. 15–July 28, 2024.
Cologne, Wallraf-Richartz-Museum & Foundation Corbound, A Revolution in Art: Paris 1863-1875, From Salon to Impressionism, Mar. 15–July 28, 2024.
Tue
20
Jan
exhibition
Art Institute of Chicago, Monet and Chicago, September 5, 2020-June 14, 2021, cat. 14.
Art Institute of Chicago, Monet and Chicago, September 5, 2020-June 14, 2021, cat. 14.
Tue
20
Jan
note
Gloria Groom, et. al. Monet and Chicago, exh. Cat.
Gloria Groom, et. al. Monet and Chicago, exh. Cat. (Chicago: Art Institute, 2020), 24, 26, 47 cat. 14, 130.
Tue
20
Jan
exhibition
Museo Nacional Thyssen-Bornemisza, Monet/ Boudin, exh. cat. (Fundación Colección Thyssen-Bornemisza, 2018), pp. 65, 130-131, 269, cat. 26 (ill).
Museo Nacional Thyssen-Bornemisza, Monet/ Boudin, exh. cat. (Fundación Colección Thyssen-Bornemisza, 2018), pp. 65, 130-131, 269, cat. 26 (ill).
Tue
20
Jan
note
Museo Nacional Thyssen-Bornemisza, Monet/ Boudin, exh. cat.
Museo Nacional Thyssen-Bornemisza, Monet/ Boudin, exh. cat. (Fundación Colección Thyssen-Bornemisza, 2018), pp. 65, 130-131, 269, cat. 26 (ill).
Tue
20
Jan
note
“Cat. 13: The Beach at Sainte-Adresse, 1867,” in Monet Paintings and Drawings at the Art Institute of Chicago, ed. Gloria Groom and Jill Shaw
“Cat. 13: The Beach at Sainte-Adresse, 1867,” in Monet Paintings and Drawings at the Art Institute of Chicago, ed. Gloria Groom and Jill Shaw (Art Institute of Chicago, 2014), https://publications.artic.edu/monet/reader/paintingsanddrawings/section/135470.
Tue
20
Jan
note
Simon Kelly, “Regatta at Sainte-Adresse,” in Simon Kelly and April M. Watson with Maura Coughlin and Neil McWilliam, Impressionist France: Visions of Nation from Le Gray to Monet, exh. cat.
Simon Kelly, “Regatta at Sainte-Adresse,” in Simon Kelly and April M. Watson with Maura Coughlin and Neil McWilliam, Impressionist France: Visions of Nation from Le Gray to Monet, exh. cat. (Saint Louis Art Museum/Nelson-Atkins Museum of Art, 2013), pp. 276; 277, fig. 78.
Tue
20
Jan
note
April M. Watson, “Brig upon the Water,” in Simon Kelly and April M. Watson with Maura Coughlin and Neil McWilliam, Impressionist France: Visions of Nation from Le Gray to Monet, exh. cat.
April M. Watson, “Brig upon the Water,” in Simon Kelly and April M. Watson with Maura Coughlin and Neil McWilliam, Impressionist France: Visions of Nation from Le Gray to Monet, exh. cat. (Saint Louis Art Museum/Nelson-Atkins Museum of Art, 2013), p. 270.
Tue
20
Jan
exhibition
Paris, Galeries Nationales du Grand Palais, Claude Monet, 1840–1926, Sept. 22, 2010–Jan. 24, 2011, cat. 16 (ill.).
Paris, Galeries Nationales du Grand Palais, Claude Monet, 1840–1926, Sept. 22, 2010–Jan. 24, 2011, cat. 16 (ill.).
Tue
20
Jan
note
the Durand-Ruel Archives are unable to confirm Faure's purchase, see Paul-Louis Durand-Ruel and Flavie Durand-Ruel, Durand-Ruel Archives, to the Art Institute of Chicago, Oct....
the Durand-Ruel Archives are unable to confirm Faure's purchase, see Paul-Louis Durand-Ruel and Flavie Durand-Ruel, Durand-Ruel Archives, to the Art Institute of Chicago, Oct. 5, 2010, curatorial object file]
Tue
20
Jan
note
Pascal Bonafoux, Monet, peintre de l’eau
Pascal Bonafoux, Monet, peintre de l’eau (Chêne/Hachette, 2010), pp. 38 (ill.), 172.
Tue
20
Jan
note
John House, “Social Reality versus the Thrall of Convention: The French Nineteenth Century Landscape,” in From Corot to Monet: The Ecology of Impressionism, ed. Stephen F. Eisenman, exh. cat.
John House, “Social Reality versus the Thrall of Convention: The French Nineteenth Century Landscape,” in From Corot to Monet: The Ecology of Impressionism, ed. Stephen F. Eisenman, exh. cat. (Skira/Rizzoli, 2010), p. 37.
Tue
20
Jan
note
see Paul-Louis Ruel and Flavie Durand-Ruel, Durand-Ruel Archives, to the Art Institute of Chicago, Oct....
see Paul-Louis Ruel and Flavie Durand-Ruel, Durand-Ruel Archives, to the Art Institute of Chicago, Oct. 5, 2010, curatorial object file]
Tue
20
Jan
note
Mary Mathews Gedo, Monet and His Muse: Camille Monet in the Artist’s Life
Mary Mathews Gedo, Monet and His Muse: Camille Monet in the Artist’s Life (University of Chicago Press, 2010), pp. 70, fig. 4.4; 82.
Tue
20
Jan
note
Michael F. Zimmerman, “Radical Alienation—Radical Involvement: A Brief History of Subjectivity and Landscape up to Impressionism,” in From Corot to Monet: The Ecology of Impressionism, ed. Stephen F. Eisenman, exh. cat.
Michael F. Zimmerman, “Radical Alienation—Radical Involvement: A Brief History of Subjectivity and Landscape up to Impressionism,” in From Corot to Monet: The Ecology of Impressionism, ed. Stephen F. Eisenman, exh. cat. (Skira/Rizzoli, 2010), pp. 114; 115, fig. 7.
Tue
20
Jan
note
Gloria Groom and Douglas Druick, with the assistance of Dorota Chudzicka and Jill Shaw, The Age of French Impressionism: Masterpieces from the Art Institute of Chicago, rev. and expanded ed.
Gloria Groom and Douglas Druick, with the assistance of Dorota Chudzicka and Jill Shaw, The Age of French Impressionism: Masterpieces from the Art Institute of Chicago, rev. and expanded ed. (Art Institute of Chicago/Yale University Press, 2010; repr. 2012), p. 52, cat. 16 (ill.).
Tue
20
Jan
note
Art Institute of Chicago, The Essential Guide
Art Institute of Chicago, The Essential Guide (Art Institute of Chicago, 2009), p. 213 (ill.).
Tue
20
Jan
note
Art Institute of Chicago, Master Paintings in the Art Institute of Chicago, selected by James Cuno
Art Institute of Chicago, Master Paintings in the Art Institute of Chicago, selected by James Cuno (Art Institute of Chicago/Yale University Press, 2009), p. 50 (ill.).
Tue
20
Jan
note
Susie Hodge, Monet: His Life and Works in 500 Images
Susie Hodge, Monet: His Life and Works in 500 Images (Lorenz, 2009), p. 109.
Tue
20
Jan
note
John House, “Representing the Beach: The View from Paris,” in John House and David M. Hopkin, Impressionists by the Sea, exh. cat.
John House, “Representing the Beach: The View from Paris,” in John House and David M. Hopkin, Impressionists by the Sea, exh. cat. (Royal Academy of Arts/Thames & Hudson/Abrams, 2007), p. 23.
Tue
20
Jan
note
John House and David M. Hopkin, Impressionists by the Sea, exh. cat.
John House and David M. Hopkin, Impressionists by the Sea, exh. cat. (Royal Academy of Arts, London/Thames & Hudson/Abrams, 2007), pp. 2–4 (detail); 75; 76, cat. 32 (ill.); 125; 128; 130, cat. 32 (ill.); 131; 132.
Tue
20
Jan
exhibition
London, Royal Academy of Arts, Impressionists by the Sea, July 7–Sept. 30, 2007, cat. 32 (ill.); Washington, D.C., Phillips Collection, Oct. 20, 2007–Jan. 13, 2008; Hartford, Conn., Wadsworth Atheneum Museum of Art, Feb. 9–May 11, 2008.
London, Royal Academy of Arts, Impressionists by the Sea, July 7–Sept. 30, 2007, cat. 32 (ill.); Washington, D.C., Phillips Collection, Oct. 20, 2007–Jan. 13, 2008; Hartford, Conn., Wadsworth Atheneum Museum of Art, Feb. 9–May 11, 2008.
Tue
20
Jan
note
Heather Lemonedes, Lynn Federle Orr, and David Steel, Monet in Normandy, exh. cat.
Heather Lemonedes, Lynn Federle Orr, and David Steel, Monet in Normandy, exh. cat. (Fine Arts Museums of San Francisco/North Carolina Museum of Art/Cleveland Museum of Art, 2006), pp. 58; 61, cat. 5 (ill.); 108; 183; 189.
Tue
20
Jan
exhibition
Fine Arts Museums of San Francisco, Monet in Normandy, June 17–Sept. 17, 2006, cat. 5 (ill.); Raleigh, North Carolina Museum of Art, Oct. 15, 2006–Jan. 14, 2007; Cleveland Museum of Art, Feb. 18–May 20, 2007 (Cleveland only).
Fine Arts Museums of San Francisco, Monet in Normandy, June 17–Sept. 17, 2006, cat. 5 (ill.); Raleigh, North Carolina Museum of Art, Oct. 15, 2006–Jan. 14, 2007; Cleveland Museum of Art, Feb. 18–May 20, 2007 (Cleveland only).
Tue
20
Jan
note
Norio Shimada, Claude Monet, Great Masters of Western Art 1
Norio Shimada, Claude Monet, Great Masters of Western Art 1 (Shogakukan, 2006), p. 33 (ill.).
Tue
20
Jan
note
Richard R. Brettell and Stephen F. Eisenman, Nineteenth-Century Art in the Norton Simon Museum, vol. 1
Richard R. Brettell and Stephen F. Eisenman, Nineteenth-Century Art in the Norton Simon Museum, vol. 1 (Norton Simon Art Foundation/Yale University Press, 2006), p. 137, fig. 33a.
Tue
20
Jan
note
Roberto Tassi, “Monet’s Studio,” in Monet, ed. Vanessa Gavioli, Art Classics
Roberto Tassi, “Monet’s Studio,” in Monet, ed. Vanessa Gavioli, Art Classics (Rizzoli, 2005), pp. 10–11 (detail).
Tue
20
Jan
note
Vanessa Gavioli, ed., Monet, Art Classics
Vanessa Gavioli, ed., Monet, Art Classics (Rizzoli, 2005), pp. 72–73 (ill.), 180 (ill.).
Tue
20
Jan
note
Norio Shimada, Inshoha bijutsukan [The history of Impressionism]
Norio Shimada, Inshoha bijutsukan [The history of Impressionism] (Shogakukan, 2004), p. 76 (ill.).
Tue
20
Jan
note
John Leighton, Edouard Manet: Impressions of the Sea
John Leighton, Edouard Manet: Impressions of the Sea (Van Gogh Museum, 2004), pp. 47; 50, fig. 44.
Tue
20
Jan
note
John Leighton, “Claude Monet,” in Juliet Wilson-Bareau and David Degener, Manet and the Sea, exh. cat.
John Leighton, “Claude Monet,” in Juliet Wilson-Bareau and David Degener, Manet and the Sea, exh. cat. (Philadelphia Museum of Art, 2003), pp. 203–04.
Tue
20
Jan
exhibition
Art Institute of Chicago, Manet and the Sea, Oct. 20, 2003–Jan. 19, 2004, cat. 97 (ill.); Philadelphia Museum of Art, Feb. 15–May 30, 2004; Amsterdam, Van Gogh Museum, June 18–Sept. 26, 2004.
Art Institute of Chicago, Manet and the Sea, Oct. 20, 2003–Jan. 19, 2004, cat. 97 (ill.); Philadelphia Museum of Art, Feb. 15–May 30, 2004; Amsterdam, Van Gogh Museum, June 18–Sept. 26, 2004.
Tue
20
Jan
note
Juliet Wilson-Bareau and David Degener, Manet and the Sea, exh. cat.
Juliet Wilson-Bareau and David Degener, Manet and the Sea, exh. cat. (Philadelphia Museum of Art, 2003), pp. 215, pl. 97; 258.
Tue
20
Jan
note
John House, “The Viewer on the Beach,” in Soil and Stone: Impressionism, Urbanism, Environment, ed. Frances Fowle and Richard Thomson
John House, “The Viewer on the Beach,” in Soil and Stone: Impressionism, Urbanism, Environment, ed. Frances Fowle and Richard Thomson (Ashgate, 2003), pp. 8; 9, fig. 1.2.
Tue
20
Jan
note
Sylvie Patin, L’impressionnisme
Sylvie Patin, L’impressionnisme (Bibliothèque des Arts, 2002), p. 27.
Tue
20
Jan
note
Richard R. Brettell, From Monet to Van Gogh: A History of Impressionism, vol. 1
Richard R. Brettell, From Monet to Van Gogh: A History of Impressionism, vol. 1 (Teaching Co., 2002), pp. 61, 63, 71.
Tue
20
Jan
note
María Escribano, Juan Pérez de Ayala, and Óscar Alonso Molina, La marina
María Escribano, Juan Pérez de Ayala, and Óscar Alonso Molina, La marina (Carroggio, 2002), pp. 75, 76 (ill.).
Tue
20
Jan
note
Karl F. Nordstrom and Nancy L. Jackson, “Using Paintings for Problem-Solving and Teaching Physical Geography: Examples from a Course in Coastal Management,” Journal of Geography 100, 5
Karl F. Nordstrom and Nancy L. Jackson, “Using Paintings for Problem-Solving and Teaching Physical Geography: Examples from a Course in Coastal Management,” Journal of Geography 100, 5 (Sept.–Oct. 2001), pp. 143; 144, fig. 3; 145; 146.
Tue
20
Jan
note
Maria Teresa Benedetti, Monet: I luoghi
Maria Teresa Benedetti, Monet: I luoghi (Giunti, 2001), p. 6 (ill.).
Tue
20
Jan
note
Belinda Thomson, Impressionism: Origins, Practice, Reception
Belinda Thomson, Impressionism: Origins, Practice, Reception (Thames & Hudson, 2000), pp. 99, ill. 92; 266.
Tue
20
Jan
note
Art Institute of Chicago, Impressionism and Post-Impressionism in the Art Institute of Chicago, selected by James N. Wood
Art Institute of Chicago, Impressionism and Post-Impressionism in the Art Institute of Chicago, selected by James N. Wood (Art Institute of Chicago/Hudson Hills, 2000), p. 32 (ill.).
Wed
20
Jan
note
Art Institute of Chicago, Master Paintings in the Art Institute of Chicago, selected by James N. Wood
Art Institute of Chicago, Master Paintings in the Art Institute of Chicago, selected by James N. Wood (Art Institute of Chicago/Hudson Hills, 1999), p. 50 (ill.).
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