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oil paint (paint)130 × 98 Cm
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About the artwork
Artist supplied description.
The deteriorating Castle of Egmond was a visible reminder of the Dutch struggle for independence: it was sacrificially destroyed during the revolt against Spain more than 80 years before Jacob van Ruisdael produced this painting. Landscape specialists like Van Ruisdael invoked Dutch patriotism by selecting sites representative of the republic, including ruins, windmills, and city views. Ruisdael distinguished himself by working on an unusually large scale and by imbuing his scenes with drama through low horizon lines and swollen clouds.
Artwork metadata
Structured fields synced from connected systems.
| Medium | oil paint (paint) |
| Dimensions | 130 × 98 Cm |
| Tags | landscapesfoliagewatertowerscloudsriverstreescountrysideruins |
| Certificate | Certificate not provided |
Timeline
Chain of custody, exhibitions, and verification milestones synced from the provenance service.
Thu
05
Feb
note
Theodor Frimmel, Kleine Galeriestudien
Theodor Frimmel, Kleine Galeriestudien (Bamberg, 1891/92), p. 261.
Thu
05
Feb
note
Peter C. Sutton, A Guide to Dutch Art in America
Peter C. Sutton, A Guide to Dutch Art in America (Grand Rapids, Michigan1986) pp. 49, 51, fig. 68.
Thu
05
Feb
note
Possibly Collection of Jean-André Tardieu
Possibly Collection of Jean-André Tardieu
Thu
05
Feb
exhibition
London, Philadelphia and Los Angeles County Museum of Art, Jacob van Ruidael, Master of Landscape, June 26–September 18, 2005; traveled to Philadelphia, Museum of Art, October 23, 2005–February 5, 2006; London, Royal Academy or Arts...
London, Philadelphia and Los Angeles County Museum of Art, Jacob van Ruidael, Master of Landscape, June 26–September 18, 2005; traveled to Philadelphia, Museum of Art, October 23, 2005–February 5, 2006; London, Royal Academy or Arts, February 25–June 4, 2006, no. 18.
Thu
05
Feb
note
Seymour Slive, Jacob van Ruisdael: A Complete Catalogue of His Paintings, Drawings, and Etchings
Seymour Slive, Jacob van Ruisdael: A Complete Catalogue of His Paintings, Drawings, and Etchings (New Haven, 2001) pp. 44-5, no. 29.
Thu
05
Feb
note
sold to the Art Institute, 1947.
sold to the Art Institute, 1947.
Thu
05
Feb
note
J. G. N. Reynaud, “De iconographie van het slot te Egmond,” Maandblad voor beeldende Kunst 17
J. G. N. Reynaud, “De iconographie van het slot te Egmond,” Maandblad voor beeldende Kunst 17 (1940), pp. 339–41.
Thu
05
Feb
note
Axel L. Romdahl, “Barock, Kontrabarock och Akademism,” Tidskrift for Konstvetenskay 20
Axel L. Romdahl, “Barock, Kontrabarock och Akademism,” Tidskrift for Konstvetenskay 20 (1937) pp. 39-40, 44 (ill.).
Thu
05
Feb
note
Bulletin of the Bachstitz Gallery 1935]....
Bulletin of the Bachstitz Gallery 1935]. Paul Cassirer, Ltd., London, 1947, as agent for an anonymous family, with Otto Reichenheim, Canfield Gardens, London, as intermediary
Thu
05
Feb
note
returned to the Bachstitz Gallery, The Hague, Mar....
returned to the Bachstitz Gallery, The Hague, Mar. 1933 until at least 1935 [inventory nos. G95 and Ru1356 in the Bachstitz Gallery archive at the Rijksbureau voor Kunsthistorische Documentatie, The Hague
Thu
05
Feb
note
consigned to Agnews, London, Oct....
consigned to Agnews, London, Oct. 1932 [not part of the Von Auspitz collection, but included in the 1932 catalogue, no. 27]
Thu
05
Feb
exhibition
London, Thomas Agnew and Sons, An Exhibition of the Von Auspitz Collection of Old Masters by courtesy of Herr Walter Bachstitz, (November-December 1932) p. 16, no. 27.
London, Thomas Agnew and Sons, An Exhibition of the Von Auspitz Collection of Old Masters by courtesy of Herr Walter Bachstitz, (November-December 1932) p. 16, no. 27.
Thu
05
Feb
note
sold to Oscar Huldschinsky (died 1931), Berlin, by Jan....
sold to Oscar Huldschinsky (died 1931), Berlin, by Jan. 1906 [Berlin 1906]
Thu
05
Feb
note
Bulletin of the Bachstitz Gallery
Bulletin of the Bachstitz Gallery (The Hague, 1929) pp. 36-7.
Thu
05
Feb
note
P. Wescher, “Berlin,” Pantheon 1
P. Wescher, “Berlin,” Pantheon 1 (1928), p. 327.
Thu
05
Feb
note
Paul Cassirer and Hugo Helbing, Die Sammlung Oscar Huldschinsky
Paul Cassirer and Hugo Helbing, Die Sammlung Oscar Huldschinsky (Berlin, 1928) p. 52, no. 29, pl. 25.
Thu
05
Feb
note
“Berlin. Collection Oscar Huldschinsky” La Revue d’Art 29
“Berlin. Collection Oscar Huldschinsky” La Revue d’Art 29 (July–December 1928), p. 95.
Thu
05
Feb
exhibition
Rotterdam, J. Goudstikker, Collection Goudstikker 36, 22 December 1928 - 6 January 1929; Amsterdam, 12 January - 28 February 1929, no. 67.
Rotterdam, J. Goudstikker, Collection Goudstikker 36, 22 December 1928 - 6 January 1929; Amsterdam, 12 January - 28 February 1929, no. 67.
Thu
05
Feb
note
“Die Sammlung Huldschinsky,” Pantheon 1
“Die Sammlung Huldschinsky,” Pantheon 1 (1928) pp. 128, 130 (ill).
Thu
05
Feb
note
offered for sale, Paul Cassirer, Berlin, May 10-11, 1928, lot 29, bought in at 61,000 marks [according to Rosenberg 1928 and La Revue d'Art 1928]....
offered for sale, Paul Cassirer, Berlin, May 10-11, 1928, lot 29, bought in at 61,000 marks [according to Rosenberg 1928 and La Revue d'Art 1928]. Galerie Goudstikker, Rotterdam and Amsterdam, by Dec. 1928 to at least Feb. 1929 [Rotterdam and Amsterdam 1928]. Bachstitz Gallery, The Hague, by 1932 [this and the following according to email correspondence with Agnews, July 2004, in curatorial object file]
Thu
05
Feb
note
Jakob Rosenberg, Jacob van Ruisdael
Jakob Rosenberg, Jacob van Ruisdael (Berlin, 1928) pp. 20-1, 74, no. 34, pl. 18, fig. 31.
Thu
05
Feb
note
sold to Charles Sedelmeyer (1837-1925), Paris, for 10,000 francs [annotated sale cat....
sold to Charles Sedelmeyer (1837-1925), Paris, for 10,000 francs [annotated sale cat., Rijksbureau voor Kunsthistorische Documentatie, The Hague
Thu
05
Feb
note
C. Hofstede de Groot, A Catalogue Raisonné of the Works of the Most Eminent Dutch Painters of the Seventeenth Century, vol. IV
C. Hofstede de Groot, A Catalogue Raisonné of the Works of the Most Eminent Dutch Painters of the Seventeenth Century, vol. IV (London, 1912) pp. 22-3, no. 51.
Thu
05
Feb
note
Wilhelm Bode. Die Sammlung Oscar Huldschinsky
Wilhelm Bode. Die Sammlung Oscar Huldschinsky (Berlin, 1908) no. 26.
Thu
05
Feb
note
Ruisdael: Masters in Art, vol. 8
Ruisdael: Masters in Art, vol. 8 (Boston, 1907): 83, listed only.
Thu
05
Feb
exhibition
Berlin, Kaiser-Friedrich-Museums-Verein, Palais Redern, Ausstellung von Werken alter Kunst aus dem Privatbesitz der Mitglieder des Kaiser-Friedrich-Museums-Verein, 1906, no. 117, ill.
Berlin, Kaiser-Friedrich-Museums-Verein, Palais Redern, Ausstellung von Werken alter Kunst aus dem Privatbesitz der Mitglieder des Kaiser-Friedrich-Museums-Verein, 1906, no. 117, ill.
Thu
05
Feb
note
copy in curatorial object file]....
copy in curatorial object file]. György Ráth (1828-1905), Budapest, by 1892 until before 1905 [this and the following according to Frimmel 1892]. P & D. Colnaghi, London, by 1906
Tue
05
Feb
note
Seymour Silve, "Additions to Jacob van Ruisdael," Burlington Magazine 133
Seymour Silve, "Additions to Jacob van Ruisdael," Burlington Magazine 133 (1991), p. 598, n. 2.
Mon
05
Feb
note
Walter Liedtke, “The Collectors and Their Ideals,” in Ben Broos, Great Dutch Paintings from America, exh. cat.
Walter Liedtke, “The Collectors and Their Ideals,” in Ben Broos, Great Dutch Paintings from America, exh. cat. (The Hague, Mauritshuis, 1990), p. 35.
Sun
05
Feb
note
George Keyes, review of Cambridge, Massachusetts, Fogg Art Museum, Landscape in Perspective: Drawings by Rembrandt and his Contemporaries, in Master Drawings 27
George Keyes, review of Cambridge, Massachusetts, Fogg Art Museum, Landscape in Perspective: Drawings by Rembrandt and his Contemporaries, in Master Drawings 27 (1989), pp. 168–9.
Fri
05
Feb
note
Peter Ashton, Alice I. Davies and Seymour Slive, “Jacob van Ruisdael’s Trees,” Arnoldia 42, no. 1
Peter Ashton, Alice I. Davies and Seymour Slive, “Jacob van Ruisdael’s Trees,” Arnoldia 42, no. 1 (1982), p. 19, pl. 19.
Fri
05
Feb
note
Robert Hughes, “Opening a Path to Natural Vision. A unique retrospective of Ruisdael at the Fogg,” Time
Robert Hughes, “Opening a Path to Natural Vision. A unique retrospective of Ruisdael at the Fogg,” Time (March 29, 1982) p. 60, ill.
Fri
05
Feb
note
J. Ashbery, “Master of Land and Sky,” Newsweek
J. Ashbery, “Master of Land and Sky,” Newsweek (February 15, 1982), p. 7.
Fri
05
Feb
note
Carter Ratcliff, “Ruisdael’s Northern Prospects,” Art in America 70, no. 4
Carter Ratcliff, “Ruisdael’s Northern Prospects,” Art in America 70, no. 4 (April 1982) p. 96 (ill.).
Thu
05
Feb
exhibition
The Hague, Mauritshuis, Jacob van Ruisdael, 1 October 1981 - 3 January 1982; Cambridge, Mass., Fogg Art Museum, Harvard University, 18 January 1982 - 11 April 1982, no. 19, p. 64-66.
The Hague, Mauritshuis, Jacob van Ruisdael, 1 October 1981 - 3 January 1982; Cambridge, Mass., Fogg Art Museum, Harvard University, 18 January 1982 - 11 April 1982, no. 19, p. 64-66.
Mon
05
Feb
note
John D. Morse, Old Master Paintings in North America
John D. Morse, Old Master Paintings in North America (New York, 1979), p. 250.
Sun
05
Feb
note
The Art Institute of Chicago. 100 Masterpieces. Chicago, 1978, no. 23
The Art Institute of Chicago. 100 Masterpieces. Chicago, 1978, no. 23 (1983 reprint, pl. 23).
Mon
05
Feb
note
Yuri Kouznetsov, “Sur le symbolisme dans les paysages du Jacob van Ruisdael,” Bulletin du Musée National de Varsovie 14
Yuri Kouznetsov, “Sur le symbolisme dans les paysages du Jacob van Ruisdael,” Bulletin du Musée National de Varsovie 14 (1973), p. 35.
Thu
05
Feb
note
John Maxon, The Art Institute of Chicago
John Maxon, The Art Institute of Chicago (London and New York, 1970) pp. 260, 285 (ill.).
Sun
05
Feb
note
Art Institute of Chicago, Paintings in the Art Institute of Chicago. A Catalogue of the Picture Collection
Art Institute of Chicago, Paintings in the Art Institute of Chicago. A Catalogue of the Picture Collection (Chicago, 1961) pp. 408-9, ill. p. 193.
Sat
05
Feb
note
sale of his estate, Paris, Hôtel Drouot, May 9, 1881, lot 451 as Ruins of the Castle of Brederode
sale of his estate, Paris, Hôtel Drouot, May 9, 1881, lot 451 as Ruins of the Castle of Brederode
Thu
05
Feb
note
sold, Paris, Hôtel Drouot, May 10-11, 1867, lot 51 as Les Ruines du Château de Brederode for 3,650 francs....
sold, Paris, Hôtel Drouot, May 10-11, 1867, lot 51 as Les Ruines du Château de Brederode for 3,650 francs. Baron Etienne Martin de Beurnonville (1789-1876), château de la Chapelle, Labbeville, Val d'Oise, France
© Artist-Unknown. All rights reserved.