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paper (fiber product)18 × 12 Cm
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About the artwork
Artist supplied description.
This work is now recognized as a clear example of Arent de Gelder’s individual style. A pupil of Rembrandt’s in the last stage of his career, De Gelder’s drawings can be characterized by their straight, loose lines; the placement of darker accents; and a focus on contours of the figures to the exclusion of defining the volume within the forms.
Artwork metadata
Structured fields synced from connected systems.
| Medium | paper (fiber product) |
| Dimensions | 18 × 12 Cm |
| Certificate | Certificate not provided |
Timeline
Chain of custody, exhibitions, and verification milestones synced from the provenance service.
Mon
09
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by descent to his daughters, Mrs....
by descent to his daughters, Mrs. Chauncey McCormick (née Marion Deering
Mon
09
Feb
exhibition
The Art Institute of Chicago, "Rubens, Rembrandt, and Drawing in the Golden Age", September 28, 2019 - January 5, 2020, pp. 69 (ill.), 72-73, 297, cat. 21, cat. by Victoria Sancho Lobis, et. al.
The Art Institute of Chicago, "Rubens, Rembrandt, and Drawing in the Golden Age", September 28, 2019 - January 5, 2020, pp. 69 (ill.), 72-73, 297, cat. 21, cat. by Victoria Sancho Lobis, et. al.
Mon
09
Feb
note
Holm Bevers, Lee Hendrix, William W. Robinson, and Peter Schatborn, Drawings by Rembrandt and His Pupils: Telling the Difference, exh. Cat.
Holm Bevers, Lee Hendrix, William W. Robinson, and Peter Schatborn, Drawings by Rembrandt and His Pupils: Telling the Difference, exh. Cat. (Los Angeles, J. Paul Getty Museum, 2009), under cat. no. 39, p. 231 (ill) (as Arent de Gelder).
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09
Feb
note
1885–1957), Chicago
1885–1957), Chicago
Mon
09
Feb
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Otto Benesch, The Drawings of Rembrandt
Otto Benesch, The Drawings of Rembrandt (London, 1957), vol. VI: p. 385, no. A83, fig. 1748 (as Rembrandt).
Mon
09
Feb
exhibition
Worcester Art Museum, Rembrandt and his Circle, A Loan Exhibition of Paintings, Drawings, and Etchings, Feb. 4–Mar. 1, 1936, p. 45, no. 50 (as Arent de Gelder).
Worcester Art Museum, Rembrandt and his Circle, A Loan Exhibition of Paintings, Drawings, and Etchings, Feb. 4–Mar. 1, 1936, p. 45, no. 50 (as Arent de Gelder).
Mon
09
Feb
exhibition
Art Institute of Chicago, [Loan Exhibition of ] Paintings, Drawings, and Etchings by Rembrandt and His Circle, Dec. 19, 1935–Jan. 19, p. 39, cat. 50 (as Arent de Gelder).
Art Institute of Chicago, [Loan Exhibition of ] Paintings, Drawings, and Etchings by Rembrandt and His Circle, Dec. 19, 1935–Jan. 19, p. 39, cat. 50 (as Arent de Gelder).
Mon
09
Feb
note
W. R. Valentiner, Die Handzeichnungen Rembrandts
W. R. Valentiner, Die Handzeichnungen Rembrandts (New York, 1934), vol. II: p. xxxiv–xxxv, fig. 35 (as Arent de Gelder).
Mon
09
Feb
exhibition
Art Institute of Chicago, A Century of Progress, Exhibition of Paintings and Sculpture, Lent from American Collections, June 1 to November 1, 1933, cat. 813, p. 87, (as Rembrandt).
Art Institute of Chicago, A Century of Progress, Exhibition of Paintings and Sculpture, Lent from American Collections, June 1 to November 1, 1933, cat. 813, p. 87, (as Rembrandt).
Mon
09
Feb
note
Daniel Catton Rich, “Two Drawings by Rembrandt,” The Art Institute of Chicago Bulletin XXIII:4
Daniel Catton Rich, “Two Drawings by Rembrandt,” The Art Institute of Chicago Bulletin XXIII:4 (1929), pp. 40–41 (ill., p. 40) (as Rembrandt).
Mon
09
Feb
note
Unknown collector [stamps (not in Lugt) recto, lower right and lower left, in black]....
Unknown collector [stamps (not in Lugt) recto, lower right and lower left, in black]. 15th Earl of Shrewsbury (1753–1827), Alton Towers, Staffordshire, England [verso inscription]. Possibly sold, Sotheby’s, London, Mar. 13–15, 1858. Charles Deering (1852–1927), Chicago [stamp (Lugt 516) verso, lower right, in blue]
Mon
09
Feb
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given to the Art Institute of Chicago, 1927.
given to the Art Institute of Chicago, 1927.
Mon
09
Feb
exhibition
Dordrechts Museum, Arent de Gelder, 1645–1727: Rembrandts laatste leering, Oct. 10, 1998–Jan. 24, 1999, pp. 113-114, fig. 2, and p. 255, cat. no. 59 (ill).
Dordrechts Museum, Arent de Gelder, 1645–1727: Rembrandts laatste leering, Oct. 10, 1998–Jan. 24, 1999, pp. 113-114, fig. 2, and p. 255, cat. no. 59 (ill).
Sun
09
Feb
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Holm Bevers, Peter Schatborn, and Barbara Welzel, Rembrandt: The Master and His Workshop: Drawings and Etchings, exh. cat.
Holm Bevers, Peter Schatborn, and Barbara Welzel, Rembrandt: The Master and His Workshop: Drawings and Etchings, exh. cat. (New Haven and London: Yale University Press, in association with National Gallery Publications, London, 1992), under cat. 47, pp. 148 (ill) (as Arent de Gelder).
Mon
09
Feb
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Peter Schatborn, “Rembrandt’s Late Drawings of Female Nudes,” in Walter Strauss and Tracie Felker, eds., Drawings Defined
Peter Schatborn, “Rembrandt’s Late Drawings of Female Nudes,” in Walter Strauss and Tracie Felker, eds., Drawings Defined (New York: Abaris Books, 1987), pp. 306-307, fig. 2.
Mon
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Feb
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Peter Schatborn, “Rembrandts late tekeningen van vrouwelijke naaktfiguren.” Kroniek van het Rembrandthuis, XXXIX
Peter Schatborn, “Rembrandts late tekeningen van vrouwelijke naaktfiguren.” Kroniek van het Rembrandthuis, XXXIX (1987), no. 2, pp. 28-40 (ill., p.29, fig. 2); discussed on p. 28.
Sun
09
Feb
exhibition
Art Institute of Chicago, Rembrandt After Three Hundred Years, Oct.25–Dec.7, 1969, pp. 194 and 266 (ill.), cat. 182 [as Aert de Gelder]; also the Minneapolis Institute of Arts, Dec. 22, 1969–Feb. 1...
Art Institute of Chicago, Rembrandt After Three Hundred Years, Oct.25–Dec.7, 1969, pp. 194 and 266 (ill.), cat. 182 [as Aert de Gelder]; also the Minneapolis Institute of Arts, Dec. 22, 1969–Feb. 1, 1970; and the Detroit Institute of Arts, Feb. 24–Apr. 5, 1970.
Tue
09
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1886–1965), Chicago and Mrs....
1886–1965), Chicago and Mrs. Richard Ely Danielson (née Barbara Deering
Thu
09
Feb
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Werner Sumowski, Bemerkungen zu Otto Beneschs Corpus der Rembrandt-zeichnungen, II
Werner Sumowski, Bemerkungen zu Otto Beneschs Corpus der Rembrandt-zeichnungen, II (Bad Pyrmont: 1961), p. 26, no. A 83 (as Arent de Gelder).
© Artist-Unknown. All rights reserved.