ART TRACKERS logo
ArtworkStatus unknown

Landscape with the Penitent Saint Jerome

0 likesNot savedShare from mobile app
oil paint (paint)54 × 38 Cm

Views

0

Likes

0

Saves

Not saved

Shares

0

About the artwork
Artist supplied description.

In the midst of this expansive landscape, a tiny figure of the hermit Saint Jerome beats his breast with a rock in penance for his earlier worldly pursuits as he gazes at a sculpture of Jesus on the cross. In spite of this fervent activity in the foreground, the true subject of this painting is the vast landscape behind the saint. The artist rendered the mountains, valleys, rivers, and villages in successive bands of brown, green, and blue, the typical structure of the independent landscape that first emerged as a genre in this period. The roads that wind through the scene—metaphors for the journey of life—were a popular motif in Flemish painting and likely helped this work appeal to the growing number of art collectors in the booming city of Antwerp, a center of international trade.

Artwork metadata
Structured fields synced from connected systems.
Mediumoil paint (paint)
Dimensions54 × 38 Cm
Tags
landscapecrucifixionswaterfoliagefigureshorsesanimalstreestowertownsbonessaintsmountainclouds
CertificateCertificate not provided
Timeline
Chain of custody, exhibitions, and verification milestones synced from the provenance service.
Wed
25
Feb
note

whether the collector and dealer Eric-Emil Lyndhurst owned the picture or handled it as an agent is unclear

whether the collector and dealer Eric-Emil Lyndhurst owned the picture or handled it as an agent is unclear
Wed
25
Feb
note

Comte de Bousies, Brussels [according to a fact sheet in the curatorial file, presumably provided by Knoedler

Comte de Bousies, Brussels [according to a fact sheet in the curatorial file, presumably provided by Knoedler
Wed
25
Feb
note

sold to the Art Institute, 1953.

sold to the Art Institute, 1953.
Wed
25
Feb
exhibition

Columbus (Ohio) Gallery of Fine Arts, A Tour of Famous Cities, 1952, no. 33.

Columbus (Ohio) Gallery of Fine Arts, A Tour of Famous Cities, 1952, no. 33.
Wed
25
Feb
note

it was not among his stock confiscated during World War II, according to letter of 22 January, 2002 from Bart Eeman, Belgian Ministry of Economic Affairs, in curatorial file]....

it was not among his stock confiscated during World War II, according to letter of 22 January, 2002 from Bart Eeman, Belgian Ministry of Economic Affairs, in curatorial file]. Sale, Palais des Beaux-Arts, Brussels, May 21, 1951, no. 115, pl. 7, as Patinir. Knoedler, New York, by 1952 [Lent by Knoedler to 1952 exhibition]
Wed
25
Feb
note

an annotation on the mount of a photograph in the Friedländer Archive, at the Rijksbureau voor Kunsthistorische Documentatie, The Hague, supports this provenance, though the name is transcribed as “de Bourier”]....

an annotation on the mount of a photograph in the Friedländer Archive, at the Rijksbureau voor Kunsthistorische Documentatie, The Hague, supports this provenance, though the name is transcribed as “de Bourier”]. Probably Eric-Emil Lyndhurst, Brussels, by January 1950 [the mount of the photograph mentioned above indicates that Friedländer’s opinion was provided for “Lyndhurst, Brussels” on January 5, 1950
Mon
25
Feb
note

Herbert Friedmann, A Bestiary for Saint Jerome: Animal Symbolism in European Religious Art, Washington, D.C., 1980, p. 338.

Herbert Friedmann, A Bestiary for Saint Jerome: Animal Symbolism in European Religious Art, Washington, D.C., 1980, p. 338.
Sat
25
Feb
note

Art Institute of Chicago, Paintings in The Art Institute of Chicago: A Catalogue of the Picture Collection, Chicago, 1961, p. 351.

Art Institute of Chicago, Paintings in The Art Institute of Chicago: A Catalogue of the Picture Collection, Chicago, 1961, p. 351.
© Artist-Unknown. All rights reserved.