Anna Maria Dashwood, later Marchioness of Ely

Pittsburgh, Carnegie Institute, Catalogue, Biographical and Descriptive of the Collection of Pictures Principally of the English School: Loaned to the Carnegie Institute by R. Hall McCormick, Esq. 1898, pp. 88, 89 (ill.).

by descent to John Henry Loftus, 5th Marquess of Ely

Art Institute of Chicago, Art Collection of Mr. R. Hall McCormick, January 1895, p. 51, no cat. no.

copy in curatorial file, kindly provided by Derek Quezada]

R. Hall McCormick, Catalogue, Biographical and Descriptive of the Collection of Pictures, Principally of the English School, of R. Hall McCormick, Esq., Chicago (Chicago: R. Hall McCormick, 1897), pp. 88, 89 (ill.).

Thomas Agnew & Sons, London

Boston, Family Society of Boston, Loan Collection of Portraits for the Benefit of the Associated Charities and the North End Union, March 2–23, 1896, cat. 153.

Presumably John Loftus, 2nd Marquess of Ely (died 1845), husband of the sitter

evidently Ismay sold it back to Agnew almost immediately, in July 1892 [according to Agnew stock book, no. 6529, located in the Getty Research Institute

Kenneth Garlick, Sir Thomas Lawrence (London: Routledge & Kegan Paul, 1954), pp. 34, 69, no. 40.

given to the Art Institute from her estate, 1951 [according to the Committee on Painting and Sculpture meeting notes, April 19, 1951, copy in curatorial file].

died 1950)

John Drury, Old Chicago Houses (Chicago: University of Chicago Press, 1941), pp. 107–108; reprinted (Chicago: University of Chicago Press, 1975 and 1976).

his estate sale, American Art Galleries, New York, April 15, 1920, lot 62 for $18,000 to “Seaman, agent” [price and buyer according to an annotated copy of the sale catalogue in the Art Institute, copy in curatorial file]. Alice H. Brown (Mrs. Marshall Ludington Brown, formerly Mrs. Cyrus McCormick II

“Paintings Sold at Auction: Season of 1919–1920,” in American Art Annual 17 (Washington, D.C.: The American Federation of Arts, 1921), p. 308.

William Coolidge Lane and Nina E. Browne, eds., A.L.A Portrait Index (Washington D.C.: Library of Congress, 1906), p. 473.

Art Institute of Chicago, Old English Paintings: The Collection of R. Hall McCormick, Chicago, August 5–October 8, 1905, cat. 34.

Boston, Copley Hall, Boston Art Students’ Association, Exhibition of the R. Hall McCormick Collection of Paintings Chiefly of the English School, 1900, cat. 42.

Art Institute of Chicago, Collection of Paintings Belonging to R. Hall McCormick, Esq., Principally of the English School, 1900, p. 41, cat. 41.

Kenneth Garlick, Sir Thomas Lawrence: A Complete Catalogue of the Oil Paintings (Oxford: Phaidon, 1989), p. 184, no. 275, ill.

John D. Morse, Old Master Paintings in North America (New York: Abbeville Press, 1979), p. 192.

Kenneth Garlick, “A Catalogue of the Paintings, Drawings, and Pastels of Sir Thomas Lawrence,” Walpole Society 39 (1964), p. 75.

Art Institute of Chicago, Paintings in the Art Institute of Chicago: A Catalogue of the Picture Collection (Chicago: Art Institute of Chicago, 1961), p. 256.

sold to T. H. Ismay, June 2, 1892 [according to a letter from Gabriel M. Naughton, Agnew’s, to Malcolm Warner dated March 19, 1993, copy in curatorial file]

sold by Agnew’s to R. Hall McCormick (died 1917), Chicago, September 20, 1892 [see stock book cited above]