Entombment

Demandolx-Dedons was probably the M. le Comte de D. mentioned in the dossier for the Pietà of Saint-Germain, in the Service de Documentation, Musée du Louvre, Paris]

Achillito Chiesa, Milan

Ludovic Nys, “Le Triptyque Seilern: Une Nouvelle Hypothèse,” Revue de l’art, no. 139 (2003), p. 6, fig. 3.

Grete Ring, A Century of French Painting, 1400–1500, London, 1949, p. 232, no. 255.

Louis Gillet, Les Primitifs français, Marseilles, 1941, pl. 13.

Charles Sterling [Charles Jacques, pseud.], La Pein-ture française: Les Peintres du moyen âge, Paris, 1941, p. 64, no. 52.

Charles Sterling, La Peinture française: Les Primitifs, Paris, 1938, p. 134 n. 131.

“Robert B. Harshe as a Connoisseur,” Bulletin of the Art Institute of Chicago 32 (1938), p. 52.

Art Institute of Chicago, A Century of Progress, June 1-Nov. 1, 1934, no. 21.

Art Institute of Chicago, A Century of Progress, June 1- Nov. 1, 1933, no. 33.

Art Institute of Chicago 1932, pp. 37, 166.

Albert C. Barnes and Violette de Mazia, The French Primitives and Their Forms, Merion, Pa., 1931, pp. 505, 509 (ill.).

Walter Heil, “Kunstwerke der französischen Gotik: Leiausstel-lung im Museum zu Detroit,” Pantheon 3 (1929), p. 78 (ill.).

Detroit Institute of Arts, Seventh Loan Exhibition: French Gothic Art of the Thirteenth to Fifteenth Cen-tury, 1928, no. 6.

Frank Jewett Mather, Jr., “An Exhibition of French Primitives,” Arts 12 (1927), p. 245.

New York, Kleinberger, Loan Exhibition of French Primitives and Objects of Art, 1927, no. 9.

Lloyd Goodrich, “New York Exhibitions,” Arts 9 (1926), p. 284.

Art Institute of Chicago Annual Report, 1926, p. 52.

sold, New York, American Art Association, Apr. 16, 1926, no. 32, as School of Avignon, to the Art Institute of Chicago.

R.M.F., “A Painting of the School of Avignon,” Bulletin of the Art Institute of Chicago 20 (1926), pp. 73, 75–76.

Comte Demandolx-Dedons, Marseilles, probably by 1916

4 collection of M. le Comte de D., Paris, Mar.–Nov. 1916, as Rogier van der Weyden [Sterling 1990, citing Seymour de Ricci

Salomon Reinach, Répertoire de peintures du moyen âge et de la renaissance (1280–1580), vol. 2, Paris, 1907, p. 454, no. 1.

Lamponi, Florence, by 1902

sold, Jules Sambon, Flor-ence, Nov. 10 and following days, 1902, no. 2335, as Lucas van Leyden. 3 Possibly Rodolphe Kann (died 1905), Paris [according to New York 1927]

Charles Sterling, La Peinture médiévale à Paris, 1300–1500, vol. 2, Paris, 1990, pp. 321–23, fig. 283.

Charles Sterling and Hélène Adhémar, Peintures: École française, XIVe, XVe et XVIe siècles, Paris, Musée du Lou-vre, 1965, p. 19.

Jacqueline Marette, La Connaissance des primitives par l’étude du bois, du XIIe au XVIe siècle, Paris, 1961, pp. 189, 354, no. 199A.